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|Author||: Renia Spiegel|
|Editor||: St. Martin's Press|
A New York Times bestseller A USA Today bestseller The long-hidden diary of a young Polish woman's life during the Holocaust, translated for the first time into English Renia Spiegel was born in 1924 to an upper-middle class Jewish family living in southeastern Poland, near what was at that time the border with Romania. At the start of 1939 Renia began a diary. “I just want a friend. I want somebody to talk to about my everyday worries and joys. Somebody who would feel what I feel, who would believe me, who would never reveal my secrets. A human being can never be such a friend and that’s why I have decided to look for a confidant in the form of a diary.” And so begins an extraordinary document of an adolescent girl’s hopes and dreams. By the fall of 1939, Renia and her younger sister Elizabeth (née Ariana) were staying with their grandparents in Przemysl, a city in the south, just as the German and Soviet armies invaded Poland. Cut off from their mother, who was in Warsaw, Renia and her family were plunged into war. Like Anne Frank, Renia’s diary became a record of her daily life as the Nazis spread throughout Europe. Renia writes of her mundane school life, her daily drama with best friends, falling in love with her boyfriend Zygmund, as well as the agony of missing her mother, separated by bombs and invading armies. Renia had aspirations to be a writer, and the diary is filled with her poignant and thoughtful poetry. When she was forced into the city’s ghetto with the other Jews, Zygmund is able to smuggle her out to hide with his parents, taking Renia out of the ghetto, but not, ultimately to safety. The diary ends in July 1942, completed by Zygmund, after Renia is murdered by the Gestapo. Renia's Diary has been translated from the original Polish, and includes a preface, afterword, and notes by her surviving sister, Elizabeth Bellak. An extraordinary historical document, Renia Spiegel survives through the beauty of her words and the efforts of those who loved her and preserved her legacy.
|Author||: Renia Spiegel|
|Editor||: Ebury Press|
The long-hidden diary of a young Polish woman's last days during the Holocaust, translated for the first time into English, with a foreword from American Holocaust historian Deborah Lipstadt. Renia Spiegel was a young girl from an upper-middle class Jewish family living on an estate in Stawki, Poland, near what was at that time the border with Romania. In the summer of 1939, Renia and her sister Elizabeth (née Ariana) were visiting their grandparents in Przemysl, right before the Germans invaded Poland. Like Anne Frank, Renia recorded her days in her beloved diary. She also filled it with beautiful original poetry. Her diary records how she grew up, fell in love, and was rounded up by the invading Nazis and forced to move to the ghetto in Przemsyl with all the other Jews. By luck, Renia's boyfriend Zygmund was able to find a tenement for Renia to hide in with his parents and took her out of the ghetto. This is all described in the Diary, as well as the tragedies that befell her family and her ultimate fate in 1942, as written in by Zygmund on the Diary's final page. Renia's Diary is a significant historical and psychological document. The raw, yet beautiful account depicts Renia's angst over the horrors going on around her. It has been translated from the original Polish, with notes included by her surviving sister, Elizabeth Bellak.
|Author||: Renia Spiegel|
|Editor||: Random House|
Introduction by Deborah E. Lipstadt, author of Denial July 15, 1942, Wednesday Remember this day; remember it well. You will tell generations to come. Since 8 o’clock today we have been shut away in the ghetto. I live here now. The world is separated from me and I’m separated from the world. Renia is a young girl who dreams of becoming a poet. But Renia is Jewish, she lives in Poland and the year is 1939. When Russia and Germany invade her country, Renia's world shatters. Separated from her mother, her life takes on a new urgency as she flees Przemysl to escape night bombing raids, observes the disappearances of other Jewish families and, finally, witnesses the creation of the ghetto. But alongside the terror of war, there is also great beauty, as she begins to find her voice as a writer and falls in love for the first time. She and the boy she falls in love with, Zygmunt, share their first kiss a few hours before the Nazis reach her hometown. And it is Zygmunt who writes the final, heartbreaking entry in Renia’s diary. Recently rediscovered after seventy years, Renia’s Diary is already being described as a classic of Holocaust literature. Written with a clarity and skill that is reminiscent of Anne Frank, Renia's Diary also includes a prologue and epilogue by Renia's sister Elizabeth, as well as an introduction by Deborah E. Lipstadt, author of Denial. It is an extraordinary testament to both the horrors of war, and to the life that can exist even in the darkest times.
