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|Author||: Daniel Silva|
From Daniel Silva, the internationally acclaimed #1 New York Times bestselling author, comes a timely and explosive new thriller featuring art restorer and legendary spy Gabriel Allon. Viktor Orlov had a longstanding appointment with death. Once Russia’s richest man, he now resides in splendid exile in London, where he has waged a tireless crusade against the authoritarian kleptocrats who have seized control of the Kremlin. His mansion in Chelsea’s exclusive Cheyne Walk is one of the most heavily protected private dwellings in London. Yet somehow, on a rainy summer evening, in the midst of a global pandemic, Russia’s vengeful president finally manages to cross Orlov’s name off his kill list. Before him was the receiver from his landline telephone, a half-drunk glass of red wine, and a stack of documents.… The documents are contaminated with a deadly nerve agent. The Metropolitan Police determine that they were delivered to Orlov’s home by one of his employees, a prominent investigative reporter from the anti-Kremlin Moskovskaya Gazeta. And when the reporter slips from London hours after the killing, MI6 concludes she is a Moscow Center assassin who has cunningly penetrated Orlov’s formidable defenses. But Gabriel Allon, who owes his very life to Viktor Orlov, believes his friends in British intelligence are dangerously mistaken. His desperate search for the truth will take him from London to Amsterdam and eventually to Geneva, where a private intelligence service controlled by a childhood friend of the Russian president is using KGB-style “active measures” to undermine the West from within. Known as the Haydn Group, the unit is plotting an unspeakable act of violence that will plunge an already divided America into chaos and leave Russia unchallenged. Only Gabriel Allon, with the help of a brilliant young woman employed by the world’s dirtiest bank, can stop it. Elegant and sophisticated, provocative and daring, The Cellist explores one of the preeminent threats facing the West today—the corrupting influence of dirty money wielded by a revanchist and reckless Russia. It is at once a novel of hope and a stark warning about the fragile state of democracy. And it proves once again why Daniel Silva is regarded as his generation’s finest writer of suspense and international intrigue.
|Author||: Steven Galloway|
|Editor||: Riverhead Trade (Paperbacks)|
While a cellist plays at the site of a mortar attack to commemorate the deaths of twenty-two friends and neighbors, a woman sniper secretly protects the life of the cellist as her army becomes increasingly threatening.
|Author||: Kevin Marsh|
|Editor||: Paragon Publishing|
Young cellist Mia Ashton has always dreamt of playing to large audiences. Her desire to become a top class musician is finally within her reach, but then tragedy strikes, setting off a chain reaction that threatens to destroy everything that she has worked for. Mia Ashton, a hard working young cellist has always dreamt of playing to large audiences. With a series of classical concerts designed to help boost her career and the support of an agent, her desire to become a top class musician is finally within her reach, but then tragedy strikes. One of her colleagues is found dead soon after performing with Mia and this sets off a chain reaction that threatens to destroy everything that she has worked for. Living in the shadow of a serial killer stirs memories from her past, pushing her ever closer to breaking point. Will Mia find the strength to carry on or will the killer put an end to her dreams? Perhaps the price of fame is too great.
|Author||: Kittie Lambton|
|Editor||: Clink Street Publishing|
The Cellist's Notebook is a charming, life-affirming tale of discovery surrounding an old family mystery. A young girl's curiosity, her love of a little melody and the beauty of a cello evokes memories long forgotten. Set in the present day, ten-year-old Emily Peters is spending the summer with her Nana Rose, a retired piano teacher, in rural Cumbria whilst Emily's sister Lizzie travels to Paris for a French exchange. When Emily notices an old photograph of a cellist dating back to the Second World War and discovers cellos and an old music manuscript in the attic, her Nana tells of the touching and compelling story of her brother Leni, a linguist, cellist and music composer, whose disappearance was marked 'ultimate fate unknown' following World War II. Emily's love of the unfinished cello melody, found in her Great Uncle Leni's music notebook, evokes memories for her Nana Rose and Emily returns to Norfolk with a passion to play the cello and a determination to learn the long-lost melody. A series of events unfold that change the life of Emily and her family forever.
|Author||: Daniel Silva|
Blending fiction with fact, The Unlikely Spy finds eccentric Commander Alfred Vicary attempting to identify and locate a Nazi 'sleeper'. The book moves from Lisbon to London, culminating in a chase across England and a twist-packed climax.
