The great interest of Jocelyn Playfair's book for modern readers is its complete authenticity. Set sixty years ago at the time of the fall of Tobruk in 1942, one of the low points of the war, and written only a year later when we still had no idea which way the war was going.

"[I]f only we could make the manor subscribe a little bit towards her own upkeep," we fretted. But she was an aristocratic lady on our hands. All ideas for making her work for a living were wrecked on the fact that she was born to be served and not to serve. Six friends have spent the dark, deprived years of World War II fantasising-in air raid shelters and food queues-about an idyllic life in a massive country house. With the coming of peace, they sieze on a seductive newspaper ad and take possession of a neglected 33-room manor in Kent, with acres of lavish gardens and an elderly gardener yearning to revive the estate's glory days. But the realities of managing this behemoth soon dawn, including a knife-wielding maid, unruly pigs, and a paying guest who tells harrowing stories of her time in the French Resistance, not to mention the friends' conscientious efforts to offer staff a fair 40-hour work week and paid overtime. And then there's the ghost of an overworked scullery maid . . . Based on the actual experiences of Ruth Adam, her husband, and their friends, A House in the Country is a witty and touching novel about the perils of dreams come true. But it's also a constantly entertaining tale packed with fascinating details of post-war life-and about the realities of life in the kind of house most of us only experience via Downton Abbey.

Nestled amid the lush, gently rolling hills of cattle and horse farms in Millbrook, New York, is a handsome Greek Revival house that looks like it s always been there. In fact, it is brand new the collaborative effort of architect Peter Pennoyer and his wife, interior designer Katie Ridder. This irresistible book, exquisitely illustrated with photographs, finely rendered plans, and hand-painted illustrations, tells the home s story. The design followed Pennoyer s conviction that historical examples are a springboard for the imagination and offer compelling solutions for new architecture. So, though many characteristics of the house are classical, and, more specifically, Greek Revival, it is also thoroughly contemporary and environmentally friendly, with an exuberantly colorful interior and spectacular gardens."

Based on the author's Slade lectures given at Oxford University in 1975-76.

This magnificent book describes the great country houses built with American industrial fortunes from the end of the Civil War until 1940. The American Country House draws on the rich and often amusing writings of contemporaries to evoke the lives the buildings served as well as architectural shapes they took. 275 illustrations.

'Holidays are about surviving the gaps between one meal and another.' For one long hot summer in Devon, three families are sharing one very big house in the country. The Herreras: made up of two tired parents, three grumbling children and one promiscuous dog; the Littles: he's loaded (despite two divorces and five kids), she's gorgeous, but maybe the equation for a truly happy marriage is a bit more complicated than that; and the Browns, who seem oddly jumpy around people, but especially each other. By the pool, new friendships blossom; at the Aga door, resentments begin to simmer. Secret crushes are formed and secret cigarettes cadged by the teens, as the adults loosen their inhibitions with litres of white wine and start to get perhaps a little too honest . . . Mother hen to all, Evie Herreras has a life-changing announcement to make, one that could rock the foundations of her family. But will someone else beat her to it?

This work explores the British country house between 1700-1830 and looks at the lives of the noblemen and the servants who inhabited them. Reference is made to the whole of the British Isles and there is a discussion of their political significance.

"Ranging from Kentchurch Court, a former fortified medieval manor house that has been the seat of the Scudamore family for nearly 1,000 years to a delightful Strawberry Hill-style Gothic house in rural Cornwall to a ducal palace (Badminton) to stately Goodwood House, England's greatest sporting estate, this beautifully illustrated book showcases ten outstanding British country houses--all still in the hands of descendants of the original owners. James Peill, co-author of Vendome's The Irish Country House and curator of Goodwood House, recounts the ups and downs of such deep-rooted clans as the Cracrofts, landowners in Lincolnshire since the twelfth century, whose late-eighteenth-century Hackthorn Hall is a perfect example of the kind of house Jane Austen describes in her novels (indeed, she appears on their family tree), as well as the relatively newly arrived Biddulphs, who constructed Rodmarton, an Arts & Crafts masterpiece, in the first decades of the last century. James Fennell, the photographer of this volume and its Scottish and Irish companions, has once again provided a wealth of gardens, charming interiors, bygone sporting trophies, fine art collections, and fanciful family memorabilia, making The English Country House a delicious treat for Anglophiles and lovers of old houses. "--