|Author||: Renia Spiegel|
|Editor||: Ebury Press|
Introduction by Deborah Lipstadt, author of Denial July 15, 1942, Wednesday Remember this day; remember it well. You will tell generations to come. Since 8 o'clock today we have been shut away in the ghetto. I live here now. The world is separated from me and I'm separated from the world. Renia is a young girl who dreams of becoming a poet. But Renia is Jewish, she lives in Poland and the year is 1939. When Russia and Germany invade her country, Renia's world shatters. Separated from her mother, her life takes on a new urgency as she flees Przemysl to escape night bombing raids, observes the disappearances of other Jewish families and, finally, witnesses the creation of the ghetto. But alongside the terror of war, there is also great beauty, as she begins to find her voice as a writer and falls in love for the first time. She and the boy she falls in love with, Zygmunt, share their first kiss a few hours before the Nazis reach her hometown. And it is Zygmunt who writes the final, heartbreaking entry in Renia's diary. Recently rediscovered after seventy years, Renia's Diary is already being described as a classic of Holocaust literature. Written with a clarity and skill that is reminiscent of Anne Frank, it is an extraordinary testament to both the horrors of war, and to the life that can exist even in the darkest times.
|Author||: Irene Hasenberg Butter,John D Bidwell,Kris Holloway|
Irene's first person Holocaust memoir, Shores Beyond Shores, is an account of how the heart keeps its common humanity in the most inhumane and turbulent of times. Irene's childhood is cut short when she and her family are deported to Nazi-controlled prison camps and finally Bergen-Belsen, where she is a fellow prisoner with Anne Frank. Later forbidden from speaking about her experiences by the American relatives who cared for her, Irene is now making up for lost time. Irene has shared the stage with peacemakers such as the Dalai Lama, Desmond Tutu, and Elie Wiesel, and she considers it her duty to tell her story now and on behalf of the six million other Jews who have been permanently silenced. Book long description: Irene Butter's memoir of her experiences before, during and after the Holocaust is not a recounting of misery and tragedy; rather it is the genuine story of a girl coming to terms with a terrible event and choosing to view herself as a survivor instead of a victim. When the Dutch police knock on their door, Irene and her family are forced to leave their home and board trains meant for cattle. They are taken to Nazi-controlled prison camps and finally to Bergen-Belsen, where Irene is a fellow prisoner with Anne Frank. With limited access to food, shelter, and warm clothing, Irene's family needs nothing short of a miracle to survive. Irene's memoir tells the story of her experiences as a young girl before, during, and after the Holocaust, highlighting how her family came to terms with the catastrophe and how she, over time, came to view herself as a survivor rather than a victim. Throughout the book, her first-person account celebrates the love and empathy that can persist even in the most inhumane conditions. Irene's words send a poignant message against hate at a time when anti-Semitic, fascist and xenophobic movements around the globe are experiencing a resurgence. Irene, through her book, reminds us of the impact one person can have in choosing to follow the mantra, 'never a bystander' -- a phrase she adopted only 33 years ago, after her own voice was silenced by her cousins in the years after the Holocaust. Now, Irene Hasenberg Butter is a well-known inspirational speaker on her experiences during World War II.
