Theatre for Living

Theatre for Living
Available:
Author: David Diamond,Fritjof Capra
Pages: 336
ISBN: 9781425124588
Release: 2007
Editor: Trafford Publishing

DESCRIPTION OF THE BOOK:

Winner of the 2008 American Alliance for Theatre and Education "Book of Distinction" Award. Theatre is a primal language that used to be spoken by everyone; everyone included the "living community". Weaving together Systems Theory and the groundbreaking work of Fritjof Capra , Theatre of the Oppressed and the revolutionary work of Augusto Boal , and his own 25 years of practical experience in community-based popular theatre, David Diamond creates a silo-busting book that embraces the complexity of real life. Some of the questions Theatre for Living asks and attempts to answer: From a perspective of biology and sociology, how is a community a living thing? How do we design a theatre practice to consciously work with living communities to help them tell their stories? How do we accomplish this without demonizing those characters with whom we disagree? Must we constantly do battle to defeat an endless stream of oppressors, or can we imagine a world in which we stop creating them? Why is this important? What should we be on the look-out for (both positive and negative) when doing this work? What practical games and exercises can we use to awaken group consciousness? Who will be interested in Theatre for Living? Artists; community development workers; educators; activists; people working in social services, mediation and conflict resolution; health care professionals; anyone with an interest in finding new ways to approach the intersection of culture and social justice. "I greatly admire the achievements of David Diamond and his Headlines Theatre. He is following his own path, doing extraordinary and groundbreaking work in several fields, like his work with many First Nations communities in Canada and the US, and his adaptation of Forum Theatre on TV and on the Internet. This book relates the experiences of his life in theatre. For what he has already done, is doing, and certainly will do, David Diamond deserves all our support." Augusto Boal, founder of Theatre of the Oppressed, author of Theatre of the Oppressed, Rainbow of Desire, and Legislative Theatre David Diamond's work has been an inspiration to performers, artists, community leaders throughout Canada and beyond. The ideas in Theatre for Living are large, daring, challenging; but the steps by which Diamond follows and implements the ideas are precise and accessible. As I read I found myself being taken further and further into the life that is both theatre and the making of theatre, which is to say I was led into how life can be given its meaning. Hugh Brody, anthropologist and film-maker, author of Maps And Dreams, Living Arctic and The Other Side of Eden

The Dark Theatre

The Dark Theatre
Available:
Author: Alan Read
Pages: 332
ISBN: 9781000052237
Release: 2020-05-11
Editor: Routledge

DESCRIPTION OF THE BOOK:

The Dark Theatre is an indispensable text for activist communities wondering what theatre might have to do with their futures, students and scholars across Theatre and Performance Studies, Urban Studies, Cultural Studies, Political Economy and Social Ecology. The Dark Theatre returns to the bankrupted warehouse in Hope (Sufferance) Wharf in London’s Docklands where Alan Read worked through the 1980s to identify a four-decade interregnum of ‘cultural cruelty’ wreaked by financialisation, austerity and communicative capitalism. Between the OPEC Oil Embargo and the first screening of The Family in 1974, to the United Nations report on UK poverty and the fire at Grenfell Tower in 2017, this volume becomes a book about loss. In the harsh light of such loss is there an alternative to the market that profits from peddling ‘well-being’ and pushes prescriptions for ‘self-help’, any role for the arts that is not an apologia for injustice? What if culture were not the solution but the problem when it comes to the mitigation of grief? Creativity not the remedy but the symptom of a structural malaise called inequality? Read suggests performance is no longer a political panacea for the precarious subject but a loss adjustor measuring damages suffered, compensations due, wrongs that demand to be put right. These field notes from a fire sale are a call for angry arts of advocacy representing those abandoned as the detritus of cultural authority, second-order victims whose crime is to have appealed for help from those looking on, audiences of sorts.

Devising Theatre

Devising Theatre
Available:
Author: Alison Oddey
Pages: 254
ISBN: 0415049008
Release: 1996
Editor: Psychology Press

DESCRIPTION OF THE BOOK:

Devising Theatre is a practical handbook that combines a critical analysis of contemporary devised theatre practice, with descriptions of selected companies, and suggestions for any group devising theatre from scratch. It was written because of a perceived need for information about the subject, and is the first book to propose a general theory of devised theatre.

