The Heartbeat of Wounded Knee
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|Author||: David Treuer|
FINALIST FOR THE 2019 NATIONAL BOOK AWARD LONGLISTED FOR THE 2020 ANDREW CARNEGIE MEDAL FOR EXCELLENCE A NEW YORK TIMES BESTSELLER Named a best book of 2019 by The New York Times, TIME, The Washington Post, NPR, Hudson Booksellers, The New York Public Library, The Dallas Morning News, and Library Journal. "Chapter after chapter, it's like one shattered myth after another." - NPR "An informed, moving and kaleidoscopic portrait... Treuer's powerful book suggests the need for soul-searching about the meanings of American history and the stories we tell ourselves about this nation's past.." - New York Times Book Review, front page A sweeping history—and counter-narrative—of Native American life from the Wounded Knee massacre to the present. The received idea of Native American history—as promulgated by books like Dee Brown's mega-bestselling 1970 Bury My Heart at Wounded Knee—has been that American Indian history essentially ended with the 1890 massacre at Wounded Knee. Not only did one hundred fifty Sioux die at the hands of the U. S. Cavalry, the sense was, but Native civilization did as well. Growing up Ojibwe on a reservation in Minnesota, training as an anthropologist, and researching Native life past and present for his nonfiction and novels, David Treuer has uncovered a different narrative. Because they did not disappear—and not despite but rather because of their intense struggles to preserve their language, their traditions, their families, and their very existence—the story of American Indians since the end of the nineteenth century to the present is one of unprecedented resourcefulness and reinvention. In The Heartbeat of Wounded Knee, Treuer melds history with reportage and memoir. Tracing the tribes' distinctive cultures from first contact, he explores how the depredations of each era spawned new modes of survival. The devastating seizures of land gave rise to increasingly sophisticated legal and political maneuvering that put the lie to the myth that Indians don't know or care about property. The forced assimilation of their children at government-run boarding schools incubated a unifying Native identity. Conscription in the US military and the pull of urban life brought Indians into the mainstream and modern times, even as it steered the emerging shape of self-rule and spawned a new generation of resistance. The Heartbeat of Wounded Knee is the essential, intimate story of a resilient people in a transformative era.
|Author||: Dee Brown|
|Editor||: Open Road Media|
The “fascinating” #1 New York Times bestseller that awakened the world to the destruction of American Indians in the nineteenth-century West (The Wall Street Journal). First published in 1970, Bury My Heart at Wounded Knee generated shockwaves with its frank and heartbreaking depiction of the systematic annihilation of American Indian tribes across the western frontier. In this nonfiction account, Dee Brown focuses on the betrayals, battles, and massacres suffered by American Indians between 1860 and 1890. He tells of the many tribes and their renowned chiefs—from Geronimo to Red Cloud, Sitting Bull to Crazy Horse—who struggled to combat the destruction of their people and culture. Forcefully written and meticulously researched, Bury My Heart at Wounded Knee inspired a generation to take a second look at how the West was won. This ebook features an illustrated biography of Dee Brown including rare photos from the author’s personal collection.
|Author||: David Treuer|
|Editor||: Grove/Atlantic, Inc.|
A prize-winning writer offers “an affecting portrait of his childhood home, Leech Lake Indian Reservation, and his people, the Ojibwe” (The New York Times). A member of the Ojibwe of northern Minnesota, David Treuer grew up on Leech Lake Reservation, but was educated in mainstream America. Exploring crime and poverty, casinos and wealth, and the preservation of native language and culture, Rez Life is a strikingly original blend of history, memoir, and journalism, a must read for anyone interested in the Native American story. With authoritative research and reportage, he illuminates issues of sovereignty, treaty rights, and natural-resource conservation. He traces the policies that have disenfranchised and exploited Native Americans, exposing the tension that marks the historical relationship between the US government and the Native American population. Ultimately, through the eyes of students, teachers, government administrators, lawyers, and tribal court judges, he shows how casinos, tribal government, and the Bureau of Indian Affairs have transformed the landscape of modern Native American life. “Treuer’s account reads like a novel, brimming with characters, living and dead, who bring his tribe’s history to life.” —Booklist “Important in the way Dee Brown’s Bury My Heart at Wounded Knee was when it came out in 1970, deeply moving readers as it schooled them about Indian history in a way nothing else had.” —Minneapolis Star-Tribune “[A] poignant, penetrating blend of memoir and history.” —People
|Author||: David Treuer|
The story of Dr. Apelles, a Native American translator of ancient texts, and his romance with a co-worker is intertwined with that of the mythological tale that he is working on that recounts the saga of two orphans from different tribes who fall in love with each other. Reprint. 20,000 first printing.
