I Heard You Paint Houses
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|Author||: Charles Brandt|
The inspiration for the major motion picture, THE IRISHMAN. Includes an Epilogue and a Conclusion that detail substantial post-publication corroboration of Frank Sheeran's confessions to the killings of Jimmy Hoffa and Joey Gallo. “Sheeran’s confession that he killed Hoffa in the manner described in the book is supported by the forensic evidence, is entirely credible, and solves the Hoffa mystery.” — Michael Baden M.D., former Chief Medical Examiner of the City of New York “Charles Brandt has solved the Hoffa mystery.” —Professor Arthur Sloane, author of Hoffa “It’s all true.” — New York Police Department organized crime homicide detective Joe Coffey "I heard you paint houses" are the first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews, Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. He also provided intriguing information about the Mafia's role in the murder of JFK. Sheeran learned to kill in the US Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually Sheeran would rise to a position of such prominence that in a RICO suit the US government would name him as one of only two non-Italians in conspiracy with the Commission of La Cosa Nostra, alongside the likes of Anthony "Tony Pro" Provenzano and Anthony "Fat Tony" Salerno. When Bufalino ordered Sheeran to kill Hoffa, the Irishman did the deed, knowing that if he had refused he would have been killed himself. Charles Brandt's page-turner has become a true crime classic.
|Author||: Charles Brandt|
"I Heard You Paint Houses" will soon be a major motion picture directed by Martin Scorsese. The working title for the movie is "The Irishman". The first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran were, "I heard you paint houses." To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. Sheeran learned to kill in the U.S. Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually he would rise to a position of such prominence that in a RICO suit then-U.S. Attorney Rudy Giuliani would name him as one of only two non-Italians on a list of 26 top mob figures. When Bufalino ordered Sheeran to kill Hoffa, he did the deed, knowing that if he had refused he would have been killed himself. Sheeran's important and fascinating story includes new information on other famous murders including those of Joey Gallo and JFK, and provides rare insight to a chapter in American history. Charles Brandt has written a page-turner that has become a true crime classic.
|Author||: Charles Brandt|
"I Heard you Paint Houses" are the first words Jimmy Hoffa ever spoke to Frank "the Irishman" Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the walls and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and for his friend Hoffa. Sheeran learned to kill in the U.S. Army, where he saw an astonishing 411 days of active combat duty in Italy during World War II. After returning home he became a hustler and hit man, working for legendary crime boss Russell Bufalino. Eventually he would rise to a position of such prominence that in a RICO suit then-U.S. Attorney Rudy Giuliani would name him as one of only two non-Italians on a list of 26 top mob figures. When Bufalino ordered Sheeran to kill Hoffa, he did the deed, knowing that if he had refused he would have been killed himself. Sheeran's important and fascinating story includes new information on other famous murders, and provides rare insight to a chapter in American history. Charles Brandt has written a page-turner that is destined to become a true crime classic.
|Author||: Charles Brandt|
Page-turning detective fiction from the author of I HEARD YOU PAINT HOUSES / THE IRISHMAN who was himself a homicide investigator and prosecutor. Wisecracking cop Lou Razzi’s zeal, dedication and talent for extracting information from suspects make him destined to rise quickly through the ranks . . . until a frame-up sends him to jail for two years. He loses his career, his marriage, and his baby daughter, and following his release from prison, he leaves the country for a sort of self-imposed exile in Brazil. Fifteen years later, an exonerated, more hardened Razzi comes back to serve a single day on the force and claim his pension. But that one day becomes a continuing education when Razzi is drawn onto a conspiracy and finds his old police tools fruitless in the wake of the Miranda decision. Forced to learn, like a rookie, from his mistakes, he starts to find his way with the help of assistant district attorney Honey Gold. . . and is able to combat the powers that framed him then and thrive now in the new era of police procedure. When The Right to Remain Silent was first published, then-President Ronald Reagan wrote Brandt an unsolicited fan letter: “I commend your novel…for your forthright stand on improving protection of law-abiding citizens.” "The Right to Remain Silent is a novel written and to be read for entertainment, but it also encourages study of the art of interrogation and contains the line that 'confession is one of the necessities of life, like food and shelter.'" -- Charles Brandt from the Preface
|Author||: Charles Brandt|
|Editor||: Hodder & Stoughton|
'I heard you paint houses' are the first words Jimmy Hoffa ever spoke to Frank 'the Irishman' Sheeran. To paint a house is to kill a man. The paint is the blood that splatters on the wall and floors. In the course of nearly five years of recorded interviews Frank Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the Mob, and for his friend Hoffa. Sheeran learned to kill in the US Army, where he saw an astonishing 411 days of active combat during World War 2. After returning home he became a hustler and a hit man, working for legenday crime boss Russell Bufalino. Eventually Sheeran would rise to a position of such prominence that he was named as one of only two non-Italians on a list of the twenty-six most wanted Mob figures. When Bufalino ordered Sheeran to kill Hoffa, the Irishman did the deed, knowing that if he refused, he would have been killed himself. Sheeran's important and fascinating story includes brand new information on other famous murders, and provides rare insight into an infamous chapter in US and Mafia history. This is a page turner that is destined to become a true-crime classic.