The Frantic Assembly Book of Devising Theatre

The Frantic Assembly Book of Devising Theatre
Available:
Author: Scott Graham,Steven Hoggett
Pages: 220
ISBN: 9781317667278
Release: 2014-07-25
Editor: Routledge

DESCRIPTION OF THE BOOK:

‘This is a close companion to Frantic Assembly’s practice and one that is written with an open and engaging, even disarming, tone ... A rich, rewarding and compelling text.’ Stuart Andrews, University of Surrey As Frantic Assembly move into their twentieth year of producing innovative and adventurous theatre, this new edition of their well-loved book demystifies the process of devising theatre in an unusually candid way. Artistic directors Scott Graham and Steven Hoggett offer an intimate and invaluable insight into their evolution and success, in the hope that sharing their experiences of devising theatre will encourage and inspire students and fellow practitioners. The Frantic Assembly Book of Devising Theatre is a uniquely personal account of the history and practice of this remarkable company, and includes: · practical exercises · essays on devising, writing and choreography · suggestions for scene development · a 16-page colour section, and illustrations throughout · a companion website featuring clips of rehearsals and performances. This is an accessible, educational and indispensable introduction to the working processes of Frantic Assembly, whose playful, intelligent and dynamic productions continue to be acclaimed by audiences and critics alike.

Puppets and Puppet Theatre

Puppets and Puppet Theatre
Available:
Author: David Currell
Pages: 176
ISBN: PSU:000047052871
Release: 1999
Editor: Crowood Press (UK)

DESCRIPTION OF THE BOOK:

Presents information on constructing and staging puppet plays.

Theatre in Passing

Theatre in Passing
Available:
Author: Elena Siemens
Pages: 216
ISBN: 9781841503745
Release: 2011
Editor: Intellect Books

DESCRIPTION OF THE BOOK:

Theatre in Passing explores spaces of performance in contemporary Moscow. Inspired by French philosopher Michel de Certeau’s model of a "second, poetic geography" in which the walker—the everyday practitioner—invents the space observed by the voyeur, this book takes the reader on a tour of spaces of performance in contemporary Moscow. Through text and photography, the city’s "theatrical geography" is uncovered, from the Bolshoi Theater in Theater Square to hidden gems like the recently restored Kuskovo estate. With additional sections on street theater and other public gatherings, Theatre in Passing is a must-read book for anyone curious about the theatrical architecture and geography of Russia’s capital.

Memory Theatre

Memory Theatre
Available:
Author: Simon Critchley
Pages: 68
ISBN: 0992974712
Release: 2014
Editor: Unknown

DESCRIPTION OF THE BOOK:

This is part novel, part prose poem illuminated by a series of photographs of New York buildings gradually making and unmaking themselves.

Theatre of the Book 1480 1880

Theatre of the Book  1480 1880
Available:
Author: Julie Stone Peters
Pages: 494
ISBN: 0199262160
Release: 2003
Editor: Oxford University Press on Demand

DESCRIPTION OF THE BOOK:

Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); anexamination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the moderntheatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatricalephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print.

Women Theatre and Performance

Women  Theatre and Performance
Available:
Author: Kate Dorney,Maggie B B. Gale,Maggie Barbara Gale,Viv Gardner
Pages: 243
ISBN: 0719057132
Release: 2000
Editor: Manchester University Press

DESCRIPTION OF THE BOOK:

This collection addresses key questions in women's theatre history and retrieves a number of previously "hidden" histories of women performers. The essays range across the past 300 years--topics covered include Susanna Centlivre and the notion of intertheatricality; gender and theatrical space; the repositioning of women performers such as Wagner's Muse, Willhelmina Schröder-Devrient, the Comédie Français' "Mademoiselle Mars," Mme. Arnould-Plessey, and the actresses of the Russian serf theatre.

Sacred Theatre

Sacred Theatre
Available:
Author: Ralph Yarrow,Franc Chamberlain
Pages: 224
ISBN: 9781841501536
Release: 2007
Editor: Intellect Books

DESCRIPTION OF THE BOOK:

The contributors awareness of the innate ambiguity of the terms sacred and performance provides an animated discussion of their relationship, including a variety of differing critical responses to an array of plays, texts and performances. The book examines not only the structural understandings and functions of the sacred in theatre, but also experimental and personal experiences. Sacred Theatre examines both theatrical and more multi-disciplinary approaches to the sacred, offering stimulation for discussion within performance and theatre teaching.

Theatre of the Unimpressed

Theatre of the Unimpressed
Available:
Author: Jordan Tannahill
Pages: 160
ISBN: 9781770564114
Release: 2015-05-11
Editor: Coach House Books

DESCRIPTION OF THE BOOK:

A lot of plays are bad. And one bad play, it seems, can turn us off theater for good. So, what can we learn from the bad play? Jordan Tannahill, after talking to theater heavy-hitters from Australia to Berlin, offers a roadmap for a renewed theater, one that is less insular, less insulting, with better infrastructure. In reconsidering dramaturgy, programming strategies, and alternative models for producing, he aims to turn theater from an obligation to a destination. Jordan Tannahill is a multidisciplinary artist based in Toronto. His production of Sheila Heti's All Our Happy Days Are Stupid will be performed in New York in 2015.