|Author||: Anita Mercier|
Born in 1885 in Porto, Portugal, to a middle-class musical family, Guilhermina Suggia began playing cello at the age of five. A child prodigy, she was already a seasoned performer when she won a scholarship to study with Julius Klengel in Leipzig at the age of sixteen. Suggia lived in Paris with fellow cellist Pablo Casals for several years before World War I, in a professional and personal partnership that was as stormy as it was unconventional. When they separated Suggia moved to London, where she built a spectacularly successful solo career. Suggia's virtuosity and musicianship, along with the magnificent style and stage presence famously captured in Augustus John's portrait, made her one of the most sought-after concert artists of her day. In 1927 she married Dr Josasimiro Carteado Mena and settled down to a comfortable life divided between Portugal and England. Throughout the 1930s, Suggia remained one of the most respected musicians in Europe. She partnered on stage with many famous instrumentalists and conductors and completed numerous BBC broadcasts. The war years kept her at home in Portugal, where she focused on teaching, but she returned to England directly after the war and resumed performing. When Suggia died in 1950, her will provided for the establishment of several scholarship funds for young cellists, including England's prestigious Suggia Gift. Mercier's study of Suggia's letters and other writings reveal an intelligent, warm and generous character; an artist who was enormously dedicated, knowledgeable and self-disciplined. Suggia was one of the first women to make a career of playing the cello at a time when prejudice against women playing this traditionally 'masculine' instrument was still strong. A role model for many other musicians, she was herself a fearless pioneer.
|Author||: Robert J Fanshawe|
Set during World War One, The Cellists Friend is the story of one mans battle to redeem his own cowardice while recovering from a near-fatal war wound. Ben has witnessed his cello player soldier friend shot for desertion. The soldier they nicknamed Cello played his instrument while his firing squad sang the poem Invictus before they shot him. This seems a victory over death for Cello while showing Bens cowardice at not revealing the truth of the incident that led to the flawed accusation of desertion. Recovering from his war wound and developing a love through exchanged letters for Pearl, the widow of the Jamaican soldier who saved him, Ben is haunted by flashbacks and the words of the poem Invictus and seeks redemption through poetry. He meets Cellos parents, telling them how he died but cannot tell them the whole truth or see how he might recover the actual cello played by their son at his execution. As Ben faces a return to duty and Pearl unexpectedly arrives in London, will their love blossom despite racial prejudice? And how will a writer friend of Pearl enable Ben to finally find the courage to face the terrible grief of Cellos parents and begin his own redemption?
|Editor||: Alfred Music Publishing|
Teach cello with the popular Suzuki Cello School. Materials include: Cello Parts (Vol. 1-10) * Piano Accompaniments (Vol. 1-8) * Recordings (Vol. 1-3, 7, & 8 performed by Tsuyoshi Tsutsumi, Vol. 4-6 performed by Ron Leonard). This title is available in SmartMusic.
|Author||: Steven Kruse|
This is a collection of sheet music for violin and cello duets, on an easy to intermediate levels. Each piece is a mash-up of popular classical and fiddle tunes. Each duet is 1-1 1/2 minutes long
|Author||: Daniel Silva|
On the trail of a deadly al-Qaeda operative, Gabriel Allon returns in a spellbinding story of deception, power, and revenge by the #1 New York Times bestselling "world-class practitioner of spy fiction" (Washington Post). Gabriel Allon—art restorer and spy—is about to face the greatest challenge of his life. An al-Qaeda suspect is killed in London, and photographs are found on his computer—photographs that lead Israeli intelligence to suspect that al-Qaeda is planning one of its most audacious attacks ever, aimed straight at the heart of the Vatican. Allon and his colleagues soon find themselves in a deadly duel of wits against one of the most dangerous men in the world—a hunt that will take them across Europe to the Caribbean and back. But for them, there may not be enough of anything: enough time, enough facts, enough luck. All Allon can do is set his trap—and hope that he is not the one caught in it.
|Author||: Miranda Wilson|
|Editor||: Rowman & Littlefield|
What does it mean to perform expressively on the cello? In Cello Practice, Cello Performance, professor Miranda Wilson teaches that effectiveness on the concert stage or in an audition reflects the intensity, efficiency, and organization of your practice. Far from being a mysterious gift randomly bestowed on a lucky few, successful cello performance is, in fact, a learnable skill that any player can master. Most other instructional works for cellists address techniques for each hand individually, as if their movements were independent. In Cello Practice, Cello Performance, Wilson demonstrates that the movements of the hands are vitally interdependent, supporting and empowering one another in any technical action. Original exercises in the fundamentals of cello playing include cross-lateral exercises, mindful breathing, and one of the most detailed discussions of intonation in the cello literature. Wilson translates this practice-room success to the concert hall through chapters on performance-focused practice, performance anxiety, and common interpretive challenges of cello playing. This book is a resource for all advanced cellists—college-bound high school students, undergraduate and graduate students, educators, and professional performers—and teaches them how to be their own best teachers.
|Author||: Annette Keen|
Tells the story of three people trying to survive in a city rife with the extreme fear of desperate times, and of the sorrowing cellist who plays undaunted in their midst. One day a shell lands in a bread line and kills twenty-two people as the cellist watches from a window in his flat. He vows to sit in the hollow where the mortar fell and play Albinoni's Adagio once a day for each of the twenty-two victims. In this beautiful and unforgettable novel, Steven Galloway has taken an extraordinary, imaginative leap to create a story that speaks powerfully to the dignity and generosity of the human spirit under extraordinary duress.