Nora Murphy has turned her passion for country house style and its embodiment--her own home in Newtown, Connecticut--into a multimedia juggernaut. Her blog, website, e-magazine, strong presence on social media, and increasing visibility in print media and on TV have earned her a devoted following all over the country. Now she has distilled the essence of her knowledge about country house style and how to achieve it in this irresistible volume. The first part of the book lays out the universal elements of the style; the second reveals how she has incorporated these elements into her own home; and the third shows how the elements of this comfortable, comforting, easy aesthetic and approach to life can be applied in different ways and in different locations to striking, individual effect. Five homes, each of which expresses a unique take on the style, are featured. Part primer, part wish book, Nora Murphy's Country House Style is all inspiration.

Ranging from Kentchurch Court, a former fortified medieval manor house that has been the seat of the Scudamore family for nearly 1,000 years, to a delightful Strawberry Hill-style Gothic house in rural Cornwall and car-crazed Goodwood House, this beautifully illustrated book showcases ten outstanding British country houses, all still in the hands of the original families. James Peill recounts the ups and downs of such deep-rooted clans as the Cracrofts, landowners in Lincolnshire since the 12th century, whose late 18th-century Hackthorn Hall is a perfect example of the kind of house Jane Austen describes in her novels (indeed, she appears on their family tree), as well as the relatively newly arrived Biddulphs, who constructed Rodmarton, an Arts & Crafts masterpiece, in the first decades of the last century. James Fennell has once again provided superb photographs of a wealth of gardens, charming interiors, bygone sporting trophies, fine art collections and fanciful family memorabilia, making The English Country House a delicious treat for Anglophiles and lovers of old houses.

Why was heraldry so important to the families for whom houses were built? How does the layout of a house reveal the values of the people who lived in it? By reading the architectural features of a house - even simple items such as windows, doors, chimneys and staircases - we can learn so much about the past. Interiors, as well as exteriors, have a story to tell, with floor layouts and contents of rooms revealing much about the people who built and lived in them. We can also read the iconography of a house: its symbols and images, spanning subjects such as classical mythology, religion and British history. Heraldry too is an essential tool for understanding much of the details found in country houses, from coats of arms to crests, or fireplace decorations and ceiling bosses. Through all this, we gain a glimpse into the social world of the families who lived there - and discover that the stories of many country houses are inextricably linked by marriage, royalty or political or military service. Richly illustrated with stunning photographs from the unique archive of Country Life magazine, this book is a joy for all those who want to learn more about our heritage, art and architecture, and the essential characteristics of a classic country house.