|Author||: Petr Ginz|
|Editor||: Open Road + Grove/Atlantic|
“Recalling the diaries of . . . Anne Frank, Ginz’s diaries reveal a budding Czech literary and artistic genius whose life was cut short by the Nazis” (International Herald Tribune). Not since Anne Frank’s The Diary of a Young Girl has such an intimately candid, deeply affecting account of a childhood compromised by Nazi tyranny come to light. As a fourteen-year-old Jewish boy living in Prague in the early 1940s, Petr Ginz dutifully kept a diary that captured the increasingly precarious texture of daily life. His stunningly mature paintings, drawings, and writings reflect his insatiable appetite for learning and experience and openly display his growing artistic and literary genius. Petr was killed in a gas chamber at Auschwitz at the age of sixteen. His diaries—recently discovered in a Prague attic under extraordinary circumstances—are an invaluable historical document and a testament to one remarkable child’s insuppressible hunger for life. “Given his unprecedented situation, his words were unprecedented. He was creating new language. He was creating life . . . The diary in your hands did not save Petr. But it did save us.” —Jonathan Safran Foer, author of Extremely Loud and Incredibly Close and Everything Is Illuminated
|Author||: Zygmunt Bauman|
This is not a diary: while these observations were recorded in autumn 2010 and spring 2011 in the form of dated entries, they are not a personal reflection but an attempt to capture signs of our times in their movement - possibly at birth, at a stage when they are still barely perceptible, and in any case before they have matured into common, all too familiar forms, escaping our attention due to their banality. Some will perhaps settle in our daily life for a long time to come, others will fade and vanish before they would otherwise have a chance to be noted, recorded and explored in depth: in our fast-moving, protean and kaleidoscopic world, it is hardly possible to predict their future course and to decide in advance which of them will grow in volume and significance and which will prove to have been still-born. Whatever their fate, the author tried to take a leaf from William Blake's precept of seeing the universe in a grain of sand - and, having done so, alert us to what is or may be happening to our individual lives, forms of togetherness, shared prospects; to the ways we perceive and relate to each other, the forces that shape our life chances and itineraries; and to the ways we try to control, or at least influence, and sometimes even reform for the better, some or all those dimensions of our existence. These timely meditations by one of the most perceptive social thinkers of our time will appeal to a wide range of readers.
|Editor||: Tyndale House Publishers, Inc.|
The author documents her experiences during World War II through a secret diary she kept during her time in a concentration camp and the years following the war.
|Author||: Bert Lewyn,Bev Lewyn|
|Editor||: Chicago Review Press|
BERLIN, 1942. The Gestapo arrest eighteen-year-old Bert Lewyn and his parents, sending the latter to their deaths and Bert to work in a factory making guns for the Nazi war effort. Miraculously tipped off the morning the Gestapo round up all the Jews who work in the factories, Bert goes underground. He finds shelter sometimes with compassionate civilians, sometimes with people who find his skills useful and sometimes in the cellars of bombed-out buildings. Without proper identity papers, he survives as a hunted Jew in the flames and terror of Nazi Berlin in part by successfully mimicking non-Jews, even masquerading as an SS officer. But the Gestapo are hot on his trail... Before World War II, 160,000 Jews lived in Berlin. By 1945, only 3,000 remained alive. Bert was one of the few, and his thrilling memoir—from witnessing the famous 1933 book burning to the aftermath of the war in a displaced persons camp—offers an unparalleled depiction of the life of a runaway Jew caught in the heart of the Nazi empire.
|Author||: Vasily Grossman|
The Complete Black Book of Russian Jewryis a collection of eyewitness testimonies, letters, diaries, affidavits, and other documents on the activities of the Nazis against Jews in the camps, ghettoes, and towns of Eastern Europe. Arguably, the only apt comparism is to The Gulag Archipelago of Alexander Solzhenitsyn. This definitive edition of The Black Book, including for the first time materials omitted from previous editions, is a major addition to the literature on the Holocaust. It will be of particular interest to students, teachers, and scholars of the Holocaust and those interested in the history of Europe. By the end of 1942, 1.4 million Jews had been killed by the Einsatzgruppen that followed the German army eastward; by the end of the war, nearly two million had been murdered in Russia and Eastern Europe. Of the six million Jews who perished in the Holocaust, about one-third fell in the territories of the USSR. The single most important text documenting that slaughter is The Black Book, compiled by two renowned Russian authors Ilya Ehrenburg and Vasily Grossman. Until now, The Black Book was only available in English in truncated editions. Because of its profound significance, this new and definitive English translation of The Complete Black Book of Russian Jewry is a major literary and intellectual event. From the time of the outbreak of the war, Ehrenburg and Grossman collected the eyewitness testimonies that went into The Black Book. As early as 1943 they were planning its publication; the first edition appeared in 1944. During the years immediately after the war, Grossman assisted Ehrenburg in compiling additional materials for a second edition, which appeared in 1946 (in English as well as Russian). Since the fall of the Soviet regime, Irina Ehrenburg, the daughter of Ilya Ehrenburg, has recovered the lost portions of the manuscript sent to Yad Vashem. The texts recove
|Author||: Andreas Krieg,Jean-Marc Rickli|
|Editor||: Georgetown University Press|
Surrogate Warfare explores the emerging phenomenon of “surrogate warfare” in twenty-first century conflict. The popular notion of war is that it is fought en masse by the people of one side versus the other. But the reality today is that both state and non-state actors are increasingly looking to shift the burdens of war to surrogates. Surrogate warfare describes a patron's outsourcing of the strategic, operational, or tactical burdens of warfare, in whole or in part, to human and/or technological substitutes in order to minimize the costs of war. This phenomenon ranges from arming rebel groups, to the use of armed drones, to cyber propaganda. Krieg and Rickli bring old, related practices such as war by mercenary or proxy under this new overarching concept. Apart from analyzing the underlying sociopolitical drivers that trigger patrons to substitute or supplement military action, this book looks at the intrinsic trade-offs between substitutions and control that shapes the relationship between patron and surrogate. Surrogate Warfare will be essential reading for anyone studying contemporary conflict.
