The Film Experience

The Film Experience
Available:
Author: Timothy Corrigan,Patricia White
Pages: 518
ISBN: 9780312681708
Release: 2012-01-03
Editor: Macmillan

DESCRIPTION OF THE BOOK:

"A comprehensive introduction to film that recognizes students as movie fans and helps them understand the art form's full scope. The authors situate their strong coverage of the medium's formal elements within the larger cultural contexts that inform the ways we watch film, from economics and exhibition to marketing and the star system." -- Blackwells.

THE FILM EXP

THE FILM EXP
Available:
Author: CORRIGAN T WHITE P
Pages: 329
ISBN: 1137463953
Release: 2015-04-01
Editor: Unknown

DESCRIPTION OF THE BOOK:

The Multisensory Film Experience

The Multisensory Film Experience
Available:
Author: Luis Rocha Antunes
Pages: 218
ISBN: 9781783206308
Release: 2016-05-01
Editor: Intellect Books

DESCRIPTION OF THE BOOK:

When the lights dim in a movie theatre and the projector begins to click and whir, the light and sounds of the motion picture become the gateway to a multisensory experience. Moving beyond the oft-discussed perceptual elements of vision and hearing, The Multisensory Film Experience analyses temperature, pain and balance in order to argue that it is the experience of film that’s inherently multisensory, not the medium. Luis Rocha Antunes here explores the work of well-loved filmmakers Erik Jensen, Gus Van Sant and Ki-Duk Kim to offer new insights into how viewers experience films and understand their stories. This is an original contribution to an emerging field of research and will become essential reading for film scholars.

Launchpad Solo for the Film Experience Six Month Access

Launchpad Solo for the Film Experience  Six Month Access
Available:
Author: Corrigan,Patricia White
Pages: 329
ISBN: 1319093523
Release: 2017-11-10
Editor: Unknown

DESCRIPTION OF THE BOOK:

Phenomenology of Film

Phenomenology of Film
Available:
Author: Shawn Loht
Pages: 220
ISBN: 9781498519038
Release: 2017-08-25
Editor: Lexington Books

DESCRIPTION OF THE BOOK:

Phenomenology of Film: A Heideggerian Account of the Film Experience uses the philosophy of Martin Heidegger as a framework for addressing key issues in the philosophy of film. This study grapples with the question of how we can reconcile film as a popular entertainment medium with Heidegger’s own various critiques of popular media and culture throughout his career. Shawn Loht also explores topics such as the ontology of film and moving images; the phenomenological character of the viewer experience; film conceived as an art medium; and the function of films as vehicles for philosophical thought. He further discusses important concepts from Heidegger’s philosophy--Dasein, existentiality, world, art and poetry, and the nature of philosophy. The first four chapters take up these issues from a theoretical perspective. The remaining chapters provide robust application of the theoretical material to the films of three contemporary filmmakers: Terrence Malick, Michael Haneke, and David Gordon Green. As the first single-author monograph that takes up Heidegger’s relevance to film, Phenomenology of Film will be of particular interest to philosophers of film and specialists of film and media studies working in the intersection of phenomenology and film or phenomenological approaches to issues in popular culture.

The Address of the Eye

The Address of the Eye
Available:
Author: Vivian Sobchack
Pages: 358
ISBN: 9780691213279
Release: 2020-05-05
Editor: Princeton University Press

DESCRIPTION OF THE BOOK:

Cinema is a sensuous object, but in our presence it becomes also a sensing, sensual, sense-making subject. Thus argues Vivian Sobchack as she challenges basic assumptions of current film theory that reduce film to an object of vision and the spectator to a victim of a deterministic cinematic apparatus. Maintaining that these premises ignore the material and cultural-historical situations of both the spectator and the film, the author makes the radical proposal that the cinematic experience depends on two "viewers" viewing: the spectator and the film, each existing as both subject and object of vision. Drawing on existential and semiotic phenomenology, and particularly on the work of Merleau-Ponty, Sobchack shows how the film experience provides empirical insight into the reversible, dialectical, and signifying nature of that embodied vision we each live daily as both "mine" and "another's." In this attempt to account for cinematic intelligibility and signification, the author explores the possibility of human choice and expressive freedom within the bounds of history and culture.