A highly detailed look at the English country house interior, offering unprecedented access to England's finest rooms. In this splendid book, renowned historian Jeremy Musson explores the interiors and decoration of the great country houses of England, offering a brilliantly detailed presentation of the epitome of style in each period of the country house, including the great Jacobean manor house, the Georgian mansion, and the Gothic Revival castle. For the first time, houses known worldwide for their exquisite architecture and decoration--including Wilton, Chatsworth, and Castle Howard--are seen in unprecedented detail. With intimate views of fabric, gilding, carving, and furnishings, the book will be a source of inspiration to interior designers, architects, and home owners, and a must-have for anglophiles and historic house enthusiasts. The fifteen houses included represent the key periods in the history of English country house decoration and cover the major interior fashions and styles. Stunning new color photographs by Paul Barker-who was given unparalleled access to the houses-offer readers new insights into the enduring English country house style. Supplementing these are unique black-and-white images from the archive of the esteemed Country Life magazine. Among the aspects of these that the book covers are: paneling, textile hangings (silks to cut velvet), mural painting, plasterwork, stone carving, gilding, curtains, pelmets, heraldic decoration, classical imagery, early upholstered furniture, furniture designed by Thomas Chippendale, carved chimney-pieces, lass, use of sculpture, tapestry, carpets, picture hanging, collecting of art and antiques, impact of Grand Tour taste, silver, use of marble, different woods, the importance of mirror glass, boulle work, English Baroque style, Palladian style, neo-Classical style, rooms designed by Robert Adam, Regency, Gothic Revival taste, Baronial style, French 18th century style, and room types such as staircases, libraries, dining rooms, parlors, bedrooms, picture galleries, entrance halls and sculpture galleries. Houses covered include: Hatfield - early 1600s (Jacobean); Wilton - 1630/40s (Inigo Jones); Boughton - 1680/90s (inspired by Versailles); Chatsworth -1690/early 1700s (Baroque); Castle Howard - early 1700s (Vanbrugh); Houghton - 1720s (Kent); Holkham - 1730s-50s (Palladian); Syon Park - 1760s (Adam); Harewood - 1760s/70s (neo-Classical); Goodwood - 1790s/1800s (neo-Classical/Regency); Regency at Chatsworth/Wilton/C Howard etc - 1820/30s; Waddesdon Manor - 1870/80ss (French Chateau style); Arundel Castle -1880s/90s (Gothic Revival); Berkeley Castle - 1920/30s (period recreations and antique collections); Parham House - 1920s/30s (period restorations and antique collections). The range is from the early 17th century to present day, drawn from the authenticated interiors of fifteen great country houses, almost all still in private hands and occupied as private residences still today. The book shows work by twentieth-century designers who have helped evolve the country house look, including Nancy Lancaster, David Hicks, Colefax & Fowler, and David Mlinaric

Beginning with new evidence that cites the presence of books in Roman villas and concluding with present day vicissitudes of collecting, this generously illustrated book presents a complete survey of British and Irish country house libraries. Replete with engaging anecdotes about owners and librarians, the book features fascinating information on acquisition bordering on obsession, the process of designing library architecture, and the care (and neglect) of collections. The author also disputes the notion that these libraries were merely for show, arguing that many of them were profoundly scholarly, assembled with meticulous care, and frequently used for intellectual pursuits. For those who love books and the libraries in which they are collected and stored, The Country House Library is an essential volume to own.

Brings together research on the introduction of domestic technologies into country houses and their estates.

English novelist and playwright John Galsworthy was one of the most acclaimed writers of his time, and his fan base has continued to expand in the years since his death as new generations of readers discover his work. The Country House touches on many same themes that Galsworthy's best-known works explore, including the tribulations facing a new class of landed gentry in nineteenth-century England.

From an acclaimed social and architectural historian, the tumultuous, scandalous, glitzy, and glamourous history of English country houses and high society during the interwar period

Combining an inventive spirit with an erudite grasp of architectural history, Peter Pennoyer Architects has been designing elegant, classically based homes in both urban and country settings for two decades. Twenty of the firms residential projects are featured in this sumptuously illustrated volume, ranging from a triplex in NewYork to a Spanish Colonial Revival house in San Francisco, from a farmhouse in Virginia to a ranch house in New Mexico. Guided by Peter Pennoyer and AnneWalkers illuminating text, the reader will derive great appreciation for the firms implementation of classical traditions and skilful adaptation of timeless design to modern life.

This provocative volume stimulates debate about lost 'heritage' by examining the history of the hundreds of great houses demolished in Britain and Ireland in the twentieth century. Seven lively essays debate our understanding of what is meant by loss and how it relates to popular conceptions of the great house.

The way a man thinks about his day-to-day living and the needs of his household reveals a great deal about his ambitions, his idea of himself, and his role in the community. And his house or castle offers many clues to his habits as well as those of the members of his household. This intriguing book explores the evolution of country house plans throughout Britain and Ireland, from medieval times to the eighteenth century. With photographs and detailed architectural plans of each house under discussion, the book presents a whole range of new insights into how these homes were designed and what their varied designs tell us about the lives of their residents. Starting with fortified medieval tower houses, the book traces patterns that developed and sometimes repeated in country house design over the centuries. It discusses who slept in the bedchambers, where food was prepared, how rooms were arranged for official and private activities, what towers signified, and more. Groundbreaking in its depth, the volume offers a rare tour of country houses for scholar and general reader alike.