|Author||: Anne Frank|
|Editor||: Novel Units, Incorporated|
The compelling diary of a young girl on the brink of maturity as her life draws to toward its tragic end -- one of the most moving and vivid documents of the Jewish experience.
|Author||: Helene Berr|
|Editor||: Emblem Editions|
Not since The Diary of Anne Frank has there been such a book as this: The joyful but ultimately heartbreaking journal of a young Jewish woman in occupied Paris, now being published for the first time, 63 years after her death in a Nazi concentration camp. On April 7, 1942, Hélène Berr, a 21-year-old Jewish student of English literature at the Sorbonne, took up her pen and started to keep a journal, writing with verve and style about her everyday life in Paris — about her studies, her friends, her growing affection for the “boy with the grey eyes,” about the sun in the dewdrops, and about the effect of the growing restrictions imposed by France’s Nazi occupiers. Berr brought a keen literary sensibility to her writing, a talent that renders the story it relates all the more rich, all the more heartbreaking. The first day Berr has to wear the yellow star on her coat, she writes, “I held my head high and looked people so straight in the eye they turned away. But it’s hard.” More, many more, humiliations were to follow, which she records, now with a view to posterity. She wants the journal to go to her fiancé, who has enrolled with the Free French Forces, as she knows she may not live much longer. She was right. The final entry is dated February 15, 1944, and ends with the chilling words: “Horror! Horror! Horror!” Berr and her family were arrested three weeks later. She went — as was discovered later — on the death march from Auschwitz to Bergen-Belsen, where she died of typhus in April 1945, within a month of Anne Frank and just days before the liberation of the camp. The journal did eventually reach her fiancé, and for over fifty years it was kept private. In 2002, it was donated to the Memorial of the Shoah in Paris. Before it was first published in France in January 2008, translation rights had already been sold for twelve languages.
|Author||: D. Dauphinee|
|Editor||: Down East Books|
Geraldine Largay vanished in July 2013, while hiking the Appalachian Trail in Maine. Her disappearance sparked the largest lost-person search in Maine history, which culminated in her being presumed dead. She was never again seen alive.
|Author||: Judy Batalion|
One of the most important stories of World War II, already optioned by Steven Spielberg for a major motion picture: a spectacular, searing history that brings to light the extraordinary accomplishments of brave Jewish women who became resistance fighters—a group of unknown heroes whose exploits have never been chronicled in full, until now. Witnesses to the brutal murder of their families and neighbors and the violent destruction of their communities, a cadre of Jewish women in Poland—some still in their teens—helped transform the Jewish youth groups into resistance cells to fight the Nazis. With courage, guile, and nerves of steel, these “ghetto girls” paid off Gestapo guards, hid revolvers in loaves of bread and jars of marmalade, and helped build systems of underground bunkers. They flirted with German soldiers, bribed them with wine, whiskey, and home cooking, used their Aryan looks to seduce them, and shot and killed them. They bombed German train lines and blew up a town’s water supply. They also nursed the sick and taught children. Yet the exploits of these courageous resistance fighters have remained virtually unknown. As propulsive and thrilling as Hidden Figures, In the Garden of Beasts, Band of Brothers, and A Train in Winter, The Light of Days at last tells the true story of these incredible women whose courageous yet little-known feats have been eclipsed by time. Judy Batalion—the granddaughter of Polish Holocaust survivors—takes us back to 1939 and introduces us to Renia Kukielka, a weapons smuggler and messenger who risked death traveling across occupied Poland on foot and by train. Joining Renia are other women who served as couriers, armed fighters, intelligence agents, and saboteurs, all who put their lives in mortal danger to carry out their missions. Batalion follows these women through the savage destruction of the ghettos, arrest and internment in Gestapo prisons and concentration camps, and for a lucky few—like Renia, who orchestrated her own audacious escape from a brutal Nazi jail—into the late 20th century and beyond. Powerful and inspiring, featuring twenty black-and-white photographs, The Light of Days is an unforgettable true tale of war, the fight for freedom, exceptional bravery, female friendship, and survival in the face of staggering odds.
