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|Author||: Alice Bolin|
“Dead Girls is everything I want in an essay collection: provocative lines of inquiry, macabre humor, blistering intelligence... I love this book.” — Carmen Maria Machado, author of Her Body and Other Parties "Bracing and blazingly smart, Alice Bolin's Dead Girls could hardly be more needed or more timely.” — Megan Abbott, Edgar Award-winning author of You Will Know Me Best of summer 2018 - included on best-of lists by Bitch Magazine, Harpers Bazaar, The Millions, Esquire, Refinery29, Nylon, PopSugar, The Chicago Tribune, Book Riot, and CrimeReads In this poignant collection, Alice Bolin examines iconic American works from the essays of Joan Didion and James Baldwin to Twin Peaks, Britney Spears, and Serial, illuminating the widespread obsession with women who are abused, killed, and disenfranchised, and whose bodies (dead and alive) are used as props to bolster men’s stories. Smart and accessible, thoughtful and heartfelt, Bolin investigates the implications of our cultural fixations, and her own role as a consumer and creator. Bolin chronicles her life in Los Angeles, dissects the Noir, revisits her own coming of age, and analyzes stories of witches and werewolves, both appreciating and challenging the narratives we construct and absorb every day. Dead Girls begins by exploring the trope of dead women in fiction, and ends by interrogating the more complex dilemma of living women – both the persistent injustices they suffer and the oppression that white women help perpetrate. Reminiscent of the piercing insight of Rebecca Solnit and the critical skill of Hilton Als, Bolin constructs a sharp, perceptive, and revelatory dialogue on the portrayal of women in media and their roles in our culture.
|Author||: Alice Bolin|
|Editor||: William Morrow Paperbacks|
“Dead Girls is everything I want in an essay collection: provocative lines of inquiry, macabre humor, blistering intelligence... I love this book. I want to take it into the middle of a crowded room and hold it up and scream until someone tackles me the ground; even then, I’d probably keep screaming.” — Carmen Maria Machado, author of Her Body and Other Parties "Bracing and blazingly smart, Alice Bolin's Dead Girls could hardly be more needed or more timely. A critical contribution to the cultural discussion of gender and genre, Los Angeles and noir, the unbearable persistence of the male gaze and the furtive potency of female rage.” — Megan Abbott, Edgar Award-winning author of You Will Know Me Named a most anticipated book of 2018 by Bitch Magazine In this poignant collection, Alice Bolin examines iconic American works from the essays of Joan Didion and James Baldwin to Twin Peaks, Britney Spears, and Serial, illuminating the widespread obsession with women who are abused, killed, and disenfranchised, and whose bodies (dead and alive) are used as props to bolster men’s stories. Smart and accessible, thoughtful and heartfelt, Bolin investigates the implications of our cultural fixations, and her own role as a consumer and creator. Bolin chronicles her life in Los Angeles, dissects the Noir, revisits her own coming of age, and analyzes stories of witches and werewolves, both appreciating and challenging the narratives we construct and absorb every day. Dead Girls begins by exploring the trope of dead women in fiction, and ends by interrogating the more complex dilemma of living women – both the persistent injustices they suffer and the oppression that white women help perpetrate. Reminiscent of the piercing insight of Rebecca Solnit and the critical skill of Hilton Als, Bolin constructs a sharp, perceptive, and revelatory dialogue on the portrayal of women in media and their roles in our culture.
|Author||: Rachel Caine|
When Claire Danvers and her equally outcast best friend Eve are invited to the annual Dead Girls' Dance at a fraternity, all hell breaks loose when the living group party with the dead group in a town rampant with bloodthirsty vampires.
|Author||: Abigail Tarttelin|
|Editor||: Pan Macmillan|
It's 1999 and Thera Wilde is NOT a victim . . . From the award-winning author of Golden Boy, Dead Girls tells a story of Girl Power, murder and revenge. 'Tarttelin is a natural storyteller' Matt Haig A quiet community is shocked by the murder of an eleven-year-old girl. As police swarm the village, fear compels parents to keep their children indoors. Unbeknown to her Mum and Dad, though, one girl roams free. That girl is Thera Wilde. Thera was the murdered girl’s best friend. Together they were unstoppable and, even alone, Thera is not afraid: it’s 1999. Girls can do anything. And Thera reckons she can find the killer before the police do. 'Sometimes brutal, often tender, and always compelling' Emily St. John Mandel, author of Station Eleven, on Golden Boy
|Author||: Nancy Lee|
|Editor||: Emblem Editions|
Infused with eroticism, poignancy, and insight that cuts to the bone, these stories lead us into a tipping world of emotional wagers, loss and discovery, power and impulse. A marriage is tested as a mother struggles to cope with the disappearance of her prostitute daughter. Two angry women in a minivan act out their frustrations as they rampage through the night. A pill-dependent nurse juggles neuroses, infatuation, and exhaustion while supervising a high school dance-a-thon. A quiet tattoo artist takes in a homeless woman, and stumbles upon the true nature of beauty, jealousy, and love. Written in taut, unflinching prose, these stories are edgy and dark, sharply observed and uniquely imagined. As provocative as it is brilliant, Dead Girls introduces Nancy Lee as an astonishing and original new literary talent.
