Denmark Vesey S Garden
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|Author||: Ethan J. Kytle,Blain Roberts|
|Editor||: The New Press|
One of Janet Maslin’s Favorite Books of 2018, The New York Times One of John Warner’s Favorite Books of 2018, Chicago Tribune Named one of the “Best Civil War Books of 2018” by the Civil War Monitor “A fascinating and important new historical study.” —Janet Maslin, The New York Times “A stunning contribution to the historiography of Civil War memory studies.” —Civil War Times The stunning, groundbreaking account of “the ways in which our nation has tried to come to grips with its original sin” (Providence Journal) Hailed by the New York Times as a “fascinating and important new historical study that examines . . . the place where the ways slavery is remembered mattered most,” Denmark Vesey’s Garden “maps competing memories of slavery from abolition to the very recent struggle to rename or remove Confederate symbols across the country” (The New Republic). This timely book reveals the deep roots of present-day controversies and traces them to the capital of slavery in the United States: Charleston, South Carolina, where almost half of the slaves brought to the United States stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof murdered nine people at Emanuel A.M.E. Church, which was co-founded by Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As they examine public rituals, controversial monuments, and competing musical traditions, “Kytle and Roberts’s combination of encyclopedic knowledge of Charleston’s history and empathy with its inhabitants’ past and present struggles make them ideal guides to this troubled history” (Publishers Weekly, starred review). A work the Civil War Times called “a stunning contribution, ” Denmark Vesey’s Garden exposes a hidden dimension of America’s deep racial divide, joining the small bookshelf of major, paradigm-shifting interpretations of slavery’s enduring legacy in the United States.
|Author||: Ethan J. Kytle,Blain Roberts|
One of Janet Maslin's Favorite Books of 2018, The New York Times One of John Warner's Favorite Books of 2018, Chicago Tribune Named one of the "Best Civil War Books of 2018" by the Civil War Monitor "A fascinating and important new historical study." --Janet Maslin, The New York Times "A stunning contribution to the historiography of Civil War memory studies." --Civil War Times In the tradition of James Loewen's Lies My Teacher Told Me, a deeply researched book that uncovers competing histories of how slavery is remembered in Charleston, South Carolina--the heart of Dixie A book that strikes at the heart of the recent flare-ups over Confederate symbols in Charlottesville, New Orleans, and elsewhere, Denmark Vesey's Garden reveals the deep roots of these controversies and traces them to the heart of slavery in the United States: Charleston, South Carolina, where almost half of the U.S. slave population stepped onto our shores, where the first shot at Fort Sumter began the Civil War, and where Dylann Roof shot nine people at Emanuel A.M.E. Church, the congregation of Denmark Vesey, a black revolutionary who plotted a massive slave insurrection in 1822. As early as 1865, former slaveholders and their descendants began working to preserve a romanticized memory of the antebellum South. In contrast, former slaves, their descendants, and some white allies have worked to preserve an honest, unvarnished account of slavery as the cruel system it was. Examining public rituals, controversial monuments, and whitewashed historical tourism, Denmark Vesey's Garden tracks these two rival memories from the Civil War all the way to contemporary times, where two segregated tourism industries still reflect these opposing impressions of the past, exposing a hidden dimension of America's deep racial divide. Denmark Vesey's Garden joins the small bookshelf of major, paradigm-shifting new interpretations of slavery's enduring legacy in the United States.
|Author||: David M. Robertson|
In a remarkable feat of historical detective work, David Robertson illuminates the shadowy figure who planned a slave rebellion so daring that, if successful, it might have changed the face of the antebellum South. This is the story of a man who, like Nat Turner, Marcus Garvey, and Malcolm X, is a complex yet seminal hero in the history of African American emancipation. Denmark Vesey was a charasmatic ex-slave--literate, professional, and relatively well-off--who had purchased his own freedom with the winnings from a lottery. Inspired by the success of the revolutionary black republic in Haiti, he persuaded some nine thousand slaves to join him in a revolt. On a June evening in 1822, having gathered guns, and daggers, they were to converge on Charleston, South Carolina, take the city's arsenal, murder the populace, burn the city, and escape by ship to Haiti or Africa. When the uprising was betrayed, Vesey and seventy-seven of his followers were executed, the matter hushed by Charleston's elite for fear of further rebellion. Compelling, informative, and often disturbing, this book is essential to a fuller understanding of the struggle against slavery.