A Student s Guide to A2 Drama and Theatre Studies for the AQA Specification

A Student s Guide to A2 Drama and Theatre Studies for the AQA Specification
Available:
Author: Philip Rush,Robert Lowe
Pages: 329
ISBN: 9781904226307
Release: 2004-10-01
Editor: Rhinegold Publishing Ltd

DESCRIPTION OF THE BOOK:

New Theatre Quarterly 61 Volume 16 Part 1

New Theatre Quarterly 61  Volume 16  Part 1
Available:
Author: Clive Barker,Simon Trussler
Pages: 104
ISBN: 052178901X
Release: 2000-02-24
Editor: Cambridge University Press

DESCRIPTION OF THE BOOK:

Provides an international forum where theatrical scholarship and practice can meet.

Composed Theatre

Composed Theatre
Available:
Author: David Roesner,Matthias Rebstock
Pages: 367
ISBN: 9781841504568
Release: 2012
Editor: Intellect Books

DESCRIPTION OF THE BOOK:

Composed Theatre gives extensive coverage of a growing field of theatre that is characterized by applying musical and compositional approaches to the creation of theatrical performances. The contributions to this book seek to establish and closely investigate this field, and range from focused reports by seminal artists and in-depth portraits of their working methods to academic essays contextualising the aesthetics, practices and processes in question. This book looks at Composed Theatre in a unique way by focusing on the creative process, as it is not primarily the aesthetics or the audiences that characterize this field, but the compositional thinking at play in its creation. Since Composed Theatre is often highly self-reflexive, the authors also explore how it is calling into question fundamental certaintities about musical composition, dramaturgy and music-theatrical production. Publisher's note.

The Theatre

The Theatre
Available:
Author: Anonim
Pages: 329
ISBN: IOWA:31858058761820
Release: 1888
Editor: Unknown

DESCRIPTION OF THE BOOK:

Vol. for 1888 includes dramatic directory for Feb.-Dec.; vol. for 1889 includes dramatic directory for Jan.-May.

The Theatre

The Theatre
Available:
Author: Clement Scott,Bernard Edward Joseph Capes,Charles Eglington,Addison Bright
Pages: 329
ISBN: CHI:096267593
Release: 1883
Editor: Unknown

DESCRIPTION OF THE BOOK:

The Oxford Illustrated History of Theatre

The Oxford Illustrated History of Theatre
Available:
Author: John Russell Brown
Pages: 582
ISBN: 0192854429
Release: 2001
Editor: Oxford Illustrated History

DESCRIPTION OF THE BOOK:

A survey of 4,500 years of international performance history covers the significant movements, writers, performers, and events from traditional and avant-garde theater

Modern Drama in Theory and Practice Volume 3 Expressionism and Epic Theatre

Modern Drama in Theory and Practice  Volume 3  Expressionism and Epic Theatre
Available:
Author: J. L. Styan
Pages: 244
ISBN: 0521296307
Release: 1983-06-09
Editor: Cambridge University Press

DESCRIPTION OF THE BOOK:

Büchner is the forerunner of expression, followed by Wedekind and Strindberg. The style is then traced from Kaiser and Toller to O'Neill, Wilder and the later O'Casey. Important producers are Reinhardt and Meyerhold. Epic theatre is studied from Piscator and Brecht to Dürrenmatt and Weiss, Arden and Bond, and is seen as flourishing in offshoots of documentary theatre. This book was first published in 1981.

Performing Exile Performing Self

Performing Exile  Performing Self
Available:
Author: Yana Meerzon
Pages: 350
ISBN: 9780230221536
Release: 2012-04-05
Editor: Palgrave Macmillan

DESCRIPTION OF THE BOOK:

This book examines the life and art of those contemporary artists who, by force or by choice, find themselves on other shores; for whom the hardship of exile is both an existential ordeal and an opportunity to exercise their creative abilities, professional competence, and artistic resources. It argues that the exilic challenge enables the émigré artist to (re)establish new artistic devices, new laws and a new language of communication in both his/her everyday life and artistic work. It celebrates the creative propensity and artistic success that the state of exile can offer to an artist forced to deal with the typical exilic conditions of pain of displacement, nostalgia, and loss. The creative output and the fame of the artists selected for this study (Joseph Brodsky, Eugenio Barba, Wajdi Mouawad, Josef Nadj, Derek Walcott, and Atom Egoyan), present a variety of 'success stories' in exile that challenge the view of the exilic state as one of mourning, depression, disbelief, and constant suffering.

Designing for the Theatre

Designing for the Theatre
Available:
Author: Francis Reid
Pages: 112
ISBN: 9781135858629
Release: 2013-10-08
Editor: Routledge

DESCRIPTION OF THE BOOK:

Now in its second edition, Designing for the Theatre has established itself as the authoritative introduction to the processes of design for the theatre. Covering the contribution which can be made by costume, sets, props and lighting to a stage production, the author explains the purpose and process involved in their design. Included in this second edition are new photographs and drawings illustrating some of the most exciting and diverse current trends in stage design.