|Author||: Monica Murphy|
|Editor||: Entangled: Teen|
“A suspenseful, thrilling read that will keep you on pins and needles until the last page.” —Liezel and Angie's Book Blog Beautiful. Perfect. Dead. In the peaceful seaside town of Cape Bonita, wicked secrets and lies are hidden just beneath the surface. But all it takes is one tragedy for them to be exposed. The most popular girls in school are turning up dead, and Penelope Malone is terrified she's next. All the victims so far have been linked to Penelope—and to a boy from her physics class. The one she's never really noticed before, with the rumored dark past and a brooding stare that cuts right through her. There's something he isn't telling her. But there's something she's not telling him, either. Everyone has secrets, and theirs might get them killed.
|Author||: Eric Rickstad|
“As I read Eric Rickstad’s latest, The Names of Dead Girls, I felt myself constantly wanting to skip ahead -- anxious, desperate, to find out what was going to happen...You’re in the hands of one of the best in the business, at the very peak of his form. “ -- Michael Harvey, author of Brighton New York Times and USA Today bestselling author Eric Rickstad delivers another Canaan Crime novel and features once again detectives Frank Rath and Sonja Test as they track a depraved killer through rural Vermont. Every murder tells a story. Some stories never end . . . In a remote northern Vermont town, college student Rachel Rath is being watched. She can feel the stranger’s eyes on her, relentless and possessive. And she’s sure the man watching her is the same man who killed her mother and father years ago: Ned Preacher, a serial rapist and murderer who gamed the system to get a light sentence. Now, he’s free. Detective Frank Rath adopted Rachel, his niece, after the shocking murder of her parents when she was a baby. Ever since, Rath’s tried to protect her from the true story of her parents’ deaths. But now Preacher is calling Rath to torment him. He’s threatening Rachel and plotting cruelties for her, of the flesh and of the mind. When other girls are found brutally murdered, and a woman goes missing, Rath and Detective Sonja Test must untangle the threads that tie these new crimes and some long-ago nightmares together. Soon they will learn that the truth is more perverse than anyone could guess, rife with secrets, cruel desires, and warped, deadly loyalty. Mesmerizing, startling, and intricately plotted, The Names of Dead Girls builds relentlessly on its spellbinding premise, luring readers into its dark and macabre mystery, right to its shocking end.
|Author||: Anna Seghers|
|Editor||: New York Review of Books|
A new translation of the best and most provocative short stories by the author of Transit and The Seventh Cross. Best known for the anti-fascist novel The Seventh Cross and the existential thriller Transit, Anna Seghers was also a gifted writer of short fiction. The stories she wrote throughout her life reflect her political activism as well as her deep engagement with myth; they are also some of her most formally experimental work. This selection of Seghers’s best stories, written between 1925 and 1965, displays the range of her creativity over the years. It includes her most famous short fiction, such as the autobiographical “The Dead Girls’ Class Trip,” and others, like “Jans Is Going to Die,” that have been translated into English here for the first time. There are psychologically penetrating stories about young men corrupted by desperation and women bound by circumstance, as well as enigmatic tales of bewilderment and enchantment based on myths and legends, like “The Best Tales of Woynok, the Thief,” “The Three Trees,” and “Tales of Artemis.” In her stories, Seghers used the German language in especially unconventional and challenging ways, and Margot Bettauer Dembo’s sensitive and skilled translation preserves this distinction.