|Author||: Nicholas Pileggi|
|Editor||: Simon & Schuster|
Nicholas Pileggi’s vivid, unvarnished, journalistic chronicle of the life of Henry Hill—the working-class Brooklyn kid who knew from age twelve that “to be a wiseguy was to own the world,” who grew up to live the highs and lows of the mafia gangster’s life—has been hailed as “the best book ever written on organized crime” (Cosmopolitan). This is the true-crime bestseller that was the basis for Martin Scorsese’s film masterpiece GoodFellas, which brought to life the violence, the excess, the families, the wives and girlfriends, the drugs, the payoffs, the paybacks, the jail time, and the Feds…with Henry Hill’s crackling narration drawn straight out of Wiseguy and overseeing all the unforgettable action. “Nonstop...absolutely engrossing” (The New York Times Book Review). Read it and experience the secret life inside the mob—from one who’s lived it.
|Author||: Lin DeVecchio,Charles Brandt|
The riveting front-page news story of an FBI agent falsely accused of ordering four mob hits. FBI agent Lin DeVecchio was a key player in the New York Mafia wars from the late seventies through the early nineties. Yet despite his stunning success fighting organized crime, DeVecchio was accused of taking bribes, selling information to the man who was his informant, and even personally ordering four mob hits. Who went after Lin DeVecchio and why? How did a highly respected FBI agent become suspected of corruption and charged with four counts of murder? DeVecchio and bestselling author Charles Brandt go behind the front-page headlines and tell the fascinating story of a law enforcement officer who beat the mob bosses, only to end up fighting for his own freedom.
|Author||: Matt Birkbeck|
To what extent was Rosario “Russell” Bufalino involved in the disappearance of Jimmy Hoffa in 1975? In the CIA’s recruitment of gangsters to assassinate Fidel Castro? In organizing the historic meeting of crime chieftains in 1957? Even in the production of The Godfather movie? A uniquely American saga that spans six decades, The Quiet Don follows Russell Bufalino’s remarkably quiet ascent from Sicilian immigrant to mob soldier to a man described by a United States Senate subcommittee in 1964 as “one of the most ruthless and powerful leaders of the Mafia in the United States.” Secretive—even reclusive—Russell Bufalino quietly built his organized crime empire in the decades between Prohibition and the Carter presidency. His reach extended far beyond the coal country of Scranton, Pennsylvania, and quaint Amish farms near Lancaster. Bufalino had a hand in global, national, and local politics of the largest American cities, many of its major industries, and controlled the powerful Teamsters Union. His influence also reached the highest levels of Pennsylvania government and halls of Congress, and his legacy left a culture of corruption that continues to this day. INCLUDES PHOTOS
|Author||: Jack Goldsmith|
|Editor||: Farrar, Straus and Giroux|
"The Irishman is great art . . . but it is not, as we know, great history . . . Frank Sheeran . . . surely didn’t kill Hoffa . . . But who pulled the trigger? . . . For some of the real story, and for a great American tale in itself, you want to go to Jack Goldsmith’s book, In Hoffa’s Shadow.” —Peggy Noonan, The Wall Street Journal "In Hoffa’s Shadow is compulsively readable, deeply affecting, and truly groundbreaking in its re-examination of the Hoffa case . . . a monumental achievement." —James Rosen, The Wall Street Journal As a young man, Jack Goldsmith revered his stepfather, longtime Jimmy Hoffa associate Chuckie O’Brien. But as he grew older and pursued a career in law and government, he came to doubt and distance himself from the man long suspected by the FBI of perpetrating Hoffa’s disappearance on behalf of the mob. It was only years later, when Goldsmith was serving as assistant attorney general in the George W. Bush administration and questioning its misuse of surveillance and other powers, that he began to reconsider his stepfather, and to understand Hoffa’s true legacy. In Hoffa’s Shadow tells the moving story of how Goldsmith reunited with the stepfather he’d disowned and then set out to unravel one of the twentieth century’s most persistent mysteries and Chuckie’s role in it. Along the way, Goldsmith explores Hoffa’s rise and fall and why the golden age of blue-collar America came to an end, while also casting new light on the century-old surveillance state, the architects of Hoffa’s disappearance, and the heartrending complexities of love and loyalty.
