Author: Bernard Shaw Genre: London (England) Publisher: Prestwick House Inc ISBN: 1580493998 Book Pages: 108 Format: PDF, ePub & Mobi
This Prestwick House Literary Touchstone Edition? includes a glossary and reader?s notes to help the modern reader appreciate Shaw?s wit and cynicism.In this delightful romance about the man too self-centered to fall in love and the woman too unsure of herself to want more out of life than the little she already has, George Bernard Shaw shakes the dust off the Cinderella story and tells it as only he can. Eliza Doolittle, the Cockney flower girl who wants to work in a flower shop, and Henry Higgins, the phoneticist who turns her into a "princess," are no mythological knight and maiden. Instead, even today, they resound with sharp humor and cutting dialogue. Originally published in 1914, Pygmalion invites readers and audience members to examine the roots of social prejudice and the true value of a human being, while also involving them in the improbable lives of Shaw?s one-dimensional, yet endearing characters.
Author: George Bernard Shaw Genre: Drama Publisher: 1st World Publishing ISBN: 1595402497 Book Pages: 156 Format: PDF, ePub & Mobi
Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. 1st World Library-Literary Society is a non-profit educational organization. Visit us online at www.1stWorldLibrary.ORG - - As will be seen later on, Pygmalion needs, not a preface, but a sequel, which I have supplied in its due place. The English have no respect for their language, and will not teach their children to speak it. They spell it so abominably that no man can teach himself what it sounds like. It is impossible for an Englishman to open his mouth without making some other Englishman hate or despise him. German and Spanish are accessible to foreigners: English is not accessible even to English-men. The reformer England needs today is an energetic phonetic enthusiast: that is why I have made such a one the hero of a popular play. There have been heroes of that kind crying in the wilderness for many years past. When I became interested in the subject towards the end of the eighteen-seventies, Melville Bell was dead; but Alexander J. Ellis was still a living patriarch, with an impressive head always covered by a velvet skull cap, for which he would apologize to public meetings in a very courtly manner. He and Tito Pagliardini, another phonetic veteran, were men whom it was impossible to dislike. Henry Sweet, then a young man, lacked their sweetness of character: he was about as conciliatory to conventional mortals as Ibsen or Samuel Butler. His great ability as a phonetician (he was, I think, the best of them all at his job) would have entitled him to high official recognition, and perhaps enabled him to popularize his subject, but for his Satanic contempt for all academic dignitaries and persons in general who thought more of Greek than of phonetics. Once, in the days when the Imperial Institute rose in South Kensington, and Joseph Chamberlain was booming the Empire, I induced the editor of a leading monthly review to commission an article from Sweet on the imperial importance of his subject. When it arrived, it contained nothing but a savagely derisive attack on a professor of language and literature whose chair Sweet regarded as proper to a phonetic expert only. The article, being libelous, had to be returned as impossible; and I had to renounce my dream of dragging its author into the limelight. When I met him afterwards, for the first time for many years, I found to my astonishment that he, who had been a quite tolerably presentable young man, had actually managed by sheer scorn to alter his personal appearance until he had become a sort of walking repudiation of Oxford and all its traditions. It must have been largely in his own despite that he was squeezed into something called a Readership of phonetics there. The future of phonetics rests probably with his pupils, who all swore by him; but nothing could bring the man himself into any sort of compliance with the university, to which he nevertheless clung by divine right in an intensely Oxonian way. I daresay his papers, if he has left any, include some satires that may be published without too destructive results fifty years hence. He was, I believe, not in the least an ill-natured man: very much the opposite, I should say; but he would not suffer fools gladly.
Author: George Shaw Genre: Publisher: Createspace Independent Publishing Platform ISBN: 1543141390 Book Pages: 92 Format: PDF, ePub & Mobi
This enchanting tale of Eliza Doolittle's transformation from Cockney flower girl into elegant lady under the guidance of cantankerous linguist Henry Higgins has been a hit with audiences since it was first performed in 1913. The play skillfully blends social satire, philosophical wit, a heated battle of the sexes, and what is perhaps the greatest platonic romance ever committed to paper. Pygmalion's musical incarnation, My Fair Lady, remains a Broadway staple. The original play is actually funnier than the musical, and its story and characters are more fully developed. The play is also much easier and less expensive for acting companies to produce. The only reason Pygmalion is not performed more often is its ponderous length: almost three hours, extended by intermissions. This seamless abridgment trims the excess from G. B. Shaw's often-verbose script while retaining all of its wit and charm. The result is a leaner, livelier Pygmalion which is less demanding of performers and more entertaining for their audiences. The cast has been reduced to twelve roles (4M, 6F, 2 either), with some doubling possible. The royalty-free script lends itself to modest-budget productions and is easily adapted as a staged reading. Pygmalion, like fine wine, gets better with age. This artful adaptation by an award-winning playwright makes Shaw's classic accessible to the widest possible audience.
In Pygmalion, Shaw presents the classical story of a professor who transforms a girl of the lower class into an elegant creature, who then falls in love with him—unfortunately in love, that is. Set in Bulgaria, Arms and the Man satirizes romantic attitudes about love and war. Raina, the heroine, falls in love with a cowardly, chocolate-loving enemy soldier during an unnamed war. After the war, her fiance challenges her new admirer to a duel, loses heart, and proposes to the maid instead.