|Author||: David Treuer|
Recently widowed, and encouraged by government relocation schemes to move Native Americans off their reservations, Betty takes her four young children from their Ojibwe roots to make a new life in Minneapolis. As Betty struggles to keep her family and her dignity intact, her younger son Lester finds romance on the soon-to-be-demolished train, The Hiawatha, while his older brother Simon secretly protects his mother by taking a dangerous job as a construction worker, scaling the heights of the skyscrapers that, once completed, will never welcome him. Twenty years later, Simon is released from prison for a horrible crime of passion. His return to Minneapolis sets in motion the dramatic, inevitable conclusion to one family's ceaseless fight to survive. An elegy to the American dream, and to the sometimes tragic experience of the Native Americans who helped to build it, The Hiawatha is both a moving portrait of a family, and a fast-paced, page-turning literary mystery of murder and redemption. David Treuer more than delivers on the promise he displayed in his acclaimed first novel, Little, and confirms his reputation as one of the most talented and original writers of his generation.
|Author||: Timothy C. Winegard|
A pioneering and groundbreaking work of narrative nonfiction that offers a dramatic new perspective on the history of humankind, showing how through millennia, the mosquito has been the single most powerful force in determining humanity’s fate Why was gin and tonic the cocktail of choice for British colonists in India and Africa? What does Starbucks have to thank for its global domination? What has protected the lives of popes for millennia? Why did Scotland surrender its sovereignty to England? What was George Washington's secret weapon during the American Revolution? The answer to all these questions, and many more, is the mosquito. Across our planet since the dawn of humankind, this nefarious pest, roughly the size and weight of a grape seed, has been at the frontlines of history as the grim reaper, the harvester of human populations, and the ultimate agent of historical change. As the mosquito transformed the landscapes of civilization, humans were unwittingly required to respond to its piercing impact and universal projection of power. The mosquito has determined the fates of empires and nations, razed and crippled economies, and decided the outcome of pivotal wars, killing nearly half of humanity along the way. She (only females bite) has dispatched an estimated 52 billion people from a total of 108 billion throughout our relatively brief existence. As the greatest purveyor of extermination we have ever known, she has played a greater role in shaping our human story than any other living thing with which we share our global village. Imagine for a moment a world without deadly mosquitoes, or any mosquitoes, for that matter? Our history and the world we know, or think we know, would be completely unrecognizable. Driven by surprising insights and fast-paced storytelling, The Mosquito is the extraordinary untold story of the mosquito’s reign through human history and her indelible impact on our modern world order.
|Author||: Daegan Miller|
|Editor||: University of Chicago Press|
“The American people sees itself advance across the wilderness, draining swamps, straightening rivers, peopling the solitude, and subduing nature,” wrote Alexis de Tocqueville in 1835. That’s largely how we still think of nineteenth-century America today: a country expanding unstoppably, bending the continent’s natural bounty to the national will, heedless of consequence. A country of slavery and of Indian wars. There’s much truth in that vision. But if you know where to look, you can uncover a different history, one of vibrant resistance, one that’s been mostly forgotten. This Radical Land recovers that story. Daegan Miller is our guide on a beautifully written, revelatory trip across the continent during which we encounter radical thinkers, settlers, and artists who grounded their ideas of freedom, justice, and progress in the very landscapes around them, even as the runaway engine of capitalism sought to steamroll everything in its path. Here we meet Thoreau, the expert surveyor, drawing anticapitalist property maps. We visit a black antislavery community in the Adirondack wilderness of upstate New York. We discover how seemingly commercial photographs of the transcontinental railroad secretly sent subversive messages, and how a band of utopian anarchists among California’s sequoias imagined a greener, freer future. At every turn, everyday radicals looked to landscape for the language of their dissent—drawing crucial early links between the environment and social justice, links we’re still struggling to strengthen today. Working in a tradition that stretches from Thoreau to Rebecca Solnit, Miller offers nothing less than a new way of seeing the American past—and of understanding what it can offer us for the present . . . and the future.
