Kiss Of The Fur Queen
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|Author||: Tomson Highway|
|Editor||: Anchor Canada|
Born into a magical Cree world in snowy northern Manitoba, Champion and Ooneemeetoo Okimasis are all too soon torn from their family and thrust into the hostile world of a Catholic residential school. Their language is forbidden, their names are changed to Jeremiah and Gabriel, and both boys are abused by priests. As young men, estranged from their own people and alienated from the culture imposed upon them, the Okimasis brothers fight to survive. Wherever they go, the Fur Queen--a wily, shape-shifting trickster--watches over them with a protective eye. For Jeremiah and Gabriel are destined to be artists. Through music and dance they soar.
|Author||: Milena Bubenechik|
|Editor||: Anchor Academic Publishing (aap_verlag)|
This study depicts the traumatic condition of the formerly colonised indigenous people of Africa and Canada. The postcolonial trauma novels Tomson Highway’s Kiss of the Fur Queen (1998) and Tsitsi Dangarembga’s Nervous Conditions (1988) are first-hand accounts of colonial experience under the governance of the British Empire of the second half of the twentieth century. The semi-autobiographical novels bring up the voices of the formerly silenced natives and are pioneering accounts of the native perception of Western intrusion. The narratives portray the upsetting experiences of the era of colonisation and explore the insidious consequences of living in the midst of historical change. The novels, written in English, speak back to the canon and expose the suffering of its subjects. They depict the grim atmosphere of the colonial project and show the effects of the domination, oppression, diaspora and discrimination suffered by the natives. They are life narratives and as such reveal facts that are not recorded in history books. Both trauma novels enrich and challenge the discourse on (post)colonial trauma. The native authors, Tsitsi Dangarembga and Tomson Highway, explore the questions of identity, trauma and resistance in the context of colonization. Their approach queries traditional notions of identity formation and the common understanding of trauma and trauma healing. With their portrayal of unique means for resistance and survival, the novelists offer a challenge to the existing beliefs and theories.
|Editor||: Fifth House|
One winter afternoon, Joe and Cody went ice fishing with their papa, their mama, and Cody's little black dog, Ootsie. It was the perfect day to fish. The sky was clear, and the sun made the snow sparkle like diamonds.Brothers Joe and Cody are spending a chilly winter afternoon ice fishing with their parents. Cody is helping Papa fish, while Mama and Joe doze in the sled. Suddenly the sled dogs sit up and sniff. A fox is across the lake, her fur as bright as flames. The sled dogs give chase, pulling Mama and Joe along on a wild ride. Written in both English, and Cree Maageesees Maskwameek Kaapit is a wonderful, lyrical story of celebration from award-winning author Tomson Highway, capturing a passing way of life for future generations. Illustrator Brian Deines has created an evocative masterpiece of shimmering oils depicting the beauty of northern Manitoba.
|Author||: Native Earth Performing Arts Archives (University of Guelph),David Mirvish,Larry Lewis,Tomson Highway,Royal Alexandra Theatre,National Arts Centre|
|Author||: Tara Gereaux|
|Editor||: Harbour Publishing|
Evocative of Miriam Toews’ A Complicated Kindness and Diane Warren’s Cool Water, Tara Gereaux’s novel, set in small-town Saskatchewan, dissects themes of Métis identity, female identity and motherhood, aging and regret, and finally, acceptance. Nothing ever seems to happen in the small town of Saltus. At the Harvest Gold Inn and Restaurant off Highway 53, two waitresses spend their evening shifts delivering Salisbury steak specials and slices of pie to the regulars. But everything changes when Nadine, a headstrong single mother, and her teenager, Aaron, arrive at the Gold, where Aaron—who has repeatedly been denied appropriate gender-affirming medical care from the mainstream system—undergoes a near-fatal procedure performed by an unqualified and eccentric recluse who lives on the outskirts of Saltus. The events that transpire that evening force each townsperson to look long and hard at themselves, at their own identities, and at the traumas and experiences that have shaped them. Told from multiple perspectives, Saltus reveals the complexities inherent in accepting the identities of loved ones, and the tragic consequences that unfold if they are ignored. It is a story about relationships with others, and, even more importantly, with ourselves.