|Author||: Sue Monk Kidd|
The newest Oprah’s Book Club 2.0 selection: this special eBook edition of The Invention of Wings by Sue Monk Kidd features exclusive content, including Oprah’s personal notes highlighted within the text, and a reading group guide. Writing at the height of her narrative and imaginative gifts, Sue Monk Kidd presents a masterpiece of hope, daring, the quest for freedom, and the desire to have a voice in the world. Hetty “Handful” Grimke, an urban slave in early nineteenth century Charleston, yearns for life beyond the suffocating walls that enclose her within the wealthy Grimke household. The Grimke’s daughter, Sarah, has known from an early age she is meant to do something large in the world, but she is hemmed in by the limits imposed on women. Kidd’s sweeping novel is set in motion on Sarah’s eleventh birthday, when she is given ownership of ten year old Handful, who is to be her handmaid. We follow their remarkable journeys over the next thirty five years, as both strive for a life of their own, dramatically shaping each other’s destinies and forming a complex relationship marked by guilt, defiance, estrangement and the uneasy ways of love. As the stories build to a riveting climax, Handful will endure loss and sorrow, finding courage and a sense of self in the process. Sarah will experience crushed hopes, betrayal, unrequited love, and ostracism before leaving Charleston to find her place alongside her fearless younger sister, Angelina, as one of the early pioneers in the abolition and women’s rights movements. Inspired by the historical figure of Sarah Grimke, Kidd goes beyond the record to flesh out the rich interior lives of all of her characters, both real and invented, including Handful’s cunning mother, Charlotte, who courts danger in her search for something better. This exquisitely written novel is a triumph of storytelling that looks with unswerving eyes at a devastating wound in American history, through women whose struggles for liberation, empowerment, and expression will leave no reader unmoved. Please note there is another digital edition available without Oprah’s notes. Go to Oprah.com/bookclub for more OBC 2.0 content
|Author||: Douglas R. Egerton|
|Editor||: Rowman & Littlefield Publishers|
On July 2, 1822, Denmark Vesey was hanged in Charleston, S.C., for his role in planning one of the largest slave uprisings in the United States. During his long, extraordinary life Vesey played many roles—Caribbean field hand, cabin boy, chandler's man, house servant, proud freeman, carpenter, husband, father, church leader, abolitionist, revolutionary. Yet until his execution transformed him into a symbol of liberty, Vesey made it his life's work to avoid the attention of white authorities. Because he preferred to dwell in the hidden alleys of Charleston's slave community, Vesey remains as elusive as he is today celebrated, and his legend is often mistaken for fact. In this biography of the great rebel leader, Douglas R. Egerton employs a variety of historical sources—church records, court documents, travel accounts, and newspapers from America and Saint Domingue—to recreate the lost world of the mysterious Vesey. The revised and updated edition reflects the most recent scholarship on Vesey, and a new afterword by the author explores the current debate about the existence of the 1822 conspiracy. If Vesey's plot was unique in the annals of slave rebellions in North America, it was because he was unique; his goals, as well as the methods he chose to achieve them, were the product of a hard life's experience.
|Author||: Ethan J. Kytle|
|Editor||: Cambridge University Press|
Romantic Reformers is an intellectual history of the American antislavery movement in the 1850s and early 1860s.