|Author||: Howard Langer|
|Editor||: Greenwood Publishing Group|
Includes eight-hundred quotations from various tribes, organized according to native themes such as the land, spirituality, and struggle
|Author||: Tiffany Midge|
|Editor||: U of Nebraska Press|
Bury My Heart at Chuck E. Cheese’sis a powerful and inviting collection of Tiffany Midge’s musings on life, politics, and identity as a Native woman in America.
|Author||: Ned BLACKHAWK|
|Editor||: Harvard University Press|
"Blackhawk, a Western Shoshone himself, does not portray the natives as victims. Instead, he demonstrates that their perseverance and ability to adapt to changing conditions over the last two centuries allowed them to help shape the world around them ... This is one of the finest studies available on native peoples of the ggreat basin region." John Burch, Library Journal, from the bookjacket.
|Author||: MariJo Moore|
|Editor||: Bold Type Books|
After five centuries of Eurocentrism, many people have little idea that Native American tribes still exist, or which traditions belong to what tribes. However over the past decade there has been a rising movement to accurately describe Native cultures and histories. In particular, people have begun to explore the experience of urban Indians—individuals who live in two worlds struggling to preserve traditional Native values within the context of an ever-changing modern society. In Genocide of the Mind, the experience and determination of these people is recorded in a revealing and compelling collection of essays that brings the Native American experience into the twenty-first century. Contributors include: Paula Gunn Allen, Simon Ortiz, Sherman Alexie, Leslie Marmon Silko, and Maurice Kenny, as well as emerging writers from different Indian nations.
|Author||: Jeff Berglund,Jan Johnson,Kimberli Lee|
|Editor||: University of Arizona Press|
"This book is an interdisciplinary discussion of popular music performed and created by American Indian musicians, providing an important window into history, politics, and tribal communities as it simultaneously complements literary, historiographic, anthropological, and sociological discussions of Native culture"--Provided by publisher.
|Author||: Akim D. Reinhardt|
|Editor||: Texas Tech University Press|
“Reinhardt furnishes revealing portraits of Gerald One Feather, Dick Wilson, Russell Means; he offers a telling indictment of Pine Ridge’s economy. He is one of the few historians who understands the distinction D’Arcy McNickle made decades ago between loss and defeat. He and the late Vine Deloria, Jr. would have welcomed this volume because of its thorough research and, above all, its unflinching honesty. Writing in 1970 Deloria called for historians to ‘bring historical consciousness to the whole Indian story.’ Ruling Pine Ridge achieves that goal. It will be required reading for all who care about not only the indigenous past but as well its connection to the problems of the present and the challenges of the 21st century.” —Peter Iverson, author of Diné: A History of the Navajos Incorporating previously overlooked materials, including tribal council records, oral histories, and reservation newspapers, Ruling Pine Ridge explores the political history of South Dakota’s Oglala Lakota reservation during the mid-twentieth century. Akim D. Reinhardt examines the reservation’s transition from the direct colonialism of the pre–1934 era to the indirect colonial policies of the controversial Indian Reorganization Act (IRA). The new federal approach to Indian politics was evident in the advent of the tribal council governing system, which is still in place today on Pine Ridge and on many other reservations. While the structure of the reservation’s governing body changed dramatically to reflect mainstream American cultural values, certain political equations on the reservation changed very little. In particular, despite promises to the contrary, the new reservation government’s authority was still severely constrained by the Bureau of Indian Affairs. In addition, the new governing format led to an aggravation of social divisions on the reservation. Reinhardt then examines the period of 1968–1973, showing that many of the political players on the reservation had changed, and although the tribal council system was well established by this point, deep dissatisfaction with the IRA government persisted on Pine Ridge. This longstanding unhappiness came to a head in 1973, with the occupation and siege of Wounded Knee. Reinhardt demonstrates that the siege is best understood not as a political stunt of the American Indian Movement (AIM), but as a spontaneous, grassroots protest that was at least forty years in the making.