|Author||: Michelle Krys|
|Editor||: Delacorte Press|
A girl accepts a mysterious invitation to play a deadly game in this suspense-filled thriller from the author of HEXED--perfect for fans of NERVE by Jeanne Ryan and Lauren Oliver's PANIC. You are cordially invited to participate in a game of thrills and dares. Tell no one. And come alone. Hope is sick of everyone treating her like she’s breakable. Sure, she has cystic fibrosis (basically really bad lungs), but she’s tired of being babied by her mom and her overprotective best friend, Ethan, not to mention worrying about paying for her expensive medication and how she’s going to afford college.And she’s bored with life in her run-down New Orleans suburb. When an invitation arrives from a mysterious group that calls itself the Society, Hope jumps at the chance for some excitement. This could be her ticket out. All she has to do is complete a few dares and she just might win some real money. But the Society isn’t all that it seems . . . and soon Hope finds that playing the game isn’t a choice—it’s a requirement. “Dark, twisty, and thrilling.” —Danielle Paige, New York Times bestselling author of Dorothy Must Die “A delicious and fast-paced read! This one kept me up way past my bedtime!” —Julie Murphy, #1 New York Times bestselling author of Dumplin’ A YALSA Quick Pick for Reluctant Readers
|Author||: Richard Calder|
|Editor||: St Martins Press|
Presents the the story of Primavera, a "dead girl"--a brand of engineered doll women who were once human--and her infected lover, who become caught up in a power war between the CIA and Far Eastern pornocrats. A first novel.
|Author||: Jennifer Shaw Wolf|
|Editor||: Bloomsbury Publishing USA|
Jennifer Shaw Wolf keeps readers on their toes in another dark, romantic story of murder and secrets. Jaycee and Rachel were best friends. But that was before. Before that terrible night at the old house. Before Rachel shut Jaycee out. Before Jaycee chose Skyler over Rachel. Then Rachel is found dead. The police blame a growing gang problem in their small town, but Jaycee is sure it has to do with that night at the old house. Rachel's text is the first clue--starting Jaycee on a search that leads to a shocking secret. Rachel's death was no random crime, and Jaycee must figure out who to trust before she can expose the truth.
|Author||: Damien Angelica Walters|
|Editor||: Crooked Lane Books|
A supernatural thriller in the vein of A Head Full of Ghosts about two young girls, a scary story that becomes far too real, and the tragic--and terrifying--consequences that follow one of them into adulthood. Red Lady, Red Lady, show us your face... In 1991, Heather Cole and her friends were members of the Dead Girls Club. Obsessed with the macabre, the girls exchanged stories about serial killers and imaginary monsters, like the Red Lady, the spirit of a vengeful witch killed centuries before. Heather knew the stories were just that, until her best friend Becca began insisting the Red Lady was real--and she could prove it. That belief got Becca killed. It's been nearly thirty years, but Heather has never told anyone what really happened that night--that Becca was right and the Red Lady was real. She's done her best to put that fateful summer, Becca, and the Red Lady, behind her. Until a familiar necklace arrives in the mail, a necklace Heather hasn't seen since the night Becca died. The night Heather killed her. Now, someone else knows what she did...and they're determined to make Heather pay.
|Author||: Graeme Cameron|
I may not remember everything, but I know he won’t hurt anyone else. I won’t let him. It’s been two months since a serial killer brutally attacked police detective Alisha Green and left her for dead. Two months since she could effortlessly recall simple things, since her mind felt remotely sound. The nameless killer thinks he knows her, thinks she’s just another dead girl among many. Ali Green plans to show him he’s dead wrong about that. Ali has two enemies now: the dangerous man she’s hunting and her own failing memory. As explosive new evidence comes to light and conflicting accounts from a witness and a surviving victim threaten both her investigation and her credibility, she begins to question what is and isn’t real. And now Ali has no choice but to remember the past…before it buries her. A hypnotically gripping thriller that proves international bestselling author Graeme Cameron is one of the most unique voices in contemporary fiction today. “Chilling [and] blackly humorous…Normal marks Cameron out as one to watch.” —Daily Express, 4 stars “Original and gripping.” —Clare Mackintosh, New York Times bestselling author, on Normal
|Author||: Suzy Cox|
Solving the mystery behind your death can be murder. Charlotte wakes up at Hotel Atessa, home to murdered New York teenagers and HQ of The Dead Girls Detective Agency. Before she has time to adjust to her new, erm, dead self, she's thrust into the arms of her new afterlife companions, Lorna, Nancy and the cute - if slightly hostile - dead boy, Eddison. But where does this leave Charlotte and her boyfriend David? Is it possible to have a long-distance relationship from beyond the grave? The only way out of this limbo is to figure out who killed her, or she'll have to spend eternity here. But who could hate her enough to want her dead?
|Author||: Lizzie Friend|
|Editor||: Simon and Schuster|
The first time she is blindfolded and kidnapped, star-athlete and posh boarding school newbie Sadie is terrified. She wakes up in a dark room surrounded by hushed whispers, hooded strangers, and a mysterious voice whispering not-so-sweet nothings in her ear. But once the robes come off, she realizes it's just an elaborate prank designed to induct her into the group that's been pulling the strings at Keating Hall for generations. The circle has it all--incredible connections; fabulous parties; and, of course, an in with the brother society's gorgeous pledges. The instant popularity is enough to make Sadie forget about the unexplained marks on her body, the creepy ceremonial rituals, and the incident that befell one of her teammates the year before. So the next time Sadie is kidnapped, she isn't scared, but she should be. The worst of Keating Hall is yet to come.