Structures Film Experience Jean Pierre

Structures Film Experience Jean Pierre
Available:
Author: Julian Hanich,Daniel Fairfax
Pages: 360
ISBN: 9462986568
Release: 2019-08-26
Editor: Film Theory in Media History

DESCRIPTION OF THE BOOK:

For the first time this volume makes Jean-Pierre Meunier's influential thoughts on the film experience available for an English-speaking readership. Introduced and commented by specialists in film studies and philosophy, Meunier's intricate phenomenological descriptions of the spectator's engagement with fiction films, documentaries and home movies can reach the wide audience they have deserved ever since their publication in French in 1969.

The Cult Film Experience

The Cult Film Experience
Available:
Author: J. P. Telotte
Pages: 236
ISBN: 9780292761858
Release: 2014-02-19
Editor: University of Texas Press

DESCRIPTION OF THE BOOK:

"Play it again, Sam" is the motto of cult film enthusiasts, who will watch their favorite movie over and over, "beyond all reason." What is the appeal of cult movies? Why do fans turn up in droves at midnight movies or sit through the same three-hanky classics from Hollywood's golden era? These are some of the questions J. P. Telotte and twelve other noted film scholars consider in this groundbreaking study of the cult film. The book identifies two basic types of cult films—older Hollywood movies, such as Casablanca, that have developed a cult following and "midnight movies," most notably The Rocky Horror Picture Show. Telotte, Bruce Kawin, and Timothy Corrigan offer thought-provoking discussions about why these two types of movies become cult films, the sort of audience they attract, and the needs they fulfill for that audience. Subsequent essays employ a variety of cultural, feminist, ideological, and poststructural strategies for exploring these films. In a section on the classical cult film, the movie Casablanca receives extensive treatment. An essay by T. J. Ross considers Beat the Devil as a send-up of cult films, while another essay by Wade Jennings analyzes the cult star phenomenon as personified in Judy Garland. "Midnight movie madness" is explored in essays on The Rocky Horror Picture Show, movie satires of the 1950s, science fiction double features, and horror thrillers. Illustrated with scenes from favorite movies and written for both fans and scholars, The Cult Film Experience will appeal to a wider audience than the "usual suspects."

Melancholy Emotion in Contemporary Cinema

Melancholy Emotion in Contemporary Cinema
Available:
Author: Francesco Sticchi
Pages: 198
ISBN: 9780429847455
Release: 2019-01-15
Editor: Routledge

DESCRIPTION OF THE BOOK:

This work outlines a new methodology for film analysis based on the radical materialist thought of Baruch Spinoza, re-evaluating contemporary cognitive media theory and philosophical theories on the emotional and intellectual aspects of film experience. Sticchi’s exploration of Spinozian philosophy creates an experiential constructive model to blend the affective and intellectual aspects of cognition, and to combine it with different philosophical interpretations of film theory. Spinoza’s embodied philosophy rejected logical and ethical dualisms, and established a perfect parallelism between sensation and reason and provides the opportunity to address negative emotions and sad passions without referring exclusively to traditional notions such as catharsis or sublimation, and to put forth a practical/embodied notion of Film-Philosophy. This new analytical approach is tested on four case studies, films that challenge the viewer’s emotional engagement since they display situations of cosmic failure and depict controversial and damaged characters: A Serious Man (2009); Melancholia (2011); The Act of Killing (2012) and Only Lovers Left Alive (2013). This book is an important addition to the literature in Film Studies, particularly in Cognitive Film Theory and Philosophy of Film. Its affective and semantic analyses of film experience (studies of embodied conceptualisation), connecting Spinoza’s thought to the analysis of audiovisual media, will also be of interest to Philosophy scholars and in academic courses of film theory, film-philosophy and cognitive film studies.

Film Experience

Film Experience
Available:
Author: Melanie McQuitty
Pages: 167
ISBN: 1109857713
Release: 2006
Editor: Unknown

DESCRIPTION OF THE BOOK:

In order to probe the narrative element essential to film I appropriate Paul Ricoeur's idea of threefold mimesis as detailed in his three-volume work Time and Narrative. On Ricoeur's view, narrative is a process in three stages: the first stage, pre-figuration, is what is referred to as pre-formed human experience; the second stage is configuration, which is the actual activity of organizing pre-formed human experience into a narrative; and the third stage, refiguration, is that stage in which the world of the reader or viewer and the world of the work come together.