|Author||: Hamilton Cain|
An unforgettable memoir about growing up Southern, grappling with faith, and confronting a childhood colored by religion, Bible Belt culture, and a mother who minces words better than a food processor A child stumbles upon a vintage photograph and glimpses salvation. A young girl vanishes in a famous cavern when she runs away from her tour group. A hijacked plane circles overhead, its passengers’ lives in jeopardy. A mystical stranger, a refugee from the Holocaust, seals off her secrets behind an elusive smile. From simple blessings to historical tragedies to random twists of fate, This Boy’s Faith plumbs the uncanny mysteries and surprising revelations at the heart of a Southern Baptist childhood. Hamilton Cain came to Jesus on a trampoline, or as his devout parents described it, “He just jumped and bounced his way to the Lord.” Growing up in Tennessee in the 1970s and ’80s, he set himself on the path to becoming the best Baptist boy he could be. The veil between the concrete and the magical shimmered all around him, nourishing his soul. Religion was a map to help him navigate his life, to steer away from the reefs of temptation. Yet as he grew older, Hamilton began to notice fractures and cracks in a world that had once promised sanctuary and transcendence, perils threatening to shatter the protective shell of family and community. Like an escape artist, he cut himself free from his evangelical milieu, and eventually gravitated north, to cosmopolitan New York. Twenty years later, the smooth flow of Hamilton’s life reversed itself yet again when his first child was born with a grave genetic disease. Thrown into a chasm of confusion and despair, he found the primal voices of his original culture reaching out to him. He picked up that faded, half-forgotten script to see what values, if any, could steady him in the here and now. The result is a story of growing up Baptist, and then growing up. Haunting, evocative, and gorgeously written, Hamilton Cain’s debut will resonate with fans of poignant personal memoir, readers interested in faith and spirituality, and anyone who has known what it’s like to engage the complexities and contradictions of one’s past.
|Author||: Richard E. Jensen,R. Eli Paul,John Carter|
|Editor||: Bison Books|
On a wintry day in December 1890, near a creek named Wounded Knee on the Pine Ridge Reservation in South Dakota, the Seventh Cavalry of the U.S. Army opened fire on an encampment of Sioux Indians. This assault claimed more than 250 lives, including those of many Indian women and children. The tragedy at Wounded Knee has often been written about, but the existing photographs have received little attention until now. Eyewitness at Wounded Knee brings together and assesses for the first time some 150 photographs that were made before and immediately after the massacre. Present at the scene were two itinerant photographers, George Trager and Clarence Grant Morelodge, whose work has never before been published. Accompanying commentaries focus on both the Indian and the military sides of the story. Richard E. Jensen analyzes the political and economic quagmire in which the Sioux found themselves after 1877. R. Eli Paul considers the army’s role at Wounded Knee. John E. Carter discusses the photographers and also the reporters and relic hunters who were looking to profit from the misfortune of others. For this Bison Books edition each image has been digitally enhanced and restored, making the photographs as compelling as the event itself. Heather Cox Richardson tells the story behind the endeavor to present a meaningful account of this significant historical event.
|Author||: Peter Cozzens|
"With the end of the Civil War, the nation recommenced its expansion onto traditional Indian tribal lands, setting off a wide-ranging conflict that would last more than three decades. In an exploration of the wars and negotiations that destroyed tribal ways of life even as they made possible the emergence of the modern United States, Peter Cozzens gives us both sides in comprehensive and singularly intimate detail. He illuminates the encroachment experienced by the tribes and the tribal conflicts over whether to fight or make peace, and explores the squalid lives of soldiers posted to the frontier and the ethical quandaries faced by generals who often sympathized with their native enemies"--Amazon.com.
