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Cuauhtemoc by Gertrudis Gómez de Avellaneda
Cuauht Moc Descending Eagle by d l davies
This story takes place in the early 16th Century; a time when the world seemed to be expanding at an almost exponential rate. It occurs in South America in a land known as Maya: this is not a tale of what was, but rather, a story of what might have been if I had been in charge of that era. The main character, Cuauhtémoc, is born in a small village in the northwestern part of Maya: the story line follows his life from birth, through birdman-school, where he learns to become a birdman and carry messages. The account unwinds, telling of his adventures, his fights with pirate raiders as well as some of his own people; and by end of the book he is twelve years of age and is sent to the City of Emperors by the Commander of the soldier’s garrison.
Cuauht Moc Blanco by Paco Elzaurdia
Cuauhtémoc Blanco loves to play soccer, and it shows on the field. Blanco has been part of Mexican professional soccer since 1992, and has since become one of the most famous players around. Cuau has been a part of Club América in Mexico, Valladolid in Spain, and the Chicago Fire in the United States, not to mention the Mexican national team. Discover how Blanco became such a great player--and where his skills have taken him. Wherever he goes, Blanco plays his best and earns fans' attention and admiration!
Cuauht Moc Descendant Of The Jaguar by d l davies
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Cuauht Moc Descent Of The Sun Priests by d l davies
This story takes place in the early 16th Century; a time when the world seemed to be expanding at an almost exponential rate. It occurs in South America in a land known as Maya: this is not a tale of what was, but rather, a story of what might have been if I had been in charge of that era. In the second story, Cuauhtémoc is sent to the City of Emperors. He meets the old Emperor and in the process accidentally gives him a new name. He meets the three Crown Princes; gets into another fight with pirate raiders as well as several of his own people; saves the life of a young girl and very nearly kills the Sun’s High Priest: it was a busy week, even for him. The tale unwinds and in the end, Maya has a new Emperor, when the old Emperor dies . . . or does he? If you want to know more; read the book.
Cuauhtemoc Cardenas And The Roots Of Mexico S New Democracy by Robert Richter
Cuauht Moc by
Cort S by Francisco López de Gómara
Sixteenth century narrative on the conquest of Mexico.
Monuments Of Progress by Claudia Agostoni
Monuments of Progress: Modernization and Public Health in Mexico City, 1876-1910, Claudia Agostoni examines modernization in Mexico City during the era of Porfirio Díaz. With detailed analyses of the objectives and activities of the Superior Sanitation Council, and, in particular, the work of the sanitary inspectors, Monuments of Progress provides a fresh take on the history of medicine and public health by shifting away from the history of epidemic disease and heroic accounts of medical men and toward looking at public health in a broader social framework. She outlines the relationship between "enlightened" ideals of orderliness and hygiene to Mexican initiatives in public health. The implementation of new health policies and programs were of utmost importance for the symbolic legitimation of Porfirio Díaz's long-lasting regime (1876-1910), which emphasized modernization over individual rights and liberties. Agostoni's unique study builds on a small, but fast-growing, body of literature on the history of public health in Latin America and represents a growing interest in the social and cultural history of public health in this area.
The Aztec Pantheon And The Art Of Empire by John M. D. Pohl
"Exploring a defining moment of cultural encounter, this book offers points of departure for a comparative archaeology of empire. While many studies dwell on the Aztec gods and the bloody rituals performed in their horror, The Aztec Pantheon examines little-known episodes in which classicism mediated a dialogue both within and between Mesoamerica and Spain. The Spanish imagination of Rome and the memory of the Iberian Peninsula as a province of the Roman Empire were used to forge new understandings of Mexican society as well as to guide and critique Spain's imperial aims in the New World. The authors engage contemporary approaches to cross-cultural analogy, which sheds light on the function of monumental arts, religious spectacles, and consciously classicizing traditions within empires."--BOOK JACKET.