Traces of Guilt
You are FREE to Read and Download any Book. Click the button below and Create a FREE account. Don't waste your time, continue to see developments from around the world through BOOK.
|Author||: Dee Henderson|
|Editor||: Baker Books|
A Riveting Cold-Case Mystery from Dee Henderson Evie Blackwell loves her life as an Illinois State Police detective . . . mostly. She's very skilled at investigations and has steadily moved up through the ranks. She would like to find Mr. Right, but she has a hard time imagining how marriage could work, considering the demands of her job. Gabriel Thane is a lifetime resident of Carin County and now its sheriff, a job he loves. Gabe is committed to upholding the law and cares deeply for the residents he's sworn to protect. He too would like to find a lifetime companion, a marriage like his parents have. When Evie arrives in Carin, Illinois, it's to help launch a new task force dedicated to reexamining unsolved crimes across the state. Spearheading this trial run, Evie will work with the sheriff's department on a couple of its most troubling missing-persons cases. As she reexamines old evidence to pull out a few tenuous new leads, she unearths a surprising connection . . . possibly to a third cold case. Evie's determined to solve the cases before she leaves Carin County, and Sheriff Thane, along with his family, will be key to those answers.
|Author||: Dee Henderson|
|Editor||: Bethany House|
Dee Henderson Pens Another Compelling Cold Case Mystery Evie Blackwell's reputation as a top investigator for the Illinois State Police has landed her an appointment to the governor's new Missing Persons Task Force. This elite investigative team is launched with plenty of public fanfare. The governor has made this initiative a high priority, so they will have to produce results--and quickly. Evie and her new partner, David Marshal, are assigned to a pair of unrelated cases in suburban Chicago, and while both involve persons now missing for several years, the cases couldn't be more different. While Evie opens old wounds in a close-knit neighborhood to find a missing college student, David searches for a private investigator working for a high-powered client. With a deep conviction that "justice for all" truly matters, Evie and David are unrelenting in their search for the truth. But Evie must also find answers to the questions that lie just beneath the surface in her personal life.
|Author||: Herman Westerink|
|Editor||: Leuven University Press|
Figures of the Unconscious, No. 8Sigmund Freud, in his search for the origins of the sense of guilt in individual life and culture, regularly speaks of "reading a dark trace," thus referring to the Oedipus myth as a myth about the problem of human guilt. In Freud's view, this sense of guilt is a trace, a path, that leads deep into the individual's mental state, into childhood memories, and into the prehistory of culture and religion. Herman Westerink follows this trace and analyzes Freud's thought on the sense of guilt as a central issue in his work, from the earliest studies on the moral and "guilty" characters of the hysterics, via later complex differentiations within the concept of the sense of guilt, and finally to Freud's conception of civilization's discontents and Jewish sense of guilt. The sense of guilt is a key issue in Freudian psychoanalysis, not only in relation to other key concepts in psychoanalytic theory but also in relation to Freud's debates with other psychoanalysts, including Carl Jung and Melanie Klein.
|Author||: Neil Barrett|
|Editor||: Random House|
Nearly every week the headlines of national newspapers shout allegations about the latest credit card fraud, internet paedophile, or major corporations whose computers have been hacked. But what people may not realize is that the nature of computer crime is becoming even more sophisticated. In the same way that all of us use computers increasingly in our business and personal lives, so too are criminals using computers, not just to commit high-tech offences, but to plan, research and co-ordinate a wide variety of crimes. The role computers play in crime, and in particular the detection and prosecution of crime has never been as significant as it is today. In a gripping true-life detective story, ex-hacker and now one of the UK's leading crime experts Neil Barrett guides us into a world where the seemingly innocuous computer screen can provide a window into the mind of even the most hardened criminal. Through some of his own high profile cases, Barrett shows us the cutting edge of modern crime. It is a dimly-lit world where hackers pit their wits, man to man, with the police experts and where the digital detective is the latest and best weapon in the police arsenal.