|Author||: Daniel Rasmussen|
|Editor||: Harper Collins|
A gripping and deeply revealing history of an infamous slave rebellion that nearly toppled New Orleans and changed the course of American history In January 1811, five hundred slaves, dressed in military uniforms and armed with guns, cane knives, and axes, rose up from the plantations around New Orleans and set out to conquer the city. Ethnically diverse, politically astute, and highly organized, this self-made army challenged not only the economic system of plantation agriculture but also American expansion. Their march represented the largest act of armed resistance against slavery in the history of the United States. American Uprising is the riveting and long-neglected story of this elaborate plot, the rebel army's dramatic march on the city, and its shocking conclusion. No North American slave uprising—not Gabriel Prosser's, not Denmark Vesey's, not Nat Turner's—has rivaled the scale of this rebellion either in terms of the number of the slaves involved or the number who were killed. More than one hundred slaves were slaughtered by federal troops and French planters, who then sought to write the event out of history and prevent the spread of the slaves' revolutionary philosophy. With the Haitian revolution a recent memory and the War of 1812 looming on the horizon, the revolt had epic consequences for America. Through groundbreaking original research, Daniel Rasmussen offers a window into the young, expansionist country, illuminating the early history of New Orleans and providing new insight into the path to the Civil War and the slave revolutionaries who fought and died for justice and the hope of freedom.
|Author||: Douglas R. Egerton,Robert L. Paquette|
|Editor||: Southern Dissent|
Egerton and Paquette have edited and annotated a wealth of archival material to create the authoritative one-volume documentary history of the Denmark Vesey insurrection of 1822.
|Author||: Jim Averbeck|
|Editor||: Triangle Interactive, Inc.|
Read Along or Enhanced eBook: Yoyo has listened to Mama Cécile’s song about how to make ndolé (bitterleaf stew) her entire life—long enough to know how to make it herself, now that she is finally old enough. But slicing the bitterleaf, grinding the pumpkin, measuring out the shrimp—it just takes too long. Yoyo is confident that her variation on the stew will be good enough. As Mama Cécile and Yoyo set off to market, Mama reminds Yoyo what will happen if she refuses a fair price for the stew—Brother Coin, the Great Spirit of the Market, will put a curse on their market bowl. When Yoyo refuses to heed Mama’s advice, she is faced with the task of trying to regain a blessing from the god himself. An original folktale set in modern-day Cameroon, THE MARKET BOWL teaches readers a lesson about patience, humility, and the value of a fair price. Back matter includes further information about Cameroon and its people and traditions as well as a recipe for ndolé—Cameroon’s national food dish.
|Author||: Mary Schmidt Campbell|
|Editor||: Oxford University Press|
By the time of his death in 1988, Romare Bearden was most widely celebrated for his large-scale public murals and collages, which were reproduced in such places as Time and Esquire to symbolize and evoke the black experience in America. As Mary Schmidt Campbell shows us in this definitive, defining, and immersive biography, the relationship between art and race was central to his life and work -- a constant, driving creative tension. Bearden started as a cartoonist during his college years, but in the later 1930s turned to painting and became part of a community of artists supported by the WPA. As his reputation grew he perfected his skills, studying the European masters and analyzing and breaking down their techniques, finding new ways of applying them to the America he knew, one in which the struggle for civil rights became all-absorbing. By the time of the March on Washington in 1963, he had begun to experiment with the Projections, as he called his major collages, in which he tried to capture the full spectrum of the black experience, from the grind of daily life to broader visions and aspirations. Campbell's book offers a full and vibrant account of Bearden's life -- his years in Harlem (his studio was above the Apollo theater), to his travels and commissions, along with illuminating analysis of his work and artistic career. Campbell, who met Bearden in the 1970s, was among the first to compile a catalogue of his works. An American Odyssey goes far beyond that, offering a living portrait of an artist and the impact he made upon the world he sought both to recreate and celebrate.
|Author||: Anna Badkhen|
Look out for Anna Badkhen's new book, Fisherman's Blues: A West African Community at Sea, on sale now An intrepid journalist joins the planet’s largest group of nomads on an annual migration that, like them, has endured for centuries. Anna Badkhen has forged a career chronicling life in extremis around the world, from war-torn Afghanistan to the border regions of the American Southwest. In Walking with Abel, she embeds herself with a family of Fulani cowboys—nomadic herders in Mali’s Sahel grasslands—as they embark on their annual migration across the savanna. It’s a cycle that connects the Fulani to their past even as their present is increasingly under threat—from Islamic militants, climate change, and the ever-encroaching urbanization that lures away their young. The Fulani, though, are no strangers to uncertainty—brilliantly resourceful and resilient, they’ve contended with famines, droughts, and wars for centuries. Dubbed “Anna Ba” by the nomads, who embrace her as one of theirs, Badkhen narrates the Fulani’s journeys and her own with compassion and keen observation, transporting us from the Neolithic Sahara crisscrossed by rivers and abundant with wildlife to obelisk forests where the Fulani’s Stone Age ancestors painted tributes to cattle. As they cross the Sahel, the savanna belt that stretches from the Indian Ocean to the Atlantic, they accompany themselves with Fulani music they download to their cell phones and tales of herders and hustlers, griots and holy men, infused with the myths the Fulani tell themselves to ground their past, make sense of their identity, and safeguard their—our—future.