|Author||: Tracey Lindberg|
Monkey Beach meets Green Grass, Running Water meets The Beachcombers in this wise and funny novel by a debut Cree author Birdie is a darkly comic and moving first novel about the universal experience of recovering from wounds of the past, informed by the lore and knowledge of Cree traditions. Bernice Meetoos, a Cree woman, leaves her home in Northern Alberta following tragedy and travels to Gibsons, BC. She is on something of a vision quest, seeking to understand the messages from The Frugal Gourmet (one of the only television shows available on CBC North) that come to her in her dreams. She is also driven by the leftover teenaged desire to meet Pat Johns, who played Jesse on The Beachcombers, because he is, as she says, a working, healthy Indian man. Bernice heads for Molly’s Reach to find answers but they are not the ones she expected. With the arrival in Gibsons of her Auntie Val and her cousin Skinny Freda, Bernice finds the strength to face the past and draw the lessons from her dreams that she was never fully taught in life. Part road trip, dream quest and travelogue, the novel touches on the universality of women's experience, regardless of culture or race.
|Author||: JP Delaney|
|Editor||: Doubleday Canada|
A couple's pleasant little life is upended by the revelation that their son was switched at birth in this gripping psychological thriller from the New York Times bestselling author of The Girl Before. Pete Riley stays at home; his partner, Maddie, is the breadwinner. He spends his days browsing parenting blogs, where no concern is too trivial, and pacifying their rambunctious son, Theo. Then, one day, a knock at the door. Miles and Lucy, a posh and near-perfect couple, tell Pete something shocking: Theo isn't his son. Their children were switched at the hospital. At first, the couples are determined to reach a mutual agreement. They're all nice, rational people--surely they can sort this out between them. But soon their precarious arrangement--of babysitting, play dates and shared parenthood--begins to erode under the weight of perceived slights, hidden anxieties and petty jealousies. It isn't long before Miles reveals himself to be cold, commanding and aggressive. When he brings a custody case against the Rileys, suddenly their parenting abilities are under suspicion and their private lives become ammunition. That's when their damaging secrets are exposed, their relationship tested to its breaking point. They might teach their son to share and behave, to say "please" and "thank you," but when it comes to protecting their little family, Pete and Maddie are through with playing nice.
|Author||: Richard Wagamese|
|Editor||: D & M Publishers|
"An unforgettable work of art."—The National Post Saul Indian Horse is dying. Tucked away in a hospice high above the clash and clang of a big city, he embarks on a marvellous journey of imagination back through the life he led as a northern Ojibway, with all its sorrows and joys. With compassion and insight, author Richard Wagamese traces through his fictional characters the decline of a culture and a cultural way. For Saul, taken forcibly from the land and his family when he's sent to residential school, salvation comes for a while through his incredible gifts as a hockey player. But in the harsh realities of 1960s Canada, he battles obdurate racism and the spirit-destroying effects of cultural alienation and displacement. Indian Horse unfolds against the bleak loveliness of northern Ontario, all rock, marsh, bog and cedar. Wagamese writes with a spare beauty, penetrating the heart of a remarkable Ojibway man. Drawing on his great-grandfather's mystical gift of vision, Saul Indian Horse comes to recognize the influence of everyday magic on his own life. In this wise and moving novel, Richard Wagamese shares that gift of magic with readers as well.