|Author||: John Carroll|
Guilt is the dark force behind haunting anxiety, obsessive-compulsive behaviour, life meaninglessness, and depression – a force to be kept in check. Yet guilt is equally our richest and most hidden resource, the essence of our humanness, and it drives us on to our highest achievements. Today, when individuals feel bad it is not usually because of something specific they have done. Rather, thundering around in the depths of their being is guilt: obscure, unconscious, yet irrepressible and ever-present. Where does it come from, what are its ways, and how might it be put to useful work? This book explores the nature of guilt, shedding light on how the modern West came increasingly to understand it as ‘the most terrible sickness’. It traces the psychological origins of guilt in each person’s family, and demonstrates the historical rise of guilt in parallel with civilization. It examines the modern predicament: the difficulty of finding explanations for guilt in a secular, post-church society – and the possibility of relief from its curse, while channelling it into a fulfilling life. As such it will appeal to those with interests in sociology, psychology, psychiatry, cultural studies, cultural history, and anthropology.
|Author||: Susan Holoubek|
|Editor||: Macmillan Publishers Aus.|
A missing daughter, her distraught mother. A foreign country. A history of deceit. When Dee's daughter, Corrie, decides to spend her gap year in Argentina, it seems like the perfect solution to their strained relationship. That is, until Corrie goes missing. Facing every mother's worst nightmare, Dee boards a plane from Australia to launch a frantic search. Four years later, Dee returns to Buenos Aires for what she concedes may be the last time. But on this visit, a fresh lead triggers a new search - one where Dee must place her trust in strangers to help her navigate the vibrant but often threatening city. Dee's search for Corrie is overshadowed by the fear that her failings as a mother may have had something to do with Corrie's disappearance. To what extent is Dee to blame? And is this a question that she will ever be able to answer? Traces of Absence is a stirring and thoughtful portrayal of parenthood, guilt, faith and hope. And of the redemptive power of simple human kindness.
|Author||: Katharina von Kellenbach|
|Editor||: Oxford University Press|
The Mark of Cain fleshes out a history of conversations that contributed to Germany's coming to terms with a guilty past. Katharina von Kellenbach draws on letters exchanged between clergy and Nazi perpetrators, written notes of prison chaplains, memoirs, sermons, and prison publications to illuminate the moral and spiritual struggles of perpetrators after World War II. These documents provide intimate insights into the self-reflection and self-perception of perpetrators. As Germany looks back on more than sixty years of passionate debate about political, personal and legal guilt, its ongoing engagement with the legacy of perpetration has transformed German culture and politics. The willingness to forgive and forget displayed by the father in the parable of the Prodigal Son became the paradigm central to Germany's rehabilitation and reintegration of Nazi perpetrators. The problem with Luke's parable in this context is that, unlike the son in the parable, perpetrators did not ask for forgiveness. Most agents of state crimes felt innocent. Von Kellenbach proposes the story of the mark of Cain as a counter narrative. In contrast to the Prodigal Son, who is quickly forgiven and welcomed back into the house of the father, the fratricidal Cain is charged to rebuild his life on the basis of open communication about the past. The story of the Prodigal Son equates forgiveness with forgetting; Cain's story links redemption with remembrance and suggests a strategy of critical engagement with perpetrators.
|Author||: Yu Mou|
|Editor||: Bloomsbury Publishing|
Drawing on insights from the author's own empirical data obtained from systematic observation of the daily routines within Chinese criminal justice institutions, this ground-breaking book examines the functional deficiency of the criminal justice system in preventing innocent individuals from being wrongly accused and convicted. Set within a broad socio-legal context, it outlines the strategic interrelationships between key legal actors, the deep-seated legal culture embedded in practice, the deficiency of integrity of the system and the structural injustices that follow. The author traces criminal case files in the criminal process – how they are constructed, scrutinised and used to dispose of cases and convict defendants in lieu of witnesses' oral testimony. This book illustrates that the Chinese criminal justice system as a state apparatus of social control has been framed through performance indicators, bureaucratic management and the central value of collectivism in such a way as to maintain the stability of the authoritarian power. The Construction of Guilt in China will appeal to academics, researchers, policy advisers and practitioners working in the areas of criminal law, comparative criminal justice, criminology and Chinese studies. Winner of the 2020 SLS Peter Birks Prize for Outstanding Legal Scholarship.