|Author||: Pascal Boyer,James V. Wertsch|
|Editor||: Cambridge University Press|
This text introduces students, scholars, and interested educated readers to the issues of human memory broadly considered, encompassing both individual memory, collective remembering by societies, and the construction of history. The book is organised around several major questions: How do memories construct our past? How do we build shared collective memories? How does memory shape history? This volume presents a special perspective, emphasising the role of memory processes in the construction of self-identity, of shared cultural norms and concepts, and of historical awareness. Although the results are fairly new and the techniques suitably modern, the vision itself is of course related to the work of such precursors as Frederic Bartlett and Aleksandr Luria, who in very different ways represent the starting point of a serious psychology of human culture.
|Author||: Douglas R. Egerton|
|Editor||: UNC Press Books|
Gabriel's Rebellion tells the dramatic story of what was perhaps the most extensive slave conspiracy in the history of the American South. Douglas Egerton illuminates the complex motivations that underlay two related Virginia slave revolts: the first, in 1800, led by the slave known as Gabriel; and the second, called the 'Easter Plot,' instigated in 1802 by one of his followers. Although Gabriel has frequently been portrayed as a messianic, Samson-like figure, Egerton shows that he was a literate and highly skilled blacksmith whose primary goal was to destroy the economic hegemony of the 'merchants,' the only whites he ever identified as his enemies. According to Egerton, the social, political, and economic disorder of the Revolutionary era weakened some of the harsh controls that held slavery in place during colonial times. Emboldened by these conditions, a small number of literate slaves--most of them highly skilled artisans--planned an armed insurrection aimed at destroying slavery in Virginia. The intricate scheme failed, as did the Easter Plot that stemmed from it, and Gabriel and many of his followers were hanged. By placing the revolts within the broader context of the volatile political currents of the day, Egerton challenges the conventional understanding of race, class, and politics in the early days of the American republic.
|Author||: John Lofton|
In 1822, Denmark Vesey was found guilty of plotting an insurrection--what would have been the biggest slave uprising in U.S. history. A free man of color, he was hanged along with 34 other African Americans in Charleston, South Carolina, in what historians agree was probably the largest civil execution in U.S. history. At the time of Vesey's conviction, Charleston was America's chief slave port and one of its most racially tense cities. Whites were outnumbered by slaves three to one, and they were haunted by memories of the 1791 slave rebellion in Haiti. In Denmark Vesey's Revolt, John Lofton draws upon primary sources to examine the trial and provide, as Peter Hoffer says in his new introduction, "one of the most sensible and measured" accounts of the subject. This classic book was originally published in 1964 as Insurrection in South Carolina: The Turbulent World of Denmark Vesey, and then reissued by the Kent State University Press in 1983 as Denmark Vesey's Revolt: The Slave Plot That Lit a Fuse to Fort Sumter.
|Author||: Ruth Sergel|
|Editor||: University of Iowa Press|
In 1911, a fire at the Triangle Shirtwaist Factory in New York City took the lives of 146 workers, most of them young immigrant women and girls. Their deaths galvanized a movement for social and economic justice then, but today’s laborers continue to battle dire working conditions. How can we bring the lessons of the Triangle fire back into practice today? For artist Ruth Sergel, the answer was to fuse art, activism, and collective memory to create a large-scale public commemoration that invites broad participation and incites civic engagement. See You in the Streets showcases her work. It all began modestly in 2004 with Chalk, an invitation to all New Yorkers to remember the 146 victims of the fire by inscribing their names and ages in chalk in front of their former homes. This project inspired Sergel to found the Remember the Triangle Fire Coalition, a broad alliance of artists and activists, universities and unions—more than 250 partners nationwide—to mark the 2011 centennial of the infamous blaze. Putting the coalition together and figuring what to do and how to do it were not easy. This book provides a lively account of the unexpected partnerships, false steps, joyous collective actions, and sustainability of such large public works. Much more than an object lesson from the past, See You in the Streets offers an exuberant perspective on building a social art practice and doing public history through argument and agitation, creativity and celebration with an engaged public.
