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Dor S Illustrations For Paradise Lost by Gustave Doré
All 50 of Doré's powerful illustrations for Milton's epic poem, recounting mankind's fall from the grace of God through the work of Satan. Appropriate quotes from the text are printed with each illustration.
Dor S Illustrations For Paradise Lost by Gustave Doré
This volume presents superb royalty-free reproductions of all 50 plates Doré created for a 19th-century edition of "Paradise Lost." Among the events depicted: the expulsion of Satan from Heaven, Adam and Eve in Paradise, the nine-day fall of Lucifer's legions to Hell, the Creation, the temptation of Eve, and the Flood.
The Dor Illustrations For Dante S Divine Comedy by Gustave Doré
These 135 fantastic scenes depict the passion and grandeur of Dante's masterpiece — from the depths of hell onto the mountain of purgatory and up to the empyrean realms of paradise.
Dor S Illustrations Of The Crusades by Gustave Doré
All 100 original plates from 19th-century classic, including The Massacre of Antioch, The Road to Jerusalem, The Baptism of Infidels, The Battle of Lepanto, many more. Magnificent, royalty-free illustrations with captions.
Dor S Angels by Gustave Doré
Dozens of the renowned artist's celestial beings, as created for such great literary works as the Bible, Coleridge's The Rime of the Ancient Mariner, and Milton's classic, Paradise Lost. 75 black-and-white illustrations.
Dor S Illustrations For Don Quixote by Gustave Doré
190 wood-engraved plates, 120 full-page: charging the windmill, traversing Spanish plains, valleys, mountains, ghostly visions of dragons, knights, flaming lake. Marvelous detail, minutiae, accurate costumes, architecture, enchantment, pathos, humor. Captions.
The Dor Bible Illustrations by Gustave Doré
Detailed plates from the Bible: the Creation scenes, Adam and Eve, horrifying visions of the Flood, the battle sequences with their monumental crowds, depictions of the life of Jesus, 241 plates in all.
The Dor Gallery by Gustave Doré
Paradise Lost by John Milton
Milton's poem of epic scale, conjuring up a vast, awe-inspiring cosmos and ranging across huge tracts of space and time. And yet, in putting a charismatic Satan and naked Adam and Eve at the centre of this story, he also created an intensely human tragedy on the Fall of Man. Written when Milton was in his fifties - blind, bitterly disappointed by the Restoration and briefly in danger of execution - Paradise Lost's apparent ambivalence towards authority has led to intense debate about whether it manages to 'justify the ways of God to men', or exposes the cruelty of Christianity.Of Man's first disobedience, and the fruit Of that forbidden tree whose mortal taste Brought death into the World, and all our woe, With loss of Eden, till one greater Man Restore us, and regain the blissful seat, Sing, Heavenly Muse, that, on the secret top Of Oreb, or of Sinai, didst inspire That shepherd who first taught the chosen seed In the beginning how the heavens and earth Rose out of Chaos: or, if Sion hill Delight thee more, and Siloa's brook that flowed Fast by the oracle of God, I thence Invoke thy aid to my adventurous song, That with no middle flight intends to soar Above th' Aonian mount, while it pursues Things unattempted yet in prose or rhyme. And chiefly thou, O Spirit, that dost prefer Before all temples th' upright heart and pure, Instruct me, for thou know'st; thou from the first Wast present, and, with mighty wings outspread, Dove-like sat'st brooding on the vast Abyss, And mad'st it pregnant: what in me is dark Illumine, what is low raise and support; That, to the height of this great argument, I may assert Eternal Providence, And justify the ways of God to men.Say first-for Heaven hides nothing from thy view, Nor the deep tract of Hell-say first what cause Moved our grand parents, in that happy state, Favoured of Heaven so highly, to fall off From their Creator, and transgress his will For one restraint, lords of the World besides. Who first seduced them to that foul revolt? Th' infernal Serpent; he it was whose guile, Stirred up with envy and revenge, deceived The mother of mankind, what time his pride Had cast him out from Heaven, with all his host Of rebel Angels, by whose aid, aspiring To set himself in glory above his peers, He trusted to have equalled the Most High, If he opposed, and with ambitious aim Against the throne and monarchy of God, Raised impious war in Heaven and battle proud, With vain attempt. Him the Almighty Power Hurled headlong flaming from th' ethereal sky, With hideous ruin and combustion, down To bottomless perdition, there to dwell In adamantine chains and penal fire, Who durst defy th' Omnipotent to arms.Nine times the space that measures day and night To mortal men, he, with his horrid crew, Lay vanquished, rolling in the fiery gulf, Confounded, though immortal. But his doom Reserved him to more wrath; for now the thought Both of lost happiness and lasting pain Torments him: round he throws his baleful eyes, That witnessed huge affliction and dismay, Mixed with obdurate pride and steadfast hate. At once, as far as Angels ken, he views The dismal situation waste and wild. A dungeon horrible, on all sides round, As one great furnace flamed; yet from those flames No light; but rather darkness visible Served only to discover sights of woe, Regions of sorrow, doleful shades, where peace And rest can never dwell, hope never comes That comes to all, but torture without end Still urges, and a fiery deluge, fed With ever-burning sulphur unconsumed. Such place Eternal Justice has prepared For those rebellious; here their prison ordained In utter darkness, and their portion set, As far removed from God and light of Heaven As from the centre thrice to th' utmost pole.
Dore S London by Gustav Doré
This beautifully presented edition reproduces all of Doré's London illustrations alongside carefully selected texts of the period.