|Author||: Paul Edward Gottfried|
|Editor||: University of Missouri Press|
Multiculturalism and the Politics of Guilt extends Paul Gottfried’s examination of Western managerial government’s growth in the last third of the twentieth century. Linking multiculturalism to a distinctive political and religious context, the book argues that welfare-state democracy, unlike bourgeois liberalism, has rejected the once conventional distinction between government and civil society. Gottfried argues that the West’s relentless celebrations of diversity have resulted in the downgrading of the once dominant Western culture. The moral rationale of government has become the consciousness-raising of a presumed majority population. While welfare states continue to provide entitlements and fulfill the other material programs of older welfare regimes, they have ceased to make qualitative leaps in the direction of social democracy. For the new political elite, nationalization and income redistributions have become less significant than controlling the speech and thought of democratic citizens. An escalating hostility toward the bourgeois Christian past, explicit or at least implicit in the policies undertaken by the West and urged by the media, is characteristic of what Gottfried labels an emerging “therapeutic” state. For Gottfried, acceptance of an intrusive political correctness has transformed the religious consciousness of Western, particularly Protestant, society. The casting of “true” Christianity as a religion of sensitivity only toward victims has created a precondition for extensive social engineering. Gottfried examines late-twentieth-century liberal Christianity as the promoter of the politics of guilt. Metaphysical guilt has been transformed into self-abasement in relation to the “suffering just” identified with racial, cultural, and lifestyle minorities. Unlike earlier proponents of religious liberalism, the therapeutic statists oppose anything, including empirical knowledge, that impedes the expression of social and cultural guilt in an effort to raise the self-esteem of designated victims. Equally troubling to Gottfried is the growth of an American empire that is influencing European values and fashions. Europeans have begun, he says, to embrace the multicultural movement that originated with American liberal Protestantism’s emphasis on diversity as essential for democracy. He sees Europeans bringing authoritarian zeal to enforcing ideas and behavior imported from the United States. Multiculturalism and the Politics of Guilt extends the arguments of the author’s earlier After Liberalism. Whether one challenges or supports Gottfried’s conclusions, all will profit from a careful reading of this latest diagnosis of the American condition.
|Author||: Alexs Pate|
When children of color enter their classrooms each year, many often encounter low expectations, disconnection, and other barriers to their success. In The Innocent Classroom, Alexs Pate traces the roots of these disparities to pervasive negative stereotypes, which children are made aware of before they even walk through the school door. The cumulative weight of these stereotypes eventually takes shape as guilt, which inhibits students' engagement, learning, and relationships and hurts their prospects for the future. If guilt is the primary barrier for children of color in the classroom, then the solution, according to Pate, is to create an Innocent Classroom that neutralizes students' guilt and restores their innocence. To do so, readers will embark on a relationship "construction project" in which they will deepen their understanding of how children of color are burdened with guilt; discover students' "good," or the motivation behind their behaviors, and develop strategic responses to that good; and nurture, protect, and advocate for students' innocence. Ultimately, students will reclaim their innocence and begin to make choices that will lead to their success. Teachers will renew their commitment to their students. And the current ineffective system can give way to one that reflects a more enlightened understanding of who our children are—and what they are capable of.
|Author||: Lene Auestad,Amal Treacher Kabesh|
This book examines how people cannot escape being tainted, whether actively engaged or not, by violence in its countless manifestations. The essays encompass a wide range of theoretical resources, methodological approaches and geo-political areas. They describe how images and fragments of traumatic and violent scenarios are transported from one generation’s unconscious to that of another, leading to cycles of repetition and retaliation, restricting the freedom to imagine alternatives and inhabit alternative positions. The authors all work within a psychosocial framework by unsettling the boundaries between psyche-social. Four themes are addressed: violence of speech, violence and domination, repetition and violence, and the possibility of reparation or renewal. Due to its theoretical engagements and the case studies provided, this interdisciplinary collection will be of value to postgraduate and undergraduate students of psychology, philosophy, politics and history.
|Author||: Rob Sinclair|
You can’t outrun your past... The latest nail-biting Dani Stephens mystery thriller It looks like suicide to DI Dani Stephens. A woman drowned in a bath; half a bottle of vodka and a packet of pills. But then evidence suggests that the woman was murdered – and that solving this mystery will mean delving deep into the past. Still haunted by the previous investigation that left her boyfriend in intensive care, Dani’s search takes her into the world of organised crime – people willing to kill for their secrets. As more bodies are discovered, smiling in the background is the man who tried to end her life: her own twin brother. Even behind bars, it seems that Ben might just hold the key to everything. But can she trust him enough to help her? And can Dani trust herself to catch a killer who will stop at nothing to keep her silent? The gripping third installment in bestseller Rob Sinclair’s unputdownable crime series, Echoes of Guilt is perfect for fans of Angela Marsons and Stuart MacBride.