|Author||: Rywka Lipszyc,Anita Friedman|
"A work of elegant translation and painstaking contextualization by Holocaust scholars and surviving family members that sharpens the historical and spiritual lens through which it's absorbed." —Chicago Tribune The newly discovered diary of a Polish teenager in the Lodz ghetto during World War II—originally published by Jewish Family & Children’s Services of San Francisco, now revised, illustrated, and beautifully designed After more than seventy years in obscurity, the diary of a teenage girl during the Holocaust has been revealed for the first time. Rywka’s Diary is at once an astonishing historical document and a moving tribute to the many ordinary people whose lives were forever altered by the Holocaust. At its heart, it is the diary of a girl named Rywka Lipszyc who detailed the brutal conditions that Jews in the Lodz ghetto, the second largest in Poland, endured under the Nazis: poverty, hunger and malnutrition, religious oppression, and, in Rywka’s case, the death of her parents and siblings. Handwritten in a school notebook between October 1943 and April 1944, the diary ends literally in mid-sentence. What became of Rywka is a mystery. A Red Army doctor found her notebook in Auschwitz after its liberation in 1945 and took it back with her to the Soviet Union. Rywka’s Diary is also a moving coming-of-age story, in which a young woman expresses her curiosity about the world and her place in it and reflects on her relationship with God—a remarkable affirmation of her commitment to Judaism and her faith in humanity. Interwoven into this carefully translated diary are photographs, news clippings, maps, and commentary from Holocaust scholars and the girl’s surviving relatives, which provide an in-depth picture of both the conditions of Rywka's life and the mysterious end to her diary. Moving and illuminating, told by a brave young girl whose strong and charismatic voice speaks for millions, Rywka’s Diary is an extraordinary addition to the history of the Holocaust and World War II.
|Author||: Witold Gombrowicz|
|Editor||: Yale University Press|
A landmark autobiography written by a Polish expatriate living in Argentina is presented in a single-volume edition, now with previously unpublished pages restored. Original.
|Author||: Ronit Matalon|
|Editor||: Metropolitan Books|
Gorgeously observed and emotionally powerful, The Sound of Our Steps is an inventive novel of immigration and exile from Ronit Matalon, a major voice in contemporary Israeli fiction In the beginning there was Lucette, who is the mother to three children—Sammy, a gentle giant, almost blind, but a genius with locks; Corinne, a flighty beauty who cannot keep a job; and "the child," an afterthought, who strives to make sense of her fractured Egyptian-Jewish immigrant family. Lucette's children would like a kinder, warmer home, but what they have is a government-issued concrete box, out in the thorns and sand on the outskirts of Tel Aviv; and their mother, hard-worn and hardscrabble, who cleans homes by night and makes school lunches by day. Lucette quarrels with everybody, speaks only Arabic and French, is scared only of snakes, and is as likely to lock her children out as to take in a stray dog. The child recounts her years in Lucette's house, where Israel's wars do not intrude and hold no interest. She puzzles at the mysteries of her home, why Maurice, her father, a bitter revolutionary, makes only rare appearances. And why her mother rebuffs the kind rabbi whose home she cleans in his desire to adopt her. Always watching, the child comes to fill the holes with conjecture and story. In a masterful accumulation of short, dense scenes, by turns sensual, violent, and darkly humorous, The Sound of Our Steps questions the virtue of a family bound only by necessity, and suggests that displacement may not lead to a better life, but perhaps to art.