|Author||: Schuyler T. Wallace|
|Editor||: Schuyler T Wallace|
Retired fire chief Schuyler Wallace describes and comments on the people and places he sees, sometimes critically, sometimes comically, while traveling by railroad with his wife, Carol, through the United States and Canada.
|Author||: Bryan Burrough|
In Public Enemies, bestselling author Bryan Burrough strips away the thick layer of myths put out by J. Edgar Hoover’s FBI to tell the full story—for the first time—of the most spectacular crime wave in American history, the two-year battle between the young Hoover and the assortment of criminals who became national icons: John Dillinger, Machine Gun Kelly, Bonnie and Clyde, Baby Face Nelson, Pretty Boy Floyd, and the Barkers. In an epic feat of storytelling and drawing on a remarkable amount of newly available material on all the major figures involved, Burrough reveals a web of interconnections within the vast American underworld and demonstrates how Hoover’s G-men overcame their early fumbles to secure the FBI’s rise to power.
|Author||: Charles Brandt|
|Editor||: Hachette UK|
**Now a major Netflix film directed by Martin Scorsese and starring Robert De Niro, Al Pacino, Joe Pesci and Harvey Keitel** ~ The Irishman is an epic saga of organised crime in post-war America told through the eyes of World War II veteran Frank Sheeran, a hustler and hitman who worked for legendary crime boss Russell Bufalino alongside some of the most notorious figures of the 20th Century. Spanning decades, Sheeran's story chronicles one of the greatest unsolved mysteries in American history, the disappearance of legendary union boss Jimmy Hoffa, and it offers a monumental journey through the hidden corridors of organized crime: its inner workings, rivalries and connections to mainstream politics. Sheeran would rise to a position of such prominence that in a RICO suit against The Commission of La Cosa Nostra, the US Government would name him as one of only two non-Italians in conspiracy with the Commission. Sheeran is listed alongside the likes of Anthony "Tony Pro" Provenzano and Anthony "Fat Tony" Salerno. In the course of nearly five years of recorded interviews, Sheeran confessed to Charles Brandt that he handled more than twenty-five hits for the mob, and Brandt turned Sheeran's story into a page-turning true crime classic.
|Author||: Daniel Brand|
|Editor||: Tru Nobilis Publishing|
Frank Sheeran, known as the Irishman, waited his entire life to tell his story, or at least his version of his story. The world knew him as a union official, a long-time member of the Teamsters Union; he was a member of Jimmy Hoffa
|Author||: Dan E. Moldea|
This book is the story of Jimmy Hoffa and his domination of the Teamsters Union, the nation's largest and most important labor union. It is a history of power and the wars fought among the Teamster leadership, and how these wars led to the murder of Hoffa, the corrupt, charismatic union boss.
|Author||: Matthew Walker|
|Editor||: Simon and Schuster|
"Sleep is one of the most important but least understood aspects of our life, wellness, and longevity ... An explosion of scientific discoveries in the last twenty years has shed new light on this fundamental aspect of our lives. Now ... neuroscientist and sleep expert Matthew Walker gives us a new understanding of the vital importance of sleep and dreaming"--Amazon.com.
|Author||: Y.B. Satyanarayana|
|Editor||: Harper Collins|
The extraordinary story of a Dalit family in southern India Poised to inherit a huge tract of land gifted by the Nizam to his father, twenty-one-year-old Narsiah loses it to a feudal lord. This triggers his migration from Vangapally, his ancestral village in the Karimnagar District of Telangana - the single most important event that would free his family and future generations from caste oppression. Years later, it saves his son Baliah from the fate reserved for most Dalits: a life of humiliation and bonded labour. A book written with the desire to make known the inhumanity of untouchability and the acquiescence and internalization of this condition by the Dalits themselves, Y.B. Satyanarayana chronicles the relentless struggle of three generations of his family in this biography of his father. A narrative that derives its strength from the simplicitywith which it is told, My Father Baliah is a story of great hardship and greater resilience.