|Author||: Michelle Krys|
In a run-down New Orleans suburb, an overprotected, bored teenager with cystic fibrosis becomes involved in a dangerous game when a mysterious group called the Society invites her to complete a few dares for the chance of winning big money to help pay for her costly medication and future college expenses.
|Author||: Katie Alender|
|Editor||: Scholastic Inc.|
Delia's new house isn't just a house. Long ago, it was the Piven Institute for the Care and Correction of Troubled Females -- an insane asylum nicknamed "Hysteria Hall." However, many of the inmates were not insane, just defiant and strong willed. Kind of like Delia herself. But the house still wants to keep "troubled" girls locked away. So, in the most horrifying way, Delia becomes trapped. And that's when she learns that the house is also haunted. Ghost girls wander the hallways in their old-fashioned nightgowns. A handsome ghost boy named Theo roams the grounds. Delia learns that all the spirits are unsettled and full of dark secrets. The house, too, harbors shocking truths within its walls -- truths that only Delia can uncover, and that may set her free. And she'll need to act quickly -- before the house's power overtakes everything she loves. Katie Alender brings heart-pounding suspense, gorgeous writing, and a feminist twist to this tale of memories and madness.
|Author||: Selva Almada|
|Editor||: Graywolf Press|
A taut, lyrical portrait of four people thrown together on a single day in rural Argentina The Wind That Lays Waste begins in the great pause before a storm. Reverend Pearson is evangelizing across the Argentinian countryside with Leni, his teenage daughter, when their car breaks down. This act of God or fate leads them to the workshop and home of an aging mechanic called Gringo Brauer and a young boy named Tapioca. As a long day passes, curiosity and intrigue transform into an unexpected intimacy between four people: one man who believes deeply in God, morality, and his own righteousness, and another whose life experiences have only entrenched his moral relativism and mild apathy; a quietly earnest and idealistic mechanic’s assistant, and a restless, skeptical preacher’s daughter. As tensions between these characters ebb and flow, beliefs are questioned and allegiances are tested, until finally the growing storm breaks over the plains. Selva Almada’s exquisitely crafted debut, with its limpid and confident prose, is profound and poetic, a tactile experience of the mountain, the sun, the squat trees, the broken cars, the sweat-stained shirts, and the destroyed lives. The Wind That Lays Waste is a philosophical, beautiful, and powerfully distinctive novel that marks the arrival in English of an author whose talent and poise are undeniable.
|Author||: Stephen Dobyns|
One by one, three young girls vanish in a small town in upstate New York. With the first disappearance, the townspeople begin to mistrust outsiders. When the second girl goes missing, neighbors and childhood friends start to eye each other warily. And with the third disappearance, the sleepy little town awakens to a full-blown nightmare. The Church of Dead Girls is a novel that displays Stephen Dobyns’ remarkable gifts for exploring human nature, probing the ruinous effects of suspicion. As panic mounts and citizens take the law into their own hands, no one is immune, and old rumors, old angers, and old hungers come to the surface to reveal the secret history of a seemingly genteel town and the dark impulses of its inhabitants.
|Author||: Michelle Tea|
|Editor||: Feminist Press at CUNY|
The PEN Award-winning essay collection about queer lives: “Gorgeously punk-rock rebellious.”—The A.V. Club The razor-sharp but damaged Valerie Solanas; a doomed lesbian biker gang; recovering alcoholics; and teenagers barely surviving at an ice creamery: these are some of the larger-than-life, yet all-too-human figures populating America’s fringes. Rife with never-ending fights and failures, theirs are the stories we too often try to forget. But in the process of excavating and documenting these queer lives, Michelle Tea also reveals herself in unexpected and heartbreaking ways. Delivered with her signature honesty and dark humor, this is the first-ever collection of journalistic writing by the author of How to Grow Up and Valencia. As she blurs the line between telling other people’s stories and her own, she turns an investigative eye to the genre that’s nurtured her entire career—memoir—and considers the price that art demands be paid from life. “Eclectic and wide-ranging…A palpable pain animates many of these essays, as well as a raucous joy and bright curiosity.” —The New York Times “Queer counterculture beats loud and proud in Tea’s stellar collection.” —Publishers Weekly (starred) “The best essay collection I've read in years.”—The New Republic Winner of the PEN/Diamonstein-Spielvogel Award for the Art of the Essay