|Author||: Michael Maar|
|Editor||: Verso Books|
Over the last twenty years, much critical discussion of Thomas Mann has highlighted his homosexuality. This not only is presented as a dynamic underlying Mann’s creative work, but also is the supposed reason for the theme of guilt and redemption that grew ever stronger in Mann’s fiction, and for his panic in 1933 that his early diaries would fall into the hands of the Nazis. Michael Maar mounts a devastating forensic challenge to this consensus: Mann was remarkably open about his sexual orientation, which he saw as no reason for guilt. But sexuality in Mann’s work is inextricably bound up with an eruption of violence. Maar pursues this trail through Mann’s writings and traces its origins back to Mann’s second visit to Italy, during which the Devil appeared to him in Palestrina. Something happened to the twenty-one-year-old Thomas Mann in Naples that marked him for life with a burdensome sense of guilt...but what exactly was it?
|Author||: Brandilyn Collins|
As I drew, the house felt eerie in its silence. . . . A strange sense stole over me, as though Bland and I were two actors on stage, our movements spotlighted, black emptiness between us. But that darkness grew smaller as the space between us shrank. I did not know if this sense was due to my immersion in Bland’s face and mind and world, or to my fear of his threatening presence. Or both . . . The nerves between my shoulder blades began to tingle. Help me, God. Please. For twenty years, a killer has eluded capture for a brutal double murder. Now, forensic artist Annie Kingston has agreed to draw the updated face of Bill Bland for the popular television show American Fugitive. To do so, Annie must immerse herself in Bland’s traits and personality. A single habitual expression could alter the way his face has aged. But as she descends into his criminal mind and world, someone is determined to stop her. At any cost. Annie’s one hope is to complete the drawing and pray it leads authorities to Bland—before Bland can get to her. Brandilyn Collins is the bestselling author of Brink of Death, Eyes of Elisha, and other novels. She and her family divide their time between the California Bay Area and Coeur d’Alene, Idaho. Visit her website at www.brandilyncollins.com.
|Author||: Terri Blackstock|
Now a USA TODAY bestseller! Casey knows the truth. But it won’t set her free. Casey Cox’s DNA is all over the crime scene. There’s no use talking to police; they’ve failed her abysmally before. She has to flee before she’s arrested . . . or worse. The truth doesn’t matter anymore. But what is the truth? That’s the question haunting Dylan Roberts, the war-weary veteran hired to find Casey. PTSD has marked him damaged goods, but bringing Casey back can redeem him. Though the crime scene seems to tell the whole story, details of the murder aren’t adding up. Casey Cox doesn’t fit the profile of a killer. But are Dylan’s skewed perceptions keeping him from being objective? If she isn’t guilty, why did she run? Unraveling her past and the evidence that condemns her will take more time than he has, but as Dylan’s damaged soul intersects with hers, he is faced with two choices: the girl who occupies his every thought is a psychopathic killer . . . or a selfless hero. And the truth could be the most deadly weapon yet.
|Author||: Alice Blanchard|
|Editor||: Minotaur Books|
An IndieNext Pick! "Gripping...Blanchard keeps the tension high." - Associated Press From Alice Blanchard, the author of the New York Times Notable mystery novel Darkness Peering comes Trace of Evil, first in an evocative new series about a small New York town, its deeply held secrets, and the woman determined to uncover them, no matter what the cost. There’s something wicked in Burning Lake... Natalie Lockhart is a rookie detective in Burning Lake, New York, an isolated town known for its dark past. Tasked with uncovering the whereabouts of nine missing transients who have disappeared over the years, Natalie wrestles with the town’s troubled history – and the scars left by her sister’s unsolved murder years ago. Then Daisy Buckner, a beloved schoolteacher, is found dead on her kitchen floor, and a suspect immediately comes to mind. But it’s not that simple. The suspect is in a coma, collapsed only hours after the teacher’s death, and it turns out Daisy had secrets of her own. Natalie knows there is more to the case, but as the investigation deepens, even she cannot predict the far-reaching consequences – for the victim, for the missing of Burning Lake, and for herself.