Eye of the Century

Eye of the Century
Available:
Author: Francesco Casetti
Pages: 269
ISBN: 9780231139946
Release: 2008
Editor: Columbia University Press

DESCRIPTION OF THE BOOK:

Acclaimed film scholar Francesco Casetti situates the cinematic experience within discourses of 20th century modernity. He suggests that film defined a unique gaze not only because it recorded many of the centuries most important events, but also because it determined the manner in which they were received.

The Horse who Drank the Sky

The Horse who Drank the Sky
Available:
Author: Murray Pomerance
Pages: 257
ISBN: STANFORD:36105131662889
Release: 2008
Editor: Unknown

DESCRIPTION OF THE BOOK:

While film scholarship began with discussions of aesthetics, for decades scholars have been delivering analytical summaries, descriptive narratives, and cultural critiques, rarely addressing what movies look like or what is going on cinematically on the screen. We live in a world that is relentlessly optical. Bombarded by magazines, posters, advertisements, photographs, and films, the eye has become the principal organ of modernity. But at the same time we have accelerated the pace of social change and social life, to such a degree that we move quickly past what we look at. The glance has replaced the gaze. In this book, Pomerance asks us to resurrect the act of looking for a new approach to cinema. This book consists of 12 chapters on individual films, foreign and American, with an extended introduction. Each essay focuses on a film, choosing one or more specific and hitherto unstudied moments as springboards from which to come to a new understanding of the film as a whole, and filmic practice more generally.

Moving Viewers

Moving Viewers
Available:
Author: Carl Plantinga
Pages: 296
ISBN: 0520943910
Release: 2009-04-08
Editor: Univ of California Press

DESCRIPTION OF THE BOOK:

Everyone knows the thrill of being transported by a film, but what is it that makes movie watching such a compelling emotional experience? In Moving Viewers, Carl Plantinga explores this question and the implications of its answer for aesthetics, the psychology of spectatorship, and the place of movies in culture. Through an in-depth discussion of mainstream Hollywood films, Plantinga investigates what he terms "the paradox of negative emotion" and the function of mainstream narratives as ritualistic fantasies. He describes the sensual nature of the movies and shows how film emotions are often elicited for rhetorical purposes. He uses cognitive science and philosophical aesthetics to demonstrate why cinema may deliver a similar emotional charge for diverse audiences.

Audience Effect

Audience Effect
Available:
Author: Julian Hanich
Pages: 240
ISBN: 9781474414968
Release: 2018-03-07
Editor: Edinburgh University Press

DESCRIPTION OF THE BOOK:

The first comprehensive conceptualisation of Russia and neighbouring Eastern Europe in post-1989 Nordic film

Eye of the Century

Eye of the Century
Available:
Author: Francesco Casetti
Pages: 269
ISBN: 9780231139953
Release: 2008
Editor: Columbia University Press

DESCRIPTION OF THE BOOK:

In this brilliant book, acclaimed film scholar Francesco Casetti examines film's nature and role in the twentieth century, an age obsessed with immediacy, worried about newness, eager for nearness and transparency, and torn apart by conflict. In its time, cinema negotiated the different needs of modernity, compared and united conflicting stimuli, and provided answers for everydayness. Film cultivated a personal gaze, intimately tied to the emergence of point of view, but also able to restore the immediacy of the real; a complex gaze, in which reality and imagination were combined; a piercing gaze, achieved by machine, and yet deeply anthropomorphic; an excited gaze, rich in perceptive stimuli, but also attentive to the spectator's orientation; and an immersive gaze, which gave the impression of being inside the seen world while also maintaining a sense of distance. Each of these gazes combined two different qualities and balanced them, resulting in a synthesis that strived to bring about true compromises without ever sacrificing the complexity of contradiction. As Casetti demonstrates, film proposed a vision that, in making opposites permeable, modeled itself on an oxymoronic principle, and is therefore the key to understanding the modern experience.