|Author||: Vera Mattlin Jiji|
|Editor||: Cello Playing for Music Love|
Cello Playing for Music Lovers provides beginners and intermediate students with an authoritative, step-by-step guide to learning to play the cello. Diliana Momtchilova, a graduate of Julliard, provides technical explanations and many photos. Gifted cellist Erik Friedlander plays the 116 musical figures discussed in the book on the accompanying play along CD. The book includes musical examples from folk, Broadway and classical traditions.Written from the student's viewpoint, it teaches all the required skills, including reading music, using the bow effectively, analyzing musical structures, The book starts from scratch with songs transcribed for beginners and advances gradually to 4th position Included are folk songs, hymns, Broadway standards like "Some Enchanted Evening," and classical selections like a Bach Prelude and Sarabande. Later sections explore some music theory and how to play in chamber music groups The author, a Ph.D. and experienced teacher, presents this fascinating material in small, logical steps. As cellist Aaron Minsky said, "Your idea that the cello can be enjoyed on a simple level even within a few weeks of study is very true. . . This book will bring the joys of cello playing to many people who would not have believed it possible." Playing the cello will give any music lover unparalleled satisfaction. If you always wished you could do it "in your next life," do it now.
|Author||: Eric Siblin|
|Editor||: Open Road + Grove/Atlantic|
An award-winning journey through Johann Sebastian Bach’s six cello suites and the brilliant musician who revealed their lasting genius. One fateful evening, journalist and pop-music critic Eric Siblin attended a recital of Johann Sebastian Bach’s Cello Suites—an experience that set him on an epic quest to uncover the mysterious history of the entrancing compositions and their miraculous reemergence nearly two hundred years later. In pursuit of his musicological obsession, Siblin would unravel three centuries of intrigue, politics, and passion. Winner of the Mavis Gallant Prize for Non-fiction and the McAuslan First Book Prize, The Cello Suites weaves together three dramatic narratives: the disappearance of Bach’s manuscript in the eighteenth century, Pablo Casals’s discovery and popularization of the music in Spain in the late nineteenth century, and Siblin’s infatuation with the suites in the present day. The search led Siblin to Barcelona, where Casals, just thirteen and in possession of his first cello, roamed the backstreets with his father in search of sheet music and found Bach’s lost suites tucked in a dark corner of a store. Casals played them every day for twelve years before finally performing them in public. Siblin sheds new light on the mysteries that continue to haunt this music more than 250 years after its composer’s death: Why did Bach compose the suites for the cello, then considered a lowly instrument? What happened to the original manuscript? A seamless blend of biography and music history, The Cello Suites is a true-life journey of discovery, fueled by the power of these musical masterpieces. “The ironies of artistic genius and public taste are subtly explored in this winding, entertaining tale of a musical masterpiece.” —Publishers Weekly “Siblin’s writing is most inspired when describing the life of Casals, showing a genuine affection for the cellist, who . . . used his instrument and the suites as weapons of protest and pleas for peace.” —Booklist, starred review
|Author||: Rothfuss, Joan|
|Editor||: MIT Press|
The first book to explore the extraordinary career of musician and performance artist Charlotte Moorman, whose work combined classical rigor, avant-garde experiment, and madcap daring.
|Author||: George Kennaway|
This innovative study of nineteenth-century cellists and cello playing shows how simple concepts of posture, technique and expression changed over time, while acknowledging that many different practices co-existed. By placing an awareness of this diversity at the centre of an historical narrative, George Kennaway has produced a unique cultural history of performance practices. In addition to drawing upon an unusually wide range of source materials - from instructional methods to poetry, novels and film - Kennaway acknowledges the instability and ambiguity of the data that supports historically informed performance. By examining nineteenth-century assumptions about the very nature of the cello itself, he demonstrates new ways of thinking about historical performance today. Kennaway’s treatment of tone quality and projection, and of posture, bow-strokes and fingering, is informed by his practical insights as a professional cellist and teacher. Vibrato and portamento are examined in the context of an increasing divergence between theory and practice, as seen in printed sources and heard in early cello recordings. Kennaway also explores differing nineteenth-century views of the cello’s gendered identity and the relevance of these cultural tropes to contemporary performance. By accepting the diversity and ambiguity of nineteenth-century sources, and by resisting oversimplified solutions, Kennaway has produced a nuanced performing history that will challenge and engage musicologists and performers alike.
|Author||: Steven Galloway|
|Editor||: Knopf Canada|
From the beloved, award-winning, bestselling author of The Cellist of Sarajevo, a beautiful, suspense-filled novel that uses the life and sudden death of Harry Houdini to weave a magical tale of intrigue, love and illusion. The Confabulist weaves together the life, loves and murder of the world's greatest magician, Harry Houdini, with the story of the man who killed him (twice): Martin Strauss, an everyday man whose fate was tied to the magician's in unforeseen ways. A cast of memorable characters spins around Houdini's celebrity-driven life, as they did in his time: from the Romanov family soon to be assassinated, to Sir Arthur Conan Doyle and the powerful heads of Scotland Yard, and the Spiritualists who would use whoever they could to establish their religion. A brilliant novel about fame and ambition, reality and illusion, and the ways that love, grief and imagination can alter what we perceive and believe.