|Author||: Dee Henderson|
|Editor||: Baker Books|
An investigator who knows tragic loss firsthand, and his new client, missing far too long... Abducted at the age of sixteen and coerced into assisting the Jacoby crime family, Shannon Bliss has finally found a way out. She desperately wants to resume some semblance of normal life, but she also knows she has some unfinished business to attend to. She might have enough evidence to put her captors behind bars for a very long time. When Shannon contacts private investigator Matthew Dane, a former cop, to help her navigate her reentry into society, he quickly discovers that gaining her freedom doesn't mean her troubles are over. If the Jacoby family learns she is still alive, they'll stop at nothing to silence her. If justice is to be done, and if Shannon's life is ever to get on track again, Matthew will need to discover exactly what happened to her--even if it means stirring up a hornet's nest of secrets.
|Author||: Pat Cummings|
In a debut novel that's perfect for fans of Jason Reynolds and Erin Entrada Kelly, award-winning author/illustrator and educator Pat Cummings tells a poignant story about grief, love, and the untold stories that echo across time. Trace Carter doesn’t know how to feel at ease in his new life in New York. Even though his artsy Auntie Lea is cool, her brownstone still isn’t his home. Haunted by flashbacks of the accident that killed his parents, the best he can do is try to distract himself from memories of the past. But the past isn’t done with him. When Trace takes a wrong turn in the New York Public Library, he finds someone else lost in the stacks with him: a crying little boy, wearing old, tattered clothes. And though at first he can’t quite believe he’s seen a ghost, Trace soon discovers that the boy he saw has ties to Trace’s own history—and that he himself may be the key to setting the dead to rest.
|Author||: Saul Friedlander|
|Editor||: Yale University Press|
DIV Franz Kafka was the poet of his own disorder. Throughout his life he struggled with a pervasive sense of shame and guilt that left traces in his daily existenceâ€”in his many letters, in his extensive diaries, and especially in his fiction. This stimulating book investigates some of the sources of Kafkaâ€™s personal anguish and its complex reflections in his imaginary world. In his query, Saul FriedlÃ¤nder probes major aspects of Kafkaâ€™s life (family, Judaism, love and sex, writing, illness, and despair) that until now have been skewed by posthumous censorship. Contrary to Kafkaâ€™s dying request that all his papers be burned, Max Brod, Kafkaâ€™s closest friend and literary executor, edited and published the authorâ€™s novels and other works soon after his death in 1924. FriedlÃ¤nder shows that, when reinserted in Kafkaâ€™s letters and diaries, deleted segments lift the mask of â€œsainthoodâ€? frequently attached to the writer and thus restore previously hidden aspects of his individuality. /div
|Author||: Shelby Steele|
|Editor||: Harper Collins|
In 1955 the murderers of Emmett Till, a black Mississippi youth, were acquitted of their crime, undoubtedly because they were white. Forty years later, O. J. Simpson, whom many thought would be charged with murder by virtue of the DNA evidence against him, went free after his attorney portrayed him as a victim of racism. Clearly, a sea change had taken place in American culture, but how had it happened? In this important new work, distinguished race relations scholar Shelby Steele argues that the age of white supremacy has given way to an age of white guilt -- and neither has been good for African Americans. As the civil rights victories of the 1960s dealt a blow to racial discrimination, American institutions started acknowledging their injustices, and white Americans -- who held the power in those institutions -- began to lose their moral authority. Since then, our governments and universities, eager to reclaim legitimacy and avoid charges of racism, have made a show of taking responsibility for the problems of black Americans. In doing so, Steele asserts, they have only further exploited blacks, viewing them always as victims, never as equals. This phenomenon, which he calls white guilt, is a way for whites to keep up appearances, to feel righteous, and to acquire an easy moral authority -- all without addressing the real underlying problems of African Americans. Steele argues that calls for diversity and programs of affirmative action serve only to stigmatize minorities, portraying them not as capable individuals but as people defined by their membership in a group for which exceptions must be made. Through his articulate analysis and engrossing recollections of the last half-century of American race relations, Steele calls for a new culture of personal responsibility, a commitment to principles that can fill the moral void created by white guilt. White leaders must stop using minorities as a means to establish their moral authority -- and black leaders must stop indulging them. As White Guilt eloquently concludes, the alternative is a dangerous ethical relativism that extends beyond race relations into all parts of American life.