2016 Reprint of 1909 Edition. Full facsimile of the original edition, not reproduced with Optical Recognition Software. Originally published as "The Instruction of Ptah-Hotep" and also as "The Maxims of Ptahhotep," the work is believed by some scholars to be the oldest book in the world. Authorship is attributed to Ptahhotep, a vizier under King Isesi of the Egyptian Fifth Dynasty (ca. 2414-2375 BC). It is a collection of maxims and advice in the sebayt ("teaching") genre on human relations and are provided as instruction for his son. The work survives today in papyrus copies, including the Prisse Papyrus which dates from the Middle Kingdom and is on display at the Bibliotheque Nationale in Paris. There are considerable differences between the Prisse Papyrus version and the two texts at the British Museum. The 1906 translation by Battiscombe Gunn, published as part of the "Wisdom of the East" series and which is reprinted here, was made directly from the Prisse Papyrus, in Paris, rather than from copies. Some lessons include: Learning by listening to everybody and knowing that human knowledge is never perfect are a leitmotif. Avoiding open conflict wherever possible should not be considered weakness. Justice should be pursued and in the end it will be a god's command that prevails. Greed is the base of all evil and should be guarded against, while generosity towards family and friends is praiseworthy."
|Author||: Virginia Woolf|
A landmark novel of high modernism, the text, which centres on the Ramsays and their visits to the Isle of Skye in Scotland between 1910 and 1920, skillfully manipulates temporal and psychological elements. To the Lighthouse follows and extends the tradition of modernist novelists like Marcel Proust and James Joyce, where the plot is secondary to philosophical introspection, and the prose can be winding and hard to follow. The novel includes little dialogue and almost no action; most of it is written as thoughts and observations. The novel recalls childhood emotions and highlights adult relationships. Among the book's many tropes and themes are those of loss, subjectivity, and the problem of perception. To the Lighthouse is divided into three sections: "The Window," "Time Passes," and "The Lighthouse." Each section is fragmented into stream-of-consciousness contributions from various narrators. Adeline Virginia Woolf (née Stephen; 25 January 1882 – 28 March 1941) was an English writer who is considered one of the foremost modernists of the twentieth century and a pioneer in the use of stream of consciousness as a narrative device.
|Author||: Emily Henderson,Angelin Borsics|
The stylist's genius is in making a space look inviting, personal, and unique. She often does this in just minutes, meaning that a small investment pays off with big rewards. Emily Henderson now draws the curtain on the interior stylist's secrets. This playful yet practical book features 1,000 highly visual, highly enviable, eminently doable ideas-more than any other decor book on the market. First up, Emily walks readers through her Stylist's Toolkit, which helps them discover their signature styles, talk like a stylist, and learn the styling process in 10 easy steps. Then, Emily takes us inside 25 homes, grouped into rooms and themes for the reader, revealing how to get your place ready for its close-up-and your long-term happiness-without it looking contrived. With advice on mixing patterns, visually balancing a space, and scoring great deals on furniture and accents, this is an irresistible inspiration resource for the interior decor enthusiast, as well as anyone looking for help styling a home.
|Author||: Danielle Lori|
|Editor||: Createspace Independent Publishing Platform|
She's a romantic at heart, living in the most unromantic of worlds . . . Nicknamed Sweet Abelli for her docile nature, Elena smiles on cue and has a charming response for everything. She's the favored daughter, the perfect mafia principessa . . . or was. Now, all she can see in the mirror's reflection is blood staining her hands like crimson paint. They say first impressions are everything . . . In the murky waters of New York's underworld, Elena's sister is arranged to marry Nicolas Russo. A Made Man, a boss, a cheat-even measured against mafia standards. His reputation stretches far and wide and is darker than his black suits and ties. After his and Elena's first encounter ends with an accidental glare on her part, she realizes he's just as rude as he is handsome. She doesn't like the man or anything he stands for, though that doesn't stop her heart from pattering like rain against glass when he's near, nor the shiver that ghosts down her spine at the sound of his voice. And he's always near. Telling her what to do. Making her feel hotter than any future brother-in-law should. Elena may be the Sweet Abelli on the outside, but she's beginning to learn she has a taste for the darkness, for rough hands, cigarettes, and whiskey-colored eyes. Having already escaped one scandal, however, she can hardly afford to be swept up in another. Besides, even if he were hers, everyone knows you don't fall in love with a Made Man . . . right? This is a standalone forbidden romance.