The Essay Film

The Essay Film
Available:
Author: Timothy Corrigan
Pages: 256
ISBN: 9780199910564
Release: 2011-08-01
Editor: Oxford University Press

DESCRIPTION OF THE BOOK:

Why have certain kinds of documentary and non-narrative films emerged as the most interesting, exciting, and provocative movies made in the last twenty years? Ranging from the films of Ross McElwee (Bright Leaves) and Agn?s Varda (The Gleaners and I) to those of Abbas Kiarostami (Close Up) and Ari Folman (Waltz with Bashir), such films have intrigued viewers who at the same time have struggled to categorize them. Sometimes described as personal documentaries or diary films, these eclectic works are, rather, best understood as cinematic variations on the essay. So argues Tim Corrigan in this stimulating and necessary new book. Since Michel de Montaigne, essays have been seen as a lively literary category, and yet--despite the work of pioneers like Chris Marker--seldom discussed as a cinematic tradition. The Essay Film, offering a thoughtful account of the long rapport between literature and film as well as novel interpretations and theoretical models, provides the ideas that will change this.

The Film Experience

The Film Experience
Available:
Author: Timothy Corrigan,Patricia White
Pages: 837
ISBN: 9781319093563
Release: 2017-11-10
Editor: Macmillan Higher Education

DESCRIPTION OF THE BOOK:

The Film Experience is a comprehensive introduction to film that recognizes students as movie fans while surpassing all other texts in helping them understand the art form’s full scope. Noted scholars and teachers Tim Corrigan and Patricia White capture the complete film experience, situating their strong coverage of the medium’s formal elements within the larger cultural contexts that inform the ways we all watch film—from economics and exhibition to marketing and the star system. A host of learning tools gives students the support they need to make the transition from movie fan to critical viewer. Now with a sharper focus that highlights the essential formal and cultural concepts of cinema, and a powerful new suite of video and media, The Film Experience is the consummate introductory film text. Read the preface.

Cycles Sequels Spin offs Remakes and Reboots

Cycles  Sequels  Spin offs  Remakes  and Reboots
Available:
Author: Amanda Ann Klein,R. Barton Palmer
Pages: 367
ISBN: 9781477308172
Release: 2016-03-15
Editor: University of Texas Press

DESCRIPTION OF THE BOOK:

With sequels, prequels, remakes, spin-offs, or copies of successful films or franchises dominating film and television production, it sometimes seems as if Hollywood is incapable of making an original film or TV show. These textual pluralities or multiplicities—while loved by fans who flock to them in droves—tend to be dismissed by critics and scholars as markers of the death of high culture. Cycles, Sequels, Spin-offs, Remakes, and Reboots takes the opposite view, surveying a wide range of international media multiplicities for the first time to elucidate their importance for audiences, industrial practices, and popular culture. The essays in this volume offer a broad picture of the ways in which cinema and television have used multiplicities to streamline the production process, and to capitalize on and exploit viewer interest in previously successful and/or sensational story properties. An impressive lineup of established and emerging scholars talk seriously about forms of multiplicity that are rarely discussed as such, including direct-to-DVD films made in Nigeria, cross-cultural Japanese horror remakes, YouTube fan-generated trailer mash-ups, and 1970s animal revenge films. They show how considering the particular bonds that tie texts to one another allows us to understand more about the audiences for these texts and why they crave a version of the same story (or character or subject) over and over again. These findings demonstrate that, far from being lowbrow art, multiplicities are actually doing important cultural work that is very worthy of serious study.

The Experiences of Film Location Tourists

The Experiences of Film Location Tourists
Available:
Author: Stefan Roesch
Pages: 248
ISBN: 9781845411206
Release: 2009
Editor: Channel View Publications

DESCRIPTION OF THE BOOK:

This book examines the on-site experiences of film-induced tourists at various film locations, including locations from The Lord of the Rings, Star Wars and The Sound of Music. The study attempts to understand the needs and wants of film location tourists and also examines how to use films for destination marketing.

Devotional Cinema Revised 3rd Edition

Devotional Cinema  Revised 3rd Edition
Available:
Author: Nathaniel Dorsky
Pages: 54
ISBN: 193115712X
Release: 2014-12-15
Editor: Unknown

DESCRIPTION OF THE BOOK:

Literary Nonfiction. Cinema Studies. Revised 3rd Edition. "Devotional Cinema" offers an exploration into the language of film, reprised from a lecture on religion and cinema delivered at Princeton University. The new edition includes additions and changes related to the author's understanding of Carl Theodor Dreyer's "The Passion of Joan of Arc" as well as other smaller clarifications. Dorsky has been making and exhibiting films within the avant-garde tradition since 1964.