|Author||: Harold Courlander,Ousmane Sako|
|Editor||: Univ of Massachusetts Press|
The heroic legends decribed here, re-create the events and annals of the kingdom of Segu and of the Bambara tribe that formed a series of important city-states along the Niger River during the 17th century. The deeds of kings, the exploits of warriors, the sorcery of magicians, and battles against invaders are among the subjects addressed. The stories, transmitted orally, were narrated by the djeli, traditional keepers of the history of ruling families of the kingdoms that once flourished in the Western Sudan. They speak of valour, honour, intrigues and rivalries between powerful chiefs; they also include some reactions to the colonial encounters.
|Author||: Thomas Weber|
|Editor||: Oxford University Press|
In Becoming Hitler, Thomas Weber continues from where he left off in his previous book, Hitler's First War, stripping away the layers of myth and fabrication in Hitler's own tale to tell the real story of Hitler's politicisation and radicalisation in post-First World War Munich. It is the gripping account of how an awkward and unemployed loner with virtually no recognisable leadership qualities and fluctuating political ideas turned into the charismatic, self-assured, virulently anti-Semitic leader with an all-or-nothing approach to politics with whom the world was soon to become tragically familiar. As Weber clearly shows, far from the picture of a fully-formed political leader which Hitler wanted to portray in Mein Kampf, his ideas and priorities were still very uncertain and largely undefined in early 1919 - and they continued to shift until 1923.
|Author||: Frances Stonor Saunders|
|Editor||: The New Press|
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
|Author||: Yuval Taylor,Jake Austen|
|Editor||: W. W. Norton & Company|
An exploration and celebration of a controversial tradition that, contrary to popular opinion, is alive and active after more than 150 years. Yuval Taylor and Jake Austen investigate the complex history of black minstrelsy, adopted in the mid-nineteenth century by African American performers who played the grinning blackface fool to entertain black and white audiences. We now consider minstrelsy an embarrassing relic, but once blacks and whites alike saw it as a black art form—and embraced it as such. And, as the authors reveal, black minstrelsy remains deeply relevant to popular black entertainment, particularly in the work of contemporary artists like Dave Chappelle, Flavor Flav, Spike Lee, and Lil Wayne. Darkest America explores the origins, heyday, and present-day manifestations of this tradition, exploding the myth that it was a form of entertainment that whites foisted on blacks, and shining a sure-to-be controversial light on how these incendiary performances can be not only demeaning but also, paradoxically, liberating.
|Author||: Joy Jordan-Lake|
|Editor||: Lake Union Publishing|
Told in alternating tales at once haunting and redemptive, A Tangled Mercy is a quintessentially American epic rooted in heartbreaking true events examining the harrowing depths of human brutality and betrayal, and our enduring hope for freedom and forgiveness. After the sudden death of her troubled mother, struggling Harvard grad student Kate Drayton walks out on her lecture--and her entire New England life. Haunted by unanswered questions and her own uncertain future, she flees to Charleston, South Carolina, the place where her parents met, convinced it holds the key to understanding her fractured family and saving her career in academics. Kate is determined to unearth groundbreaking information on a failed 1822 slave revolt--the subject of her mother's own research. Nearly two centuries earlier, Tom Russell, a gifted blacksmith and slave, grappled with a terrible choice: arm the uprising spearheaded by members of the fiercely independent African Methodist Episcopal Church or keep his own neck out of the noose and protect the woman he loves. Kate's attempts to discover what drove her mother's dangerous obsession with Charleston's tumultuous history are derailed by a horrific massacre in the very same landmark church. In the unimaginable aftermath, Kate discovers a family she never knew existed as the city unites with a powerful message of hope and forgiveness for the world.