|Author||: Brenda Jackson|
|Editor||: HQN Books|
"Brenda Jackson writes romance that sizzles and characters you fall in love with."—Lori Foster, New York Times bestselling author Some things shouldn’t be left to chance… Victoria Madaris is next on her great-grandmother’s matchmaking list—which suits her just fine. She’s laser-focused on her career and doesn’t have time to concentrate on her love life, too. Knowing that Mama Laverne is vetting unsuitable candidates—like rising US senator Roman Malone—makes things easy. But Roman unexpectedly ticks all of Victoria’s boxes. The longtime family friend is outrageously sexy, and every time they meet, their chemistry crackles. Being a journalist, though, Victoria just doesn’t trust politicians. Plus, her matchmaker’s expert opinion keeps pointing to the charming and handsome Tanner Jamison. And everybody knows, Mama Laverne is never wrong. Suddenly, Victoria sees Tanner everywhere—as if by fate—but she doesn’t feel any attraction. Meanwhile, the more Victoria gets to know Roman, the harder it is to resist him. Her head is saying play it safe, but is her heart strong enough to go against her better judgment…and Mama Laverne’s? "Brenda Jackson writes romance that sizzles and characters you fall in love with." —Lori Foster, New York Times bestselling author
|Author||: Waubgeshig Rice|
|Editor||: ECW Press|
A daring post-apocalyptic novel from a powerful rising literary voice With winter looming, a small northern Anishinaabe community goes dark. Cut off, people become passive and confused. Panic builds as the food supply dwindles. While the band council and a pocket of community members struggle to maintain order, an unexpected visitor arrives, escaping the crumbling society to the south. Soon after, others follow. The community leadership loses its grip on power as the visitors manipulate the tired and hungry to take control of the reserve. Tensions rise and, as the months pass, so does the death toll due to sickness and despair. Frustrated by the building chaos, a group of young friends and their families turn to the land and Anishinaabe tradition in hopes of helping their community thrive again. Guided through the chaos by an unlikely leader named Evan Whitesky, they endeavor to restore order while grappling with a grave decision. Blending action and allegory, Moon of the Crusted Snow upends our expectations. Out of catastrophe comes resilience. And as one society collapses, another is reborn.
|Author||: Gillian Bagwell|
Charles II is running for his life-and into the arms of a woman who will risk all for king and country. Jane Lane is of marrying age, but she longs for adventure. She has pushed every potential suitor away-even those who could provide everything for her. Then one day, adventure makes its way to her doorstep, and with it comes mortal danger... Royalists fighting to restore the crown to King Charles II implore Jane to help. Jane must transport him to safety, disguised as a manservant. As she places herself in harm's way, she finds herself falling in love with the gallant young Charles. And despite his reputation as a breaker of hearts, Jane finds herself surrendering to a passion that will change her life forever.
|Author||: Aislinn Hunter|
|Editor||: Knopf Canada|
A vivid, moving novel reminiscent of Anthony Doerr and Michael Ondaatje, about the entwined fates of two very different refugees. In 1940, as the shadow of war lengthens over Europe, three mysterious travelers enter a village in Spain. They have the appearance of Parisian intellectuals, but the trio of two men and a woman are starving and exhausted from crossing illegally through the Pyrenees. Their story, told over a period of 48 tense hours, is narrated by one of the men, who slowly accepts his unthinkable fate. In a voice despairing and elegant, he calmly considers what he should do, and weighs what any one life means. As he does so, his attention is caught by a five-year-old named Pia who wanders near his cafe table. To Pia he begins to address all that he thinks and feels in his final hours--envisioning a rich future life for her that both reflects and contrasts with his own. Meanwhile, in the 1980s, a woman named Pia seeks solitude on a remote island in the Atlantic, where she works at an inn and reflects on her chaotic childhood. As Pia's story begins, a raging storm engulfs the island and a boat flounders offshore. Pia and her fellow islanders rush to help--and past and present calamities collide. By turns elegiac and heart-pounding, a love letter in the guise of a song of despair, The Certainties is a moving and transformative blend of historical and speculative fiction--a novel that shows us what it means to bear witness, and to attend to those who seek refuge, past and present.