|Author||: Paul Andrew Hutton|
In the tradition of Empire of the Summer Moon, a stunningly vivid historical account of the manhunt for Geronimo and the 25-year Apache struggle for their homeland. They called him Mickey Free. His kidnapping started the longest war in American history, and both sides--the Apaches and the white invaders—blamed him for it. A mixed-blood warrior who moved uneasily between the worlds of the Apaches and the American soldiers, he was never trusted by either but desperately needed by both. He was the only man Geronimo ever feared. He played a pivotal role in this long war for the desert Southwest from its beginning in 1861 until its end in 1890 with his pursuit of the renegade scout, Apache Kid. In this sprawling, monumental work, Paul Hutton unfolds over two decades of the last war for the West through the eyes of the men and women who lived it. This is Mickey Free's story, but also the story of his contemporaries: the great Apache leaders Mangas Coloradas, Cochise, and Victorio; the soldiers Kit Carson, O. O. Howard, George Crook, and Nelson Miles; the scouts and frontiersmen Al Sieber, Tom Horn, Tom Jeffords, and Texas John Slaughter; the great White Mountain scout Alchesay and the Apache female warrior Lozen; the fierce Apache warrior Geronimo; and the Apache Kid. These lives shaped the violent history of the deserts and mountains of the Southwestern borderlands--a bleak and unforgiving world where a people would make a final, bloody stand against an American war machine bent on their destruction.
|Author||: Sierra Crane Murdoch|
|Editor||: Random House Trade Paperbacks|
The gripping true story of a murder on an Indian reservation, and the unforgettable Arikara woman who becomes obsessed with solving it--an urgent work of literary journalism. "I don't know a more complicated, original protagonist in literature than Lissa Yellow Bird, or a more dogged reporter in American journalism than Sierra Crane Murdoch."--William Finnegan, Pulitzer Prize-winning author of Barbarian Days NOMINATED FOR THE EDGAR® AWARD * NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review * NPR * Publishers Weekly When Lissa Yellow Bird was released from prison in 2009, she found her home, the Fort Berthold Indian Reservation in North Dakota, transformed by the Bakken oil boom. In her absence, the landscape had been altered beyond recognition, her tribal government swayed by corporate interests, and her community burdened by a surge in violence and addiction. Three years later, when Lissa learned that a young white oil worker, Kristopher "KC" Clarke, had disappeared from his reservation worksite, she became particularly concerned. No one knew where Clarke had gone, and few people were actively looking for him. Yellow Bird traces Lissa's steps as she obsessively hunts for clues to Clarke's disappearance. She navigates two worlds--that of her own tribe, changed by its newfound wealth, and that of the non-Native oilmen, down on their luck, who have come to find work on the heels of the economic recession. Her pursuit of Clarke is also a pursuit of redemption, as Lissa atones for her own crimes and reckons with generations of trauma. Yellow Bird is an exquisitely written, masterfully reported story about a search for justice and a remarkable portrait of a complex woman who is smart, funny, eloquent, compassionate, and--when it serves her cause--manipulative. Drawing on eight years of immersive investigation, Sierra Crane Murdoch has produced a profound examination of the legacy of systematic violence inflicted on a tribal nation and a tale of extraordinary healing.
|Author||: Mitchell Jackson|
“A vibrant memoir of race, violence, family, and manhood…a virtuosic wail of a book” (The Boston Globe), Survival Math calculates how award-winning author Mitchell S. Jackson survived the Portland, Oregon, of his youth. This “spellbinding” (NPR) book explores gangs and guns, near-death experiences, sex work, masculinity, composite fathers, the concept of “hustle,” and the destructive power of addiction—all framed within the story of Mitchell Jackson, his family, and his community. Lauded for its breathtaking pace, its tender portrayals, its stark candor, and its luminous style, Survival Math reveals on every page the searching intellect and originality of its author. The primary narrative, focused on understanding the antecedents of Jackson’s family’s experience, is complemented by survivor files, which feature photographs and riveting short narratives of several of Jackson’s male relatives. “A vulnerable, sobering look at Jackson’s life and beyond, in all its tragedies, burdens, and faults” (San Francisco Chronicle), the sum of Survival Math’s parts is a highly original whole, one that reflects on the exigencies—over generations—that have shaped the lives of so many disenfranchised Americans. “Both poetic and brutally honest” (Salon), Mitchell S. Jackson’s nonfiction debut is as essential as it is beautiful, as real as it is artful, a singular achievement, not to be missed.