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Author: Cynthia Freeland
Genre: Art
Publisher: OUP Oxford
ISBN: 9780191504259
Book Pages: 254
Format: PDF, ePub & Mobi

In today's art world many strange, even shocking, things qualify as art. In this book, Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, along with the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art.


Author: Cynthia A. Freeland
Genre: Art
Publisher: Oxford University Press, USA
ISBN: 9780192853677
Book Pages: 231
Format: PDF, ePub & Mobi

In today's art world many strange, even shocking, things qualify as art. In this critically acclaimed study, Cynthia Freeland offers a provocative and clear explanation of why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. Providing an accessible introduction to a wide range of theories, artists, and works, Freeland explains why challenging our perceptions is, and always has been, central to the whole endeavour of art. The result is an invaluable introduction to the key debates surrounding our response to art.


Author: Cynthia A. Freeland
Genre: Art
Publisher: Oxford University Press, USA
ISBN: 0192853678
Book Pages: 231
Format: PDF, ePub & Mobi

But is it art? discusses the relationship of art with beauty, culture, money, sex, and new technology, and explains why innovation and controversy in art are constantly in the headlines, and why it matters.


Author: Nina Felshin
Genre: Art
Publisher:
ISBN: UOM:39015026921489
Book Pages: 412
Format: PDF, ePub & Mobi

This groundbreaking anthology documents the recent explosion of art that agitates for progressive social change. Leading art critics, historians, and journalists explore the provocative methods of activist artists who reject conventional art practices in favor of public sites and community participation.


Author: Cynthia Freeland
Genre: Social Science
Publisher: Routledge
ISBN: 9780429964787
Book Pages: 336
Format: PDF, ePub & Mobi

Horror is often dismissed as mass art or lowbrow entertainment that produces only short-term thrills. Horror films can be bloody, gory, and disturbing, so some people argue that they have bad moral effects, inciting viewers to imitate cinematic violence or desensitizing them to atrocities. In The Naked and the Undead: Evil and the Appeal of Horror, Cynthia A. Freeland seeks to counter both aesthetic disdain and moral condemnation by focusing on a select body of important and revealing films, demonstrating how the genre is capable of deep philosophical reflection about the existence and nature of evil?both human and cosmic. In exploring these films, the author argues against a purely psychoanalytic approach and opts for both feminist and philosophical understandings. She looks at what it is in these movies that serves to elicit specific reactions in viewers and why such responses as fear and disgust are ultimately pleasurable. The author is particularly interested in showing how gender figures into screen presentations of evil.The book is divided into three sections: Mad Scientists and Monstrous Mothers, which looks into the implications of male, rationalistic, scientific technology gone awry; The Vampire's Seduction, which explores the attraction of evil and the human ability (or inability) to distinguish active from passive, subject from object, and virtue from vice; and Sublime Spectacles of Disaster, which examines the human fascination with horror spectacle. This section concludes with a chapter on graphic horror films like The Texas Chainsaw Massacre. Written for both students and film enthusiasts, the book examines a wide array of films including: The Silence of the Lambs, Repulsion, Frankenstein, The Fly, Dead Ringers, Alien, Bram Stoker's Dracula, Interview with the Vampire, Frenzy, The Shining, Eraserhead, Hellraiser, and many others.


Author: Cynthia Freeland
Genre: Art
Publisher: OUP Oxford
ISBN: 9780191579325
Book Pages: 184
Format: PDF, ePub & Mobi

In today's art world many strange, even shocking, things qualify as art. In this Very Short Introduction Cynthia Freeland explains why innovation and controversy are valued in the arts, weaving together philosophy and art theory with many fascinating examples. She discusses blood, beauty, culture, money, museums, sex, and politics, clarifying contemporary and historical accounts of the nature, function, and interpretation of the arts. Freeland also propels us into the future by surveying cutting-edge web sites, alongside the latest research on the brain's role in perceiving art. This clear, provocative book engages with the big debates surrounding our responses to art and is an invaluable introduction to anyone interested in thinking about art. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.


Author: R. Crumb
Genre: Art
Publisher: Walther Konig
ISBN: UCSC:32106018191350
Book Pages: 278
Format: PDF, ePub & Mobi

Essay by Alfred M. Fischer.


Author: Terry Barrett
Genre: Art
Publisher: Oxford University Press, USA
ISBN: UOM:39015079284934
Book Pages: 231
Format: PDF, ePub & Mobi

Why Is That Art? addresses common questions that viewers raise about contemporary art: Why is that art? Why is it in an art museum? Who says it's art? If I did this, would it be art? Why is it good? Covering a broad, diverse, and engaging sampling of works--abstract and representational painting, monumental sculpture, performance art, video installations, films, and photographs--author Terry Barrett responds to these questions using three sources: the artists who created the works, philosophers of art, and art critics. Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.


Author: Grayson Perry
Genre: Art
Publisher: Penguin
ISBN: 9780143128922
Book Pages: 128
Format: PDF, ePub & Mobi

Grayson Perry’s book will overturn everything you thought you knew about “art” Now Grayson Perry is a fully paid-up member of the art establishment, he wants to show that any of us can appreciate art (after all, there is a reason he’s called this book Playing to the Gallery and not Sucking Up to the Academic Elite). This funny, personal journey through the art world answers the basic questions that might occur to us in an art gallery but that we’re too embarrassed to ask. Questions such as: What is “good” or “bad” art—and does it even matter? Is art still capable of shocking us or have we seen it all before? And what happens if you place a piece of art in a rubbish dump?


Author: David Gerard
Genre: Business & Economics
Publisher: David Gerard
ISBN:
Book Pages: 182
Format: PDF, ePub & Mobi

An experimental new Internet-based form of money is created that anyone can generate at home; people build frightening firetrap computers full of video cards, putting out so much heat that one operator is hospitalised with heatstroke and brain damage. A young physics student starts a revolutionary new marketplace immune to State coercion; he ends up ordering hits on people because they might threaten his great experiment, and is jailed for life without parole. Fully automated contractual systems are proposed to make business and the law work better; the contracts people actually write are unregulated penny stock offerings whose fine print literally states that you are buying nothing of any value. The biggest crowdfunding in history attracts $150 million on the promise that it will embody “the steadfast iron will of unstoppable code”; upon release it is immediately hacked, and $50 million is stolen. How did we get here? David Gerard covers the origins and history of Bitcoin to the present day, the other cryptocurrencies it spawned including Ethereum, the ICO craze and the 2017 crypto bubble, and the attempts to apply blockchains and smart contracts to business. Plus a case study on blockchains in the music industry. Bitcoin and blockchains are not a technology story, but a psychology story. Remember: if it sounds too good to be true, it almost certainly is. “A sober riposte to all the upbeat forecasts about cryptocurrency” — New York Review of Books “A very convincing takedown of the whole phenomenon” — BBC News