|Author||: G. N. Devy,Geoffrey V. Davis|
|Editor||: Taylor & Francis|
Part of the series Key Concepts in Indigenous Studies, this book focuses on the concepts that recur in any discussion of the society, culture and literature among indigenous peoples. This book, the fourth in a five-volume series, deals with the two key concepts of language and orality of indigenous peoples from Asia, Australia, North America and South America. With contributions from renowned scholars, activists and experts from across the globe, it looks at the intricacies of oral transmission of memory and culture, literary production and transmission, and the nature of creativity among indigenous communities. It also discusses the risk of a complete decline of the languages of indigenous peoples, as well as the attempts being made to conserve these languages. Bringing together academic insights and experiences from the ground, this unique book, with its wide coverage, will serve as a comprehensive guide for students, teachers and scholars of indigenous studies. It will be essential reading for those in social and cultural anthropology, tribal studies, sociology and social exclusion studies, politics, religion and theology, cultural studies, literary and postcolonial studies, and Third World and Global South studies, as well as activists working with indigenous communities.
|Author||: Beatrice Mosionier|
|Editor||: Portage & Main Press|
April Raintree, a revised version of the novel In Search of April Raintree, is written specifically for students in grades 9 through 12. Through her characterization of two young sisters who are removed from their family, the author poignantly illustrates the difficulties that many Aboriginal people face in maintaining a positive self-identity.
|Author||: Katherena Vermette|
|Editor||: House of Anansi|
Winner of the Amazon.ca First Novel Award and a finalist for the Rogers Writers’ Trust Fiction Prize and the Governor General’s Literary Award, The Break is a stunning and heartbreaking debut novel about a multigenerational Métis–Anishnaabe family dealing with the fallout of a shocking crime in Winnipeg’s North End. When Stella, a young Métis mother, looks out her window one evening and spots someone in trouble on the Break — a barren field on an isolated strip of land outside her house — she calls the police to alert them to a possible crime. In a series of shifting narratives, people who are connected, both directly and indirectly, with the victim — police, family, and friends — tell their personal stories leading up to that fateful night. Lou, a social worker, grapples with the departure of her live-in boyfriend. Cheryl, an artist, mourns the premature death of her sister Rain. Paulina, a single mother, struggles to trust her new partner. Phoenix, a homeless teenager, is released from a youth detention centre. Officer Scott, a Métis policeman, feels caught between two worlds as he patrols the city. Through their various perspectives a larger, more comprehensive story about lives of the residents in Winnipeg’s North End is exposed. A powerful intergenerational family saga, The Break showcases Vermette’s abundant writing talent and positions her as an exciting new voice in Canadian literature.
|Author||: Peter Ackroyd|
|Editor||: Random House|
Three Brothers follows the fortunes of Harry, Daniel and Sam Hanway, born on a post-war council estate in Camden Town. Marked out from the start by curious coincidence, each boy is forced to make his own way in the world – a world of dodgy deals and big business, of criminal gangs and crooked landlords, of newspaper magnates, back-biters and petty thieves. London is the backdrop and the connecting fabric of these three lives, reinforcing Ackroyd’s grand theme that place and history create, surround and engulf us. From bustling, cut-throat Fleet Street to hallowed London publishing houses, from the wealth and corruption of Chelsea to the smoky shadows of Limehouse and Hackney, this is an exploration of the city, peering down its streets, riding on its underground, and drinking in its pubs and clubs. Everything is possible – not only in the new freedom of the 1960s but also in London’s timeless past.
|Author||: Karen Bennett,Rita Queiroz de Barros|
This volume problematizes the concept and practice of translation in an interconnected world in which English, despite its hegemonic status, can no longer be considered a coherent unified entity but rather a mobile resource subject to various kinds of hybridization. Drawing upon recent work in the domains of translation studies, literary studies and (socio-)linguistics, it explores the centrality of translation as both a trope for the analysis of contemporary transcultural dynamics and as a concrete communication practice in the globalized world. The chapters range across many geographic realities and genres (including fiction, memoir, animated film and hip-hop), and deal with subjects as varied as self-translation, translational ethics and language change. As a whole, the book makes an important contribution to our understanding of how meanings are generated and relayed in a context of super-diversity, in which traditional understandings of language